We Can't Have Everything(1918)

The Brute(en)

The brute is a gambler, boxing manager and underworld boss who mistreats a young woman. She is forced into marriage with him for money after her original fiance is thought dead. When that man returns, he attempts to rescue her.

The House Behind the Cedars(en)

Rena is a young woman of mixed race. Although she is romantically pursued by an upwardly mobile African American named Frank, Rena does not decide in his favor. Her appearance allows her to pass for white, as she is of majority European ancestry, although she has grown up in the black community. She meets and falls in love with George Tryon, a young white aristocrat. But as their relationship deepens, Rena believes she has to acknowledge her African ancestry. Considered a lost film.

The Glory of Yolanda(en)

A Russian peasant girl becomes a member of the Imperial Ballet.

The Son of Wallingford(en)

A young man's journey into adulthood, love, and ambition, inspired by a serial by George Randolph Chester exploring themes of love, ambition, and self-discovery, set against the backdrop of the Roaring Twenties.

An Orphan’s Cry(zh)

Fifth Avenue(en)

When her cotton crop is burned, Barbara Pelham, a beautiful southern girl, comes to New York to find work as a fashion designer, staying with Mrs. Kemp, a woman she meets on the northbound train. In Mrs. Kemp's house, Barbara encounters Peter Heffner, a wealthy stockbroker, and discovers from him that she has taken up residence in a whorehouse. There is a police raid, but Barbara escapes arrest and returns home. Heffner's son, Neil, goes south to inspect some family property and there meets Barbara, with whom he falls in love. They decide to be married, and she accompanies him to New York, where she meets the elder Heffner for a second time. He denounces her as a whore, but Barbara goes to Mrs. Kemp, who explains the misunderstanding to everyone's satisfaction.

Are You a Mason?(en)

Frank Perry's wife Helen is away visiting her mother, and he uses this "free time" for a night of drinking at a nightclub. Unfortunately, when he tries to return home, he enters the wrong house and is nearly arrested When Helen comes back he tells her that the "incident" was actually an initiation rite of the Masons, knowing that his wife has always wanted him to join the group. She excitedly tells her father about Frank's becoming a Mason, since her father is also a Mason. What neither she nor Frank know is that her father has actually been doing the same thing Frank is--pretending to be a Mason when he actually isn't. Complications ensue.

Someone to Love(en)

A poor but honest sheet-music salesman is parted from his wealthy fiancée when she comes to believe he’s nothing but a golddigger. But circumstance places him on the board of an exclusive girls’ school, where he can prove his integrity as well as his love. This film is believed lost.

Evening Clothes(en)

Attracted by his wealth, avaricious Germaine marries D'Artois, then leaves him for a more sophisticated man. D'Artois retaliates by moving to the city and learning the proper social graces. His new life style proves to be too expensive for him, and at the end he is left with nothing but one suit of evening clothes and his now contrite wife.

Die Kwannon von Okadera(de)

Harlander, a media mogul and war profiteer, has been told that he has six months before his sanity will leave him completely. He hires a young nurse, and decides to spend all his money before his six months are up.

Herzog Ferrantes Ende(de)

In medieval Italy, a group of men plot to kill a cruel and despotic duke.

Pogrom(de)

Everybody's Acting(en)

Doris Poole, whose parents were theatrical people, was orphaned as a child, and four members of the troupe adopted and raised her. When grown, she has become the leading lady in a San Francisco stock-company. She meets and falls in love with Ted, the millionaire son of a rich widow, but she thinks he is only a tax-cab driver. His mother objects to the romance and looks into Doris' past. She learns that her father had murdered, in a fit of jealousy, her mother, and tells Doris what she has found out. The four actors who had raised her had never told her how she happened to become an orphan. They persuade Ted's mother to send him on a voyage to the Orient in order to get him away from Doris. But they neglected to tell the mother they had also booked passage for Doris on the same ship.

Peer Gynt - 1. Teil: Peer Gynts Jugend(de)

Based on Henrik Ibsen's play.

Out All Night(en)

A young man marries an actress, but meanwhile her uncle has signed a contract binding her to spinsterhood, many complications arise.

Not So Long Ago(en)

Against the backdrop of New York City of the early 1850s, a young woman -- naively seeking to win the love she reads about in the romance novels she devours -- finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.

The Gunsaulus Mystery(en)

When Arthur Gilpin, a black night watchman, finds young Myrtle Gunsaulus mysteriously murdered in the basement of a factory, he is charged with the crime. The film is now believed to be lost.

The Dungeon(en)

Myrtle Downing, an African-American woman, is coerced into marrying a corrupt would-be politician named Gyp Lassiter, even though she is really in love with Stephen Cameron, a young lawyer. When she discovers that her husband has conspired to support segregationist policies in exchange for support by white political power brokers, she objects to his crooked dealings and gets herself imprisoned in a secret dungeon where her husband had murdered his previous wives. Presumed to be a lost film.

Deceit(en)

Deceit (sometimes referred to as The Deceit) is a 1923 American silent black-and-white film. It is a conventional melodrama directed by Oscar Micheaux. Like many of Micheaux's films, Deceit casts clerics in a negative light. Although the film was shot in 1921, it was not released until 1923. It is not known whether the film currently survives, which suggests that it is a lost film. The 1922 film The Hypocrite was shown within Deceit as a film within a film.

Birthright(en)

A young black Harvard graduate fights against a variety of obstacles, including racist opposition, in order to build a school for black children. Considered a lost film.