2021-08-16
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One man, one camera, one goal...to capture the essence of adventure. An experimental, often abstract new type of filmmaking process creating color rich visuals combined with a lush soundtrack that grounds the project. A unique cinematic experience.
An experimental short film from Toshio Matsumoto featuring Mona Lisa.
A short film about ties and gaps between a child and a parent. The author rediscovers letters her dad used to write her from prison. That love seems to be gone now. She decides to write back in hope to find the connection again. She puts in writing what could not be said: blaming him for family´s break-up but also trying to understand.
The fragility of Earth's future, the uncertainty of life are among the core concepts director Páraic McGloughlin explores in this video for Kompakt duo Weval.
A previously unseen short by the Japanese avant-garde titan, Toshio Matsumoto's 1986 Summer locates faces and bodies within superimpositions, zooms, a lightning-fast montage of brick structures and verdant trees.
Expansion remixes the images of Matsumoto’s Esctasis into an more colourful psychedelic short.
A portrait of the performance artists in colorful clothes and painted faces whom have transitioned from a symbol for joy and laughter, to horror and terror, to melancholy and sadness.
An experimental film on the geographic and historical voyage of the peculiar sound of the so-called 'Basque ox carts'. Said sound, which could be heard until the decade of the 60s in part of the Bay of Biscay, has now practically disappeared from the Iberian peninsula. The film travels from the silence of the sound in our territory today, until its reappearance, following years of research, in the central area of Brazil.
‘Films to Break Projectors’ glues, scrapes and splices 35mm, 16mm and 8mm film to create unprojectable celluloid collages. Reanimating the material reveals the colour music within and traces of ambiguous narratives that emerge from the complex loops. image - iloobia sound - iloobia / dissolving path cinema iloobia 2016
"CHO-JIN (bird man)" flies by flapping its arms in a light-coloured-scenery. CHO-JIN leads you to a mysterious feeling axis when they slowly stop on an electric wire with a nostalgic and strange taste.
This film is an in-camera portrait of the place Ville Marie Royal Bank Building in Montréal.
Emergence Collapse, the collaborative project of Berlin-based artist and filmmaker Rainer Kohlberger and Viennese electronic music producer Jung An Tagen is nearly beyond description (and perception): An assault on the senses that is at once euphoric and harrowing, at once completely alien and uncannily evocative, their work is perhaps the perfect artistic manifestation of existential angst. Jung An Tagens frighteningly frenetic and earsplitting dissonance is complimented perfectly by Rainer Kohlbergers constantly evolving, neon-tinged visual freak-out. The result is relentless and painfully overwhelming, but like a horror movie, Emergence Collapse demands – and ultimately rewards – your attention.
The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.
Using century old technology, PXXXL creates digital glitch from analog process. It was animated directly on the celluloid without a camera, in a darkroom, using lights, objects, and handmade lenses. There is no digital manipulation involved-- just light, celluloid, and processing.
The 3rd installment in James A. Burkhalter's QUEER ROOTS trilogy: After years of his mother begging him to do it, James decides to finally review and erase 10 years' worth of phone messages. It tells the story of James' "roaring twenties," constructed solely through the voices of friends, family, and lovers.
A slow and ugly fairy tale based on the drawings of inmates at a psychiatric clinic where LaLoux worked.
Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.
Engram is a three-part piece revolving around a few good old ideas such as photos inside of photos, movies inside of movies, photos inside of movies, movies inside of photos, and (even) a film director inside a TV set.