
This is the true story of Fetim Salam, a Saharawi refugee falsely portrayed as a slave in the Australian documentary 'Stolen'. Australian filmmakers, Violeta Ayala and Daniel Fallshaw, travel to the Saharawi refugee camps in Tindouf, Algeria in 2007 and claim to discover 20,000 slaves in the camps run by the independence movement Polisario Front. Refugees are outraged for being portrayed as slaves, and humanitarian aid workers are incredulous about these allegations as they know the camps intimately. Filmmaker Carlos Gonzalez retraces their steps in search of the truth and finds a web of lies, misinformation and Moroccan operatives reshaping the truth.
0.0Tilburg artist Tommy van der Loo searches for the influence of superiority thinking, racism and colour in his life. Van der Loo is an emerging artist and his work has been purchased by Boijmans van Beuningen in Rotterdam. He also had an exhibition at the Kunsthal. He also made the memorial for the abolition of slavery in Eindhoven. He has had multiple experiences with discrimination and incorporates that into his sculptures. Identity and image formation are important to him: How do you look at others, how do others look at you. The search is the inspiration for his new sculpture.
0.0The film tells the story of 25-year-old Urmila Chaudary from Nepal. At the age of six she was sold by her family and was forced to work as a slave under appalling conditions for 12 years. Her dream is to end child slavery in Nepal. To this end she fights today as a freedom activist. A film about the quest for justice with a strength that gives courage and hope.
0.0A fascinating account of the presidency of Andrew Jackson, who was both one of America's great presidents and a borderline tyrant. The seventh president shook up the glossy world of Washington, DC with his "common-man" methods and ideals, but also oversaw one of the most controversial events in American history: the forced removal of Indian tribes, including the Cherokees, from their homes.
7.3Paul Grignon's 47-minute animated presentation of "Money as Debt" tells in very simple and effective graphic terms what money is and how it is being created
3.9The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.
0.0At a time when French flags are being burned and French embassies targeted, this documentary delves into the growing disaffection between French-speaking Africa and the former colonial power. Through the voices of African leaders, pan-African activists, and committed young people, the film questions the persistence of a relationship marked by the aftermath of colonization, the opaque agreements of "Françafrique," and a military presence deemed paternalistic.
0.0Gurwinder comes from Punjab, he’s been working for years as a farm hand in Agro Pontino, not far from Rome. Since he first came in Italy, he’s been living with the rest of the Sikh community in Latina province. Hardeep is also Indian, but her stress is Roman, and she works as a cultural mediator. She, born and raised in Italy, is trying to free herself from the memories of a family that emigrated in another age, while he is forced, against his faith, to take methamphetamine and doping to bear the heavy work pace, to be able to send money in India.
4.8When the Civil War ended in 1865, more than four million slaves were set free. Over 70 years later, the memories of some 2,000 slave-era survivors were transcribed and preserved by the Library of Congress. These first-person anecdotes, ranging from the brutal to the bittersweet, have been brought to vivid life in this unique HBO documentary special, featuring the on-camera voices of over a dozen top African-American actors.
6.0Abdul Rahman, an African prince who was sold into slavery, spent four decades in servitude before an amazing coincidence took him to the White House to meet President John Quincy Adams, where he was granted his freedom. Mos Def narrates this PBS documentary that includes reenactments of scenes from Rahman's life and interviews with historians who discuss the conditions faced by slaves in early America.
Documentary about the arduous early years of the Sahrawi cause (1977)
Taleb, who came to a refugee camp at the age of five in 1975 and returned there after his studies abroad, tells of his life as a displaced person, his gratitude for the reception and support in Algeria, and his hope that the Sahrawis may one day return to their homeland. For Taleb, this hope drives him to actively prepare for better times: as a graduate in agricultural sciences, he conceived a successful small-scale closed-loop economy in a desert under the most difficult conditions, producing enough food for self-sufficiency.
0.0The Nomad Garden is an ode to the impossible. A young Sahrawi refugee shows how he grows organic vegetables and herbs in one of the most inhospitable places on Earth, overcoming challenges like the lack of water, extreme temperatures and a barren soil.
A documentary about the daily lives, hopes, aspirations and demands of though living in the Sahrawi refugee camps of Dajla.
0.0A nine-year old girl, Naha, who in day-to-day life studies primary education en Wilaya de Smara is the point of departure for this documentary. Through the her family life, teachers, those responsible for Sahrawi education and NGOS, we understand the education system in the camps causing us to be in awe of the patience of the Sahrawi people, refugees for 35 years, holding out hope for a definitive solution to the conflict. This documentary intends to introduce the viewer to the situation of the Sahrawi people in the camps through one of the most basic needs for the development of a community: chidren's education. Education in the Sahrawi refugee camps is supported by women being those that develop and strengthen the task of educating in schools.
0.0Bubisher, as well as being 'the bird of luck', is a word loaded with literary meaning in Spanish in the Sahrawi refugee camps of Tindouf. Seeing the way in which two cultures interact through small stories and tales can is striking and so is the contrast between the resilience of the young female generations and the realities of life in the desert. This documentary paints a picture of a generation of young female Sahrawis.
4.1Parallels are drawn between Abraham Lincoln's presidency and the presidency of Donald Trump. Not since 1860 have the Democrats so fanatically refused to accept the result of a free election. That year, their target was Lincoln. They smeared him. They went to war to defeat him. In the end, they assassinated him.
Sahrawi artist and visual poet Mohamed Sleiman Labat follows the story of the emerging phenomenon of small scale family gardens in his local community in the Hamada Desert. The film features the story of four families in Samara Camp with small scale gardens, their practices and the knowledge they develop as part of their practices in the garden. The camps are located in a very harsh environment with extreme climate conditions, and the Sahrawi are still dependent on international food aid.
0.0Not My Life comprehensively depicts the cruel and dehumanizing practices of human trafficking and modern slavery on a global scale. Filmed on five continents, in a dozen countries, Not My Life takes viewers into a world where millions of children are exploited through an astonishing array of practices including forced labor, sex tourism, sexual exploitation, and child soldiering.
5.7Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.