The first scene of The Goddess Of Love 11 is originally from Young & Nasty 2, with Sean Michaels. Sarah and Sean having sex on a chair, including anal. Next is a scene originally from Private Moments 1, with Christoph Clark and Deborah Wells. It's Sarah, Deborah and Christoph having sex outside, beside and in the swimming pool. Scene 3 is originally from The Golden Girl Part 1, with Mike Horner and then Peter North. Sarah's left in the office by Peter to finalise the signing of a contract by a very dissatisfied Mike. Once he's signed, he feels he's owed something more - something only Sarah can give him. After a brief struggle, he takes her on the office desk. After Mike has left, Sarah waits for Peter's return, celebrating with him the successful completion of her first contract by once again having sex on the office desk, including anal and tit fuck. Cast: Sarah Young, Sean Michaels, Peter North, Mike Foster, Christoph Clark, Deborah Wells, Mike Horner, Others
Sundari Sara Mathews, popularly known as Suma, meets Victor, the school's new English teacher and falls for him. However, before expressing her feelings to him, another teacher, Lekha, asks him out and he accepts, leaving Suma heartbroken. While at a low point in her life after losing her mother and arguing with her brother, Suma is consumed by jealousy and plots to break up Lekha and Victor to have him to herself.
A young woman loses her umbrella in a café altering her perception of the world forever.
By agreeing to keep his crush's secret, a college student becomes her friend. But things soon fall apart when she gets swept up in scandalous rumors.
When Philo Vance receives a note that harm will befall Lynn at the casino that night, he takes the threat seriously while the DA dismisses it. At the casino owned by Uncle Kinkaid, Lynn is indeed poisoned under the watchful eye of Philo. However, he recovers, but the same cannot be said for Lynn's wife Virginia, who is at the family home. Only a family member could have poisoned Lynn and Virginia and everyone has their dark motives. Philo will follow the clues and find the perpetrator.
Robert Benchley offers a humorous lecture on how to avoid different types of strain during reading.
In their third comedy, Gaston and Leo are undertakers specialized in the luxury transportation of the better class of dearly departed.
Push your legs ‘til they beg for mercy with power and plyometrics, all at your MAX.
Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.
A documentary about the legendary and influential comedian, actor and writer, who went out from the BBC to conquer Hollywood, but sadly the system quickly withdrew its support when they couldn't contain his talents. This portrait is spiked with many comments from people who knew Feldman privately or had dealt with him professionally. His early death sadly rendered him all but forgotten by the public. The compilation consists of interviews, some film clips and photos as well as various audio clips from him.
Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.
In 1978, two rival groups at Camp Nightwing must band together to solve a terrifying mystery when horrors from their towns' history come alive.
A man and a kangaroo stand up in front of each other with boxing gloves, and simulate a boxing match on a theatre stage.
A 1988 documentary film directed by Alexander Sokurov, about the later life and death of Soviet Russian filmmaker Andrei Tarkovsky. The film was originally intended to mark the 50th birthday of Tarkovsky in 1982, which would have been before his death. Controversy with Soviet authorities about the film's style and content led to significant delays in the production.