Courtesy of The Freedom Archives 1972, 28 min. This extraordinary video is from a 16mm film “work print” made in 1971–1972, and includes interviews with George Jackson, Georgia Jackson (George and Jonathan Jackson’s mother) and Angela Davis, while she was still in the Marin County Courthouse Jail, before her acquittal. We have not been able to identify the other prisoners. As you will see, the film has no titles or other credits. The discovery of such amazing, previously unknown historic materials always leaves us thrilled and in awe, deepening our understanding of those times and affirming the mission of the Freedom Archives.
Courtesy of The Freedom Archives 1972, 28 min. This extraordinary video is from a 16mm film “work print” made in 1971–1972, and includes interviews with George Jackson, Georgia Jackson (George and Jonathan Jackson’s mother) and Angela Davis, while she was still in the Marin County Courthouse Jail, before her acquittal. We have not been able to identify the other prisoners. As you will see, the film has no titles or other credits. The discovery of such amazing, previously unknown historic materials always leaves us thrilled and in awe, deepening our understanding of those times and affirming the mission of the Freedom Archives.
1972-01-01
0
A film about one of the most iconic images of the 20th century, the moment when the radical spirit of the 1960s upstaged the greatest sporting event in the world. Two men made a courageous gesture that reverberated around the world, and changed their lives forever. This film is about Tommie Smith and John Carlos' protest at the 1968 Olympics.
Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.
A documentary on funk and P-funk and the bands and artists that made it all happen: James Brown, Sly Stone, George Clinton, Bootsy Collins, Maurice White and his Earth Wind & Fire, Average White Band, Kool & The Gang and lots more. It tells the story of black American music and how it evolved from funk to more main stream to disco to hiphop to contemporary R 'n B and its impact on society. Music and live footage from the bands, interviews with artists and band members of Kool & The Gang, Earth Wind & Fire, George Clinton and lots more.
It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.
During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America's history lost — until now.
Through first person accounts and searing archival footage, this documentary tells the story of the local movement and young Student Nonviolent Coordinating Committee (SNCC) organizers who fought not just for voting rights, but for Black Power in Lowndes County, Alabama.
Examines the evolution of the Black Power Movement in US society from 1967 to 1975. It features footage of the movement shot by Swedish journalists in the United States during that period and includes the appearances of Angela Davis, Bobby Seale, Huey P. Newton, Eldridge Cleaver, and other activists, artists, and leaders central to the movement.
An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.
Beginning as a city-symphony of Newark streets, buildings, and people set to wordless chanting, The New-Ark quickly arrives at its political imperatives: Black Power must be accomplished through nationalism, and "a nation is organization." The film focuses on black education, urban public theater, and political consciousness-raising inside and outside of Spirit House - director Amiri Baraka's Black nationalist community center.
An examination of the Black Power movement in the late 1960s in the UK, surveying both the individuals and the cultural forces that defined the era. At the heart of the documentary is a series of astonishing interviews with past activists, many of whom are speaking for the first time about what it was really like to be involved in the British Black Power movement, bringing to life one of the key cultural revolutions in the history of the nation.
Filmed on the rooftops of lower Manhattan, this performance film features the original Last Poets performing 28 numbers adapted from their legendary Concept-East Poetry appearance at New York's Paperback Theater in 1969. Described as “a conspiracy of ritual, street theater, soul music and cinema."
As his dad runs for city mayor, Virgil Hawkins struggles with finding his place in the world and his new found superpowers.
Silvia needs to get rid of a rat that has invaded the kitchen where she works while dealing with the growing abuses of her boss Suzana.
Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.
Since his arrival in France as a child, the traumas of exile, abandonment, and poverty have shaped the identity of Alix Mathurin. As a teenager, rap and the streets led him away from school. Endowed with a strong presence and a sensitive pen, Kery James quickly becomes the voice of a generation of young people from the suburbs who are aware that life and they themselves are deteriorating together. At the same time, he plays with fire within a gang of drug dealers and robbers. The murder of one of his friends prompts him to stop everything, both rap and the path of delinquency. Converted to Islam, he resumes rap as a missionary because he knows that his voice is influential.
Portrait of the "battle phenomenon" in the Hip-Hop scene in France. In recent years, these artistic confrontations have been multiplying across France, encompassing dance, DJing, and even graffiti. However, what has been drawing crowds recently is the "MC Clash."
A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.