Trayectos(2021)

#57(en)

A categorical accumulation of abstract patterns. Lines, colours and sounds obey an impenetrable logic. A quiet film that dares to be resolutely experimental. Chaotic equations by the Chinese mathematician Wang Lin are tackled by an analogue computer, a small battery of surplus high-frequency oscillators and Joost Rekveld.

Not Even Nothing Can Be Free of Ghosts(de)

Rainer Kohlberger’s abstract film was created entirely without a camera. Through digital algorithms, he precisely arranged a rhythm of light and shadow that pulsates off the screen into our physical space with blinding intensity. The presence of light is almost felt as we are sucked into the image to become its ghostly accomplice. As we leave the theatre, the optical vibrations continue to haunt us.

White Hole(ja)

Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.

Trans/Figure/Ground(en)

A film about uncanny valleys and the space between. Painted 16mm film undergoes a monstrous transformation becoming neither analog nor digital.

Escape 360(en)

One man, one camera, one goal...to capture the essence of adventure. An experimental, often abstract new type of filmmaking process creating color rich visuals combined with a lush soundtrack that grounds the project. A unique cinematic experience.

Mona Lisa(ja)

An experimental short film from Toshio Matsumoto featuring Mona Lisa.

Love, Dad(cs)

A short film about ties and gaps between a child and a parent. The author rediscovers letters her dad used to write her from prison. That love seems to be gone now. She decides to write back in hope to find the connection again. She puts in writing what could not be said: blaming him for family´s break-up but also trying to understand.

Paralysis(pt)

is an experimental short film about information overload.

Your Inbox Is Full(en)

The 3rd installment in James A. Burkhalter's QUEER ROOTS trilogy: After years of his mother begging him to do it, James decides to finally review and erase 10 years' worth of phone messages. It tells the story of James' "roaring twenties," constructed solely through the voices of friends, family, and lovers.

Anti-Objects, or Space Without Path or Boundary(en)

The title of this video, taken from the texts of the architect Kengo Kuma, suggests a way of looking at everything as “interconnected and intertwined” - such as the historical and the present and the tool and the artifact. Images and representations of two structures in the Portland Metropolitan Area that have direct and complicated connections to the Chinookan people who inhabit(ed) the land are woven with audio tapes of one of the last speakers of chinuk wawa, the Chinookan creole. These localities of matter resist their reduction into objects, and call anew for space and time given to wandering as a deliberate act, and the empowerment of shared utility.

Third Page from the Sun(fr)

Three books: a film festival catalogue, a dictionary, the Bible. Three works whose materiality has become obsolete by the digital dematerialization. A commentary on the fragility of culture.

let me come in(en)

Bill Morrison’s experimental short features decayed film reels from the lost, German silent film Pawns of Passion (1928).

Brouillard #14(fr)

Alexandre Larose creates supernally spectral superimpositions infused with a meteorological mix and the intense lusciousness of the Québec landscape.

The Devil's Trap(en)

A 25-year-old former cult member seeks out his family in a closed world of neon crosses, deadly alcoholism, and abuse.

Portrait of a Clown(en)

A portrait of the performance artists in colorful clothes and painted faces whom have transitioned from a symbol for joy and laughter, to horror and terror, to melancholy and sadness.

Handmade(en)

In stark contrast to video, "Hand Made" focuses on the grain of the celluloid and the organic nature of emulsion. It was created by contact printing images with a flashlight in a darkroom without the use of a camera, labs, digital editing or any type of sound equipment.

New York Loft(en)

“Both NEW YORK LOFT and DOLL HOUSE convey a strong sense of resourcefulness, this ‘making something’ out of interiors, specifically domestic spaces. And domestic they are, in an avant-garde sort of way. The filmmaker gives plentiful evidence of arranging things, moving them, adjusting, placing and re-placing. First are poles and sticks found; second is fabric, sheets, pillows; in a third section we see round things. Circular magnets, machine parts, film cans and the like eventually become visually paralleled with the camera lens itself. The lens is seen as Barbara films into a round mirror. How different are the visions of this woman-with-a-movie-camera from Vertov of sixty years ago! Each extols the camera-eye, but Hammer replaces Vertov’s sociopolitical kino-truths with adventures in domestic space.” – Claudia Gorbman, Jump Cut

Extracorpus(fr)

Prom Night(en)

A Lynchian depiction of self-transformation in the social media age. Steeped in saturated colour, unnerving cinematography and bold sound design, this chamber piece depicts a young woman’s confrontation with impostor syndrome and racialised beauty standards.

Connection(xx)

In Connection, a static shot of the sky with moving clouds is subdivided into regular geometrical regions, which are then individually (and rhythmically) manipulated.