"The film’s haunting images are accompanied by the continuous sound of a helicopter circling overhead, which at the close gives way to the distant sound of police sirens. The beams of light, which seem to emanate from above, could be confused with helicopter searchlights, a reading whose symbolic significance evokes both security and baleful scrutiny. These sounds, however, are not only immediately associated with the events of September 11; they have also become a ubiquitous presence in the urban sonic landscape. Murray reveals the subtle disconnect of sound and image only gradually, allowing conscious recognition to develop slowly in viewing the film." -Whitney Biennial catalog, (2004). Preserved by the Academy Film Archive in 2014.
"The film’s haunting images are accompanied by the continuous sound of a helicopter circling overhead, which at the close gives way to the distant sound of police sirens. The beams of light, which seem to emanate from above, could be confused with helicopter searchlights, a reading whose symbolic significance evokes both security and baleful scrutiny. These sounds, however, are not only immediately associated with the events of September 11; they have also become a ubiquitous presence in the urban sonic landscape. Murray reveals the subtle disconnect of sound and image only gradually, allowing conscious recognition to develop slowly in viewing the film." -Whitney Biennial catalog, (2004). Preserved by the Academy Film Archive in 2014.
2002-01-01
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A village is ruled by the church, but is filled with hypocritical sinners who constantly spy on each other. Preserved by the Academy Film Archive in 2008.
Amitabha Roy is a Calcutta-based scriptwriter, driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta, offers hospitality for the night. Amitabha is forced to accept the offer as he has no alternative. Preserved by the Academy Film Archive in 2005.
This short film is an illustration of Niver's preservation process of paper print films. Renovare—from the Latin "to renew"—was an apt name for Niver's company, for the Academy Award-winning work that he and his colleagues accomplished has been vital to our collective understanding of cinema's evolution since its origins. Preserved by the Academy Film Archive in 2011.
In this feature comedy, silent film star Colleen Moore plays a woman who owns a small lunch wagon and falls for a duke’s son, played by Larry Kent, who is pretending to be his own chauffeur. With her savings, she pursues him to a resort hotel, only to be mistaken for a duchess. Preserved by the Academy Film Archive in partnership with Národní filmový archív in 2007.
This melodrama about an actress in love with a playwright and the stage manager blackmailing her for her affections offers a unique glimpse into Chaney’s career before his classic performances in The Hunchback of Notre Dame and The Phantom of the Opera. Preserved and restored by the Academy Film Archive in 2004.
Documentary short detailing the American soldier's part in preserving the fundamental ideals of this nation. Preserved by the Academy Film Archive in 2012.
NO NO NOOKY TV posits sexuality to be a social construct in a "sex-text" of satiric graphic representation of "dirty pictures." Made on an Amiga Computer and shot in 16mm film, NO NO NOOKY TV confronts the feminist controversy around sexuality with electronic language, pixels and interface. Even the monitor is eroticized in this film/video hybrid that points fun at romance, sexuality, and love in our post-industrial age. Preserved by the Academy Film Archive in 2017.
During World War I, two American soldiers fight to escape the Germans while squabbling over a beautiful harem girl. Preserved by the Academy Film Archive in partnership with University of Nevada, Las Vegas Foundation in 2016.
Produced in association with the Academy of Motion Pictures Arts and Sciences as part of a twelve part series called The Industry Film Project, meant to inform the public about specific facets of production and industry life. It shows that the "magic seat" of a movie theater can transport the movie-goer to all types of adventures, such as the Oklahoma land rush; being rescued by a sheik in the Sahara Desert; watching a huge ape climb the Empire State Building; or experiencing a hurricane in the south Pacific. No matter what type of thrill your looking for, you'll find it on the big screen. Preserved by the Academy Film Archive in partnership with Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division in 2012.
Produced in association with the Academy of Motion Pictures Arts and Sciences as part of a twelve part series called The Industry Film Project, meant to inform the public about specific facets of production and industry life. Movie theaters are located in most towns. They bring to the public not only one of the most affordable forms of mass entertainment but many other aspects of life through the films shown and through the theater's other uses. As a business, the theater is a vital part of the economic community, employing people, but also dependent on the public for its livelihood. The theater manager is the key person who ensures that every aspect of the theater runs smoothly. As the key business person for the establishment, he is also usually an integral part of business and community organizations in the town. He also ensures that the theater shows what the public wants to see, which can be a difficult task. Preserved by the Academy Film Archive in 2012.
