After Practicing Abstinence To The Limits Of My Endurance, I Spent The Next 3 Days Fucking My Brains Out In A Frenzy Of Sweat And Cum Tsumugi Akari[2021]

Somebody's Daughter(en)

Because of the internet's accessibility, anonymity, and affordability, pornography addictions have risen to epidemic levels, destroying intimacy, marriages and families, while distorting our definition of sex and sexuality.

Keep Your Underwear On!(en)

Yes, you read it right, it reads Keep your underwear on! If that is not shocking enough, now imagine your pastor standing up in front of the congregation and preaching a sermon entitled Keep your underwear on.

For Which We Stand: To Be Held In Honor(en)

In this film, servicemen are strongly urged to forgo illicit and casual sex because it is degrading and contrary to divine will. The joys of marriage and family are stressed. Long-term happiness should be the goal, not immediate gratification. A medical officer discusses sexual abstinence, saying that it will not adversely affect a man's virility. A commanding officer points out that sexual promiscuity among troops is not just the concern of the medical officer and the chaplain. He says that self-control should be practiced by everyone. Marriage and family should be the goal of every man. A chaplain speaks of abstinence and self-control as obedience to divine law. Shots include: sailors with their families; a wedding; sailors picking up girls and visiting prostitutes. There is some animation.

V.D. Every 30 Seconds(en)

Describes the symptoms of gonorrhea and syphilis, with warnings of the consequences of avoiding treatment. Discusses some of the prevalent myths about contracting these diseases and stresses the importance of consulting a doctor if infection is suspected.

Pamela's Prayer(en)

In 1969, Pamela Bucklin is born. The same day, her mother dies. Pamela is raised by her father, Wayne, who commits to pray with his daughter every night. He also raises her with a very high standard of purity before marriage. As a teenager, Pamela begins to question the motives put forth by the Bible.

Kosmologisch - Die Entstehung Des Himmels(de)

Kosmologisch - Vom Stein Zum Leben(de)

A Train Arrives at the Station(en)

“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”

Baxter and Me(en)

In this charming documentary, director Gillian Leahy combines her two great passions: dogs and film. She openly reveals her life story through a canine prism – lovers may come and go, but there are always the dogs. Leahy also weaves in her filmmaking career, starting out at the Women's Film Workshop in 1970s Sydney and the newly formed AFTRS. Dogs have carried her through childhood illness and heartbreak; in return she lavishes care, and frets over their waywardness. Today, she shares her life with a big brown Labrador called Baxter. There are echoes of Leahy's award-winning My Life Without Steve, a study in love and loss, in this meditative and romantic film.

La era del ñandú(es)

A mockumentary about Doctor Kurz, the inventor of the BioK-2: a rejuvenating drug extracted from ñandús (rheas).

And Nothing More(ru)

The picture is about the anti-Hitler coalition of the USSR, England and America, which developed as a counterweight to the aggressive policy of Nazi Germany during the Second World War. The unique newsreel footage of these years, shot by operators of different warring countries, is connected with today's thoughts of the author about the fate of the post-war world, about the humanitarian losses of both sides and about gaining unstable hopes for the unity of the world in countering evil.

Robert Mapplethorpe(en)

The Robert Mapplethorpe documentary, from 1988--one year before he died--is an excellent examination of one of the most controversial of American photographers. British documentarian Nigel Finch does an outstanding job fusing interviews with Mr. Mapplethorpe himself, with critic and author Edmund White, and with several of Mapplethorpe's subjects as well, with numerous shots of the man's work. Mapplethorpe, gay, did not hesitate to photograph what he wanted to without fear of reprisal or censorship. Indeed, a good number of his pieces were not shown in the documentary at its original airing on PBS with the comment, "Considered Unsuitable for Viewing On This Transmission." His openly sexual work can at times be more than shocking, but it is always powerful and direct; as critic Lynn Davies says in the documentary, he did not pose people but photographed them doing what they would normally do in the course of their lives.

I Was Stalin's Bodyguard(ru)

This controversial documentary created a storm in Russia by taking the cloak off a violent, repressive period of Soviet history. Filmmaker Semyon Aranovich found the last surviving personal bodyguard of Joseph Stalin, Alexey Robin, who began working for the dictator in the 1930s.

Inside the Coppola Personality(en)

Monte Hellman's short portrait of Francis Ford Coppola discussing business and craft at home and on the set of his Zoetrope Studios.

En nombre de Dios(es)

Documentary that explores the role of the Chilean Catholic Church in the fight against Augusto Pinochet’s dictatorial regime, giving great emphasis to the creation of the Vicariate of Solidarity and protests against violations to human rights.

Marvelous, the Film(en)

At 37 years old, time is not on his side. Sergio 'Marvelous' Martinez can drop the best boxers with his lightning strikes, floor the most beautiful women with his devastating looks, and has a hard-scrabble immigrant story and work ethic that make him the hero of the Latin street. But a willingness to call it the way he sees it and speak truth to power, has left him a virtual pariah in the notorious corrupt world of professional boxing. This is story of a man fighting to fight. But the clock is ticking. It may already be too late.

Vannin'(en)

A documentary film focusing on customized vans and the quirky people that drive them. Comprised of footage taken over the course of 6 days at the 40th National Truck-In (known as the Van Nationals) in Elkhorn, WI in July 2012.

Coluche : Un Clown ennemi d'État(fr)

Ocean Predators(en)

Ocean Predators Immerse yourself deep into the ocean in search of the most dangerous predators in our seas. Unveil the mysteries of these fascinating and skilled hunters. Razor-sharp teeth and lightning-fast reactions rule in this unforgiving environment. Are you ready to discover the facts behind the myths and legends about sharks, barracudas and moray eels? Shot in 3D, this documentary introduces you to the Kings of the Sea in an unprecedented way..

New Times at Crossroad Street(lv)

Ten years have passed since we made the film “Crossroad Street”, about a small street in the suburbs of the city of Riga. Now we’ve come back. Perhaps it was a sense of duty, perhaps nostalgia that brought us back – who knows? Perhaps it was both. Daiga, Aldis, Osis – they’re all our people. The first film had an impact on both the filmmakers and the residents of Crossroad Street. We found friends whom we want to meet again and again. Society has become more prosperous, several value systems coexist side-by-side. People often live in these systems as though they were in different worlds that never meet. We felt that the world inhabited by our people is sinking into oblivion, and so we wanted to show that it still has its own turbulence, that Crossroad Street resembles Latvia’s palm – the place where a fortune teller can see the lines of its destiny.