Tony Bartell
Edie Van Meter
Gee Atherton ripping the Worlds course the day after winning the race, Robbie Bourdon stomping a 70 ft. flat spin and Fabien Barel dropping an insane, near vertical line in Morocco, that's right New World Disorder is back with it's 9th installment, "Never Enough." Filmed exclusively in Super 16mm and High Definition, the world premiere will screen September 24th, during the annual Interbike trade show in Las Vegas.
The film tells the heartwarming tale of Ilgar Suleymanov, a former Olympic medalist who has settled into a quiet life in his hometown. Despite having close friends and a love for fishing, Ilgar is haunted by his loneliness and lack of direction. However, when an unexpected visitor arrives at his doorstep, Ilgar's life takes an exciting and unexpected turn, leading him on a journey that will take him from Azerbaijan to the distant shores of Cuba. This poignant and uplifting film explores the universal themes of friendship, love, and the search for meaning in a touching and unforgettable way.
The doltish but self-confident and self-congratulatory Private Snafu is in possession of a military secret during World War II. Over the course of the day, spouting rhymed couplets, he divulges the secret a little at a time to listening Axis spies. He tells his mom some of the secret when he calls her from a phone booth; the rest he spills to a dolly dolly spy who plies him with liquor. Snafu's loose lips put himself at risk.
Chris, a former tennis player, looks for work as an instructor. He meets Tom Hewett, a wealthy young man whose sister Chloe falls in love with Chris. But Chris has his eye on Tom's fiancee Nola.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
Through the uses of kinescope, video, multimedia, and direct painting on film, an impression is gained of the frantic action of protoplasm under a microscope where an imaginative viewer may see the genesis of it all. – Grove Press Film Catalog
A bright, talented and lonely long-distance runner twists her ankle as she prepares for the Olympic Trials and must do something she's never done before: take a day off.
Documentary film that tells the story of Toninho and Cristiano da Matta, father and son who dedicated their lives to one big passion: Motorsport. Going though thier battles, comebacks, tragedies and glories in one of the world's most competitive and dangerous sports.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Two men answer the call of the ocean in this romantic fantasy-adventure. Jacques and Enzo are a pair of friends who have been close since childhood, and who share a passion for the dangerous sport of free diving. Professional diver Jacques opted to follow in the footsteps of his father, who died at sea when Jacques was a boy; to the bewilderment of scientists, Jacques harbors a remarkable ability to adjust his heart rate and breathing pattern in the water, so that his vital signs more closely resemble that of dolphins than men. As Enzo persuades a reluctant Jacques to compete against him in a free diving contest -- determining who can dive deeper and longer without scuba gear -- Jacques meets Johana, a beautiful insurance investigator from America, and he finds that he must choose between his love for her and his love of the sea.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
New York comedian Alvy Singer falls in love with the ditsy Annie Hall.
First of three compilation films of Kuroko no Basket.
Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.