16mm, black and white film, silent, 4:30 min.
Herself
16mm, black and white film, silent, 4:30 min.
1964-10-15
4
Henry Geldazhler was the first curator of 20th-century art at the Metropolitan Museum of Art, and during the early 1960s, was a close friend and confidante of Warhol.
In Berlin, Lieutenant Yartsev's infantry and Tzvetaev's battery fight their way in the U-Bahn. Captain Neustroev's company is selected to hoist the Victory Banner atop the Reichstag.
Leave a trail of bread crumbs. Part of Brain Dead’s Mutant Sequencer Vol. 1
Wes is awakened in the middle of the night by an unexpected phone call. It’s Alison, the girl who could have been, who is flying home to Tokyo in the morning and wants to come by for a night of reminiscing before she goes.
This collage of interviews with the producers, John Hurt, and the makeup man comes off as both interesting and informative. Hurt's recollections about the role and the crazy makeup he worked in, are fascinating, as are the stories about the makeup artist using the real remains of John Merrick archived in the London hospital. A shorter bit has the artist explaining the exact construction of his amibitious makup, and he also narrates a slide show that includes color photos of the finished work. There are some mind-boggling stills of the real Merrick's grotesquely contorted skull, where excess bone seems to have grown like tallow dripping from a horrible candle, or a foaming tumor of excess calcification.
Kidnapped by a mysterious figure, three women find themselves trapped in an abandoned hospital. Held against their will for months, the prisoners are faced with life-transforming decisions and must struggle for their lives.
A wife, bored with her husband, meets one of his old friends at a party. He manages a strip club. Intrigued, she goes with him to visit one of his clubs. One of the strippers is upset and the manager has to pleasure her to calm her down. The wife is aroused by the sight of this and later invites him to her house. There they begin a passionate affair behind her husband’s back.
Beware Pickpocket is a compelling character study, a stylistic heist film and a genre shifting love story set in the city of Toronto. It intimately focuses on a twenty-four-hour period in the life of a mysterious and lascivious pickpocket who has come to Toronto to win back the love of his life -an escort named Charlotte. Problem is he isn't nearly as gifted a con-artist as he believes he is and the love of his life doesn't react kindly to his forced reunion.
Ella is about to commence the next chapter of her life. Within three months her world will change, whether she can persevere and deal with whatever is thrown at her is yet to be seen.
All of history, that of Christ or any other, permeates the world, leaves its mark, modifying and informing history, and all that the human reproduces and creates. The best way for historical interpretation or literary adaptation is to move as far as possible from literal interpretation. That is, it is a contemporary and personal interpretation. The story of Christ is an archetypal story. It has modified and informed a morality and a vision of the human being in the West, it must be taken for what it is and what it has become: matter.
Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.
Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.
Anton Spielmann (18) and his two younger friends Basti Muxfeldt and Jonas Hinnerkort are living in their family homes with their parents in an idyllic village close to Hamburg. The three of them founded the band 1000 Robota. The band has an ambitious aim: „We want to cause creation not to remind of it”, and they want to live up to their ideals. In a society affected by economic pressure 1000 Robota are questioning themselves and others and they don‘t want to meet other people‘s expectations. In a world of excessive supply they are looking for significance and want to unite with others to create a new way of youth culture. But soon they have to face some serious difficulties.
Short documentary showcasing engravings by Goya.
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.
What happens when a group of international artists travel to North Korea to create art like the regime have never seen before? While the world is on the verge of nuclear war, a group of Western contemporary artists are invited into the eye of the storm. The aim is to collaborate with North Korean artists in a creative exchange project displaying new and challenging art in a country where abstract art is forbidden.
Florida, 1994. Artist Mike Diana is convicted on an obscenity charge in the wake of an undercover police officer purchasing his limited edition zine Boiled Angel. Here is the very unusual story of what led to this First Amendment debacle happening for the first time in the United States.
An indie documentary exploring the art form of hand-drawn animation through a contemporary lens in the digital era. Featuring insights and anecdotes by hand-drawn animation artists from around the world.
Adlon recounts the making of the sculpture, "Kugelkaryatide" the sphere that stood in the center of Tobin Plaza between the two towers of the World Trade Center. The film follows the sculpture from its creation as the largest bronze sculpture of recent times to the aftermath, where it now stands, heavily scarred, in Battery Park.
On the 10th anniversary of his band Rall Tide’s debut album, artist Peter Kotas takes you on a flowering multimedia tour of Detroit musicians trying to survive in a world where you can’t even enjoy a baseball game without supporting The Bay of Pigs. Along the way he shows you how the band’s abrupt break-up led to his career as a political journalist peeking behind the curtains of Kansas to find diplomatic wizard Mike Pompeo, Trump’s CIA Director and Secretary of State, wears no clothes. Iowa Writer’s Workshop hero Kurt Vonnegut (or some entity that knows all about his life) hosts this documentary as the ideal human from his 1985 novel Galapagos: a penguin with flippers unable to pull triggers or press buttons to bomb and kill people.
Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life.
Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.
In 1976, the Tate Gallery exhibited an experimental artwork that became a national sensation - Carl Andre's Equivalent VIII, or, to its detractors, 120 bricks laid on the floor. This documentary explores the origins of Andre's work and the extraordinary fallout from its exhibition.