Adeus Paissandu(2021)

Depois da Ocupação(pt)

Rap de Saia(pt)

Rap de Saia is a documentary that reports, through the voices and rhymes of the protagonists themselves, part of the historical trajectory of Female Rap in the State of Rio de Janeiro. In addition to its historical trajectory, Rap de Saia brings a collection of themes that leads us to reflect on women in today's society.

Home-Daycare(pt)

A community daycare experience in Vila Kennedy, Rio de Janeiro, where resident mothers works in the neighborhood.

Praia da Saudade(pt)

A documentary about climate change in Brazil, especially at Atafona Beach (in the Campos de Goytacazes region), which is being swallowed up by the sea. Narrated by Sonia Guajajara and Sidarta Ribeiro, the film deals with the genocide of the native people of Goytacazes.

Quem é mais idiota do que eu? - Zumbi do Mato: 24 anos de rock regressivo(pt)

Documentary about the band Zumbi do Mato, known in the underground musical scene of Rio de Janeiro for the humorous and surreal songs, written in a style of flow of conscience and full of scathing allusions to popular culture.

Rio 2016 Olympic Closing Ceremony(en)

The Closing Ceremony of the XXXI st Olympiad.

São Sebastião do Rio de Janeiro(pt)

The documentary shows the 450 years of the rich history of the city of Rio de Janeiro and its profound transformations, using archive images, 3D simulations and testimonials.

Vito Giannotti Resiste(pt)

Over the Andes(en)

This Traveltalk series short looks over the South American Andes mountains, and the South American west coast, also Rio de Janeiro.

Rush in Rio(en)

Legendary rock band Rush plays the Maracana Stadium in Rio de Janeiro, Brazil, on the final night of the band's 2002 Vapor Trails tour, in front of 40,000 fans.

A Farra do Circo(pt)

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

Rio 2016 Olympic Opening Ceremony: A New World(pt)

With fireworks forming the word “Rio” in the sky and supermodel Gisele Bundchen shimmering to the tune of “The Girl from Ipanema,” Rio de Janiero welcomed the world to the first Olympic Games in South America with a serious message underlying the celebration: Let’s take care of our planet.

Bus 174(pt)

Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all Brazilian TV networks, this shocking and tragic-ending event became one of violence's most shocking portraits, and one of the scariest examples of police incompetence and abuse in recent years.

Baptismo de Terra(pt)

Memória em Verde e Rosa(pt)

The Mangueira slum is the scenario where Tantinho and the old samba composers remember stories about the slums and samba.

Waste Land(en)

An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world's largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.

Lua(pt)

Joseph Wilson meets the dance teacher fighting transphobic violence through voguing in Rio’s favelas.

This Is Bate Bola (Somos Melhor Que Tem)(pt)

On the outskirts of Rio de Janeiro during its world famous Carnival, far from the beach and the touristic clichés, there is an explosive contest between neighbourhoods. This old form of carnival features teams of futuristic gladiators that are a surreal mixture of play and menace. A tradition that has its roots in ancient European carnival traditions and in African rituals, they look like visitors from another planet.

Rio by Them(pt)

​An unprecedented collection of pictures, characters and historical facts about the city of Rio de Janeiro, rescued by tv networks, documentary filmmakers and foreign journalists over the course of the 20th Century. The film reveals how Rio, its inhabitants and its cultural and natural attributes have been seen by foreigners. This is an opportunity to relive, through the eyes of a foreigner, social, political, technological and mundane events which Brazilians either did not manage to document audiovisually or whose works were lost.​

Fidel Castro no Rio de Janeiro, 1959(pt)