“Chronicles of a Lying Spirit (by Kelly Gabron) is less a depiction of 'reality' than an exploration of the implications of the mediation of Black history by film, television, magazines, and newspapers. Using her alter ego, Kelly Gabron, Smith fabricates a personal history of her emergence as an artist from white-male-dominated American history (and American film history). Smith collages images and bits of text from a scrapbook by 'Kelly Gabron' that had been completed before the film was begun, and provides female narration by 'Kelly Gabron' that, slowly but surely, makes itself felt over the male narration about Kelly Gabron (Chris Brown is the male voice). The film's barrage of image, text and voice is repeated twice, and is followed by a coda. That most viewers see the second presentation of the imagery differently from the original presentation demonstrates one problem with trusting any media representation.” Preserved by the Academy Film Archive in 2016.
Hand-painted — closed-eye — film envisioning optic feedback in response to sound. Collaborative soundtrack compiled by Joel Haertling with sound contributions by Die Tödliche Doris (WG), Zoviet France (UK), Nurse With Wound (UK), The Hafler Trio (NL), Joel Haertling (US) and I.H.T.S.O. (WG). Preserved by the Academy Film Archive in 2012.
A magic aeroplane takes two children to the Moon, where they encounter prehistoric monsters and witness a battle between them. As far as is known this was the first film to combine realistic stop-motion dinosaurs and live-action actors in the same shot. Preserved by the Academy Film Archive in 2008.
The 1945 atomic-bomb explosion at Bikini Atoll becomes a thing of terrible beauty and haunting visual poetry when shown in extreme slow motion, shown from 27 different angles, and accompanied by avant-garde Western classical music composed for electric organ by Terry Riley. Preserved by the Academy Film Archive in partnership with Pacific Film Archive in 1995.
A feisty little girl, the daughter of a beat cop, faces the challenges of growing up in a tough city neighborhood. Preserved by the Academy Film Archive, in partnership with the Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division, in 2014.
The faces of a 5:00 PM crowd descending via the Pan Am building escalators in one continuous shot. In old-fashioned black and white, these faces stare into the empty space, in the 5:00 PM tiredness and mechanical impersonality, like faces from the grave.
Documentary short film reporting on the activities of the American Red Cross and the useage made of contributed funds for the previous year. Preserved by the Academy Film Archive in 2012.
Pat O'Neill, one of the most interesting filmmakers in America today, offers a dazzling reflection on the conflict between nature and man in Los Angeles, or the desertification of the city's surroundings due to its enormous water consumption. More interestingly, it is also a film in the age-old tradition of city symphonies: a film about LA's foundation myths and the dreams it embodies, about its history and (grim) future, its topography and ethnography. O'Neill uses footage from several classic films to recreate the several layers of meaning emanating from the city, juxtaposing images and fantasies and hardly ever allowing one picture to go untouched. George Lockwood's swarming soundtrack is likewise composed of conflicting languages, an elaborate work of plunderphonics in which snippets of sound stolen from movies collide with electronic soundscapes, contemporary chamber music, improv, and what not. Preserved by the Academy Film Archive in partnership with Pat O'Neill in 2009.
Cagney is a human dynamo as a drifter who helps save ailing Grace George from losing her newspaper. The pace is fast, and audiences of all ages will be pleased. The supporting cast, have all the small-town characterizations down pat -- with Margaret Hamilton a standout. Cagney himself, had genuine affection for this film, and listed it among his top five movie-making experiences at a retrospective the year before he died. Preserved by the Academy Film Archive, in partnership with the UCLA Film & Television Archive, in 2013.
The Deadlier Sex features Blanche Sweet playing the daughter of a railroad magnate (Winter Hall) who has to take charge when her father unexpectedly dies. She uses her outdoor survival skills to kidnap a business rival to save the company from a stock market struggle. Preserved by the Academy Film Archive.