1954-01-01
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A feature documentary about the journey of mankind to discover our true force and who we truly are. It is a quest through science and consciousness, individual and planetary, exploring our relationships with ourselves, the world around us and the universe as a whole.
This documentary digs into the stories of Indigenous women and families to reclaim their Indian Status through their fight for the elimination of sex-discrimination in the Indian Act. It highlights the impacts of the law on individuals, families and communities. Since the passing of Bill S-3 and its amendments, thousands of Indigenous people are now eligible for Indian Status.
Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".
In war-torn northern Syria, WHO LOVES THE SUN delves into the world of makeshift oil refineries and the stark realities of life within this post-apocalyptic landscape. Mahmood is a prominent figure in these operations, navigating harsh working conditions and complex local dynamics.
This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.
The first of two coproductions by the British Broadcasting Corporation and the National Film Board of Canada, People of the Seal, Part 1: Eskimo Summer is compiled from some of the most vivid footage ever filmed of the life of the Netsilik Inuit in the Kugaaruk region (formerly Pelly Bay) of the Canadian Arctic. The original films of the Netsilik series attempted to recreate the traditional lifestyle of Netsilingmiut living there. They show the incredible resourcefulness of the Netsilik (People of the Seal) who have adapted to one of the world's harshest environments. Part 1: Eskimo Summer shows how Inuit families prepare for winter by hunting seal, birds and caribou and by fishing for Arctic Char during the extended hours of daylight.
Across the Amazon, Indigenous guards are unarmed patrols that peacefully defend ancestral territories against threats like oil, mining and poaching. They use diverse technologies to monitor their lands, and when necessary, force out illegal operations and actors. Most of this daily work, which involves lengthy hikes and patient observation, goes unseen. This film depicts the process of the Indigenous Guard: its patrols, its watchful vigilance over the landscape, and its support of the community. Their work as guards helps ensure that destruction in the Amazon doesn’t advance, and that their community has the vital space it needs to live life on their own terms.
A documentary on the experiences of the Nubetya Yaptiks nomadic family in the Yamal Peninsula, Eastern Siberia, from 1992 to 2001.
Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.
Ever since their first contact with the Western world in 1969 the Paiter Suruí, an indigenous people living in the Amazon basin, have been exposed to sweeping social changes. Smartphones, gas, electricity, medicines, weapons and social media have now replaced their traditional way of life. Illness is a risk for a community increasingly unable to isolate itself from the modernization brought by white people or the power of the church. Ethnocide threatens to destroy their soul. With dogged persistence, Perpera, a former shaman, is searching for a way to restore the old vitality to his village.
Greek Sarakatsani community members, a former group of nomadic animal breeders, share personal experiences and discuss the concept of identity today. A tribute to collective memory through an experiential journey that sets out from the past, progresses into the present, and contemplates the future.
“Those Who Come, Will Hear” proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.
This film depicts the everyday experience of 'doing tourism' in two rural, ethnic tourism destinations in contemporary China: Ping'an and Upper Jidao villages. Focusing on the perspectives of village residents, the film portrays how modern, rural Chinese negotiate between the day-to-day consequences of tourist arrivals in their home villages and ideal projections of who they are and what their lives can achieve through tourism development.
Scenes of daily life in the Indian communities of Ecuador.
In 2013, the world's media reported on a shocking mountain-high brawl as European climbers fled a mob of angry Sherpas. Director Jennifer Peedom and her team set out to uncover the cause of this altercation, intending to film the 2014 climbing season from the Sherpa's point-of-view. Instead, they captured Everest's greatest tragedy, when a huge block of ice crashed down onto the climbing route...
Mondo-style documentary in which a movie crew travels to newly independent Papua New Guinea to capture the customs and culture of the cannibal natives. Prepare yourself for death rituals, war costumery, crude tattoos, animal killings, and cannibalism.
With exclusive access to the lives of 8 women, ranging in age from 10 to 98, explore powerful testimonials of loss and survival and gain insight into the experience of a modern Indigenous American living on a reservation. Gripping historical accounts and startling timely statistics guide viewers down the path that has led to these present day conditions.