Self - Historian
Self - Historian
Self - CSN President 2002–2011
Self - Historian
Self - CSN Activist 1963–1995
Self - UQAM PhD Student in History
Self - CSN President 1983–1999
Self - CSN President 2012–2021
Self - Historian
Jean and her sister, played by Macha Grenon, have a life long infatuation with the Japanese Pianist who once lived across the street from them during their high school years. The film is set during the family's reunion on Vancouver Island and flashes back and forth over the last 10 years. By coincidence, Yoshi who is now a world famous Pianist is giving a concert in Vancouver and Amy is anxious to see him again but her sister curiously is not at all interested. The girls explore old passions, stalking, sibling rivalry and wrong life choice based on the fantasies of their youth.
When a woman's father goes missing, she enlists a local to aid in her search. The pair soon discover that her father has died at the hands of a wealthy sportsman who hunts homeless men as a form of recreation.
From the lower St. Lawrence, a picture of whale hunting that looks more like a round-up, with a corral, whale-boys and all. In 1534, when he stopped at the island he named l'Île-aux-Coudres, Jacques Cartier saw how the Indians captured the little white beluga whales by setting a fence of saplings into off-shore mud. In the film, the islanders show that the old method still works, thanks to the trusting 'sea-pigs,' the same old tide, and a little magic.
A recently released prisoner reunites his criminal colleagues to pull off one last heist.
Revisiting her film set photos, director Léa Pool reflects on her prolific career. The filmmaker left Switzerland at the age of 25 to settle in Quebec and embark on a surprising career. She reinvents herself from film to film, exploring themes that deeply resonate with her: identity, exile, maternal absence, transitional spaces... In both documentary and fiction, she has directed 20 feature films that feature strong female characters and contemporary issues. Somewhere between a masterclass and an intimate conversation, this documentary invites Léa to share her cinematic journey in front of the camera.
A worker, called in a hurry to remove the snow in the city street, try to buy his remaining gifts in the tumult of Christmas eve without quitting his work.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Maia, a single mother, lives in Montreal with her teenage daughter, Alex. On Christmas Eve, they receive an unexpected delivery: notebooks, tapes, and photos Maia, from 13 to 18 years old, sent from Beirut to her best friend who left for Paris to escape the civil war. Maia refuses to open the box or confront its memories, but Alex secretly begins diving into it. Between fantasy and reality, Alex enters the world of her mother’s tumultuous, passionate adolescence during the Lebanese civil war, unlocking mysteries of a hidden past.
Two harum-scarums who think they are good stand-up comics try to make a career in showbiz, partly for the career, partly to seduce women. They try alternatively the scene, a movie set and TV. They only succeed in making a fool of themselves
The film looks at the impact of over-development in historic towns in Quebec’s picturesque Laurentian mountains. As big box stores and large retailers drive local merchants out of business, and foreign developers buy up huge tracts of land for resorts, local residents’ property taxes are skyrocketing. While the locals organize against expropriation by taxation, an internationally-known artist, René Derouin, adds his creative energy to protect the heritage of “Les pays d’en haut” from The Great Invasion.
Montreal, spring 1966. Jean Corbo, 16 years old, born to a Quebec mother and an Italian father, is torn between his two affiliations. After befriending two young far-left activists, he joined the Front de Libération du Québec, an underground radical group. Jean, from then on, marches inexorably towards his destiny.
A prizefighter-turned-longshoreman with a conscience goes up against labor leaders to expose corruption, extortion, and murder among the union ranks.
Two isolated Canadian soldiers come to grip with a difficult order: launch a nuclear strike against the former USSR, some 25 years after the end of the Cold War.
An aging thief hopes to retire and live off his ill-gotten wealth when a young kid convinces him into doing one last heist.
A young French Canadian, one of five boys in a conservative family in the 1960s and 1970s, struggles to reconcile his emerging identity with his father's values.
Marco Valois wants to direct a serious movie inspired by the life of a soldier living with post-traumatic stress disorder. He soon realizes that the young soldier home from Afghanistan won't open up that easily. Marco, willing to do just about anything to get his story, follows Éric Lebel to his hometown.
At 47, Julien is an eternal misfit with no real job. But now that he has published an autobiography recounting his childhood memories, a complicated relationship with his mother and troubling family secrets, success is knocking on his door. Julien and his mother have cut ties a long time ago and she doesn't know about the book. Living a sad and miserable life in a retirement home, she renews contact with her son to make up for lost time. But is that all there is to it?
This short film offers a picturesque tour through the maple-wooded hills alongside Québec's Lièvre River in autumn to the accompaniment of acclaimed poet Archibald Lampman’s poem Morning on the Lièvre. Trees are ablaze with colour, and their splendor is reflected in the mirrored surfaces of the water, offering a glimpse of the landscape Lampman knew so well through the poet’s eyes and words. Lampman’s poem is read by broadcaster and poet George Whalley, with accompanying score by composer Eldon Rathburn.