Children's Village(2012)

All's Right With The World(zh)

The film explores the hidden face of poverty in one of the world's most affluent and capitalistic cities. Directed by CHEUNG King Wai (KJ: Music and Life), the film follows five Hong Kong families of different backgrounds that receive government subsidies. How do the poor get by in a glossy city that flaunts conspicuous consumption and hides poverty in cavernous public housing estates? All's Right With The World shares the different stories of these low-income families, their daily living conditions, and their ways of celebrating Chinese New Year.

Outside(zh)

Wang Wo’s experimental documentary takes the direct cinema approach to the realm of avantgardism, immersing the viewer in a non-narrative, highly sensory experience of urban China in its visual and aural splendor.

Along the Railway(zh)

This important, patient documentary follows a year in the life of the sidings dwellers who eke out a living, begging, foraging, stealing and sleeping rough near the Baoji railway station in Shaanxi.

Bazaar Jumpers(zh)

Two Uigur brothers and a friend are in love with parkour, a kind of extreme sport. Regardless of opposition from their worried mothers, the boys train themselves to be the best in an upcoming parkour event in Beijing while managing to iron out additional difficulties. They lose the game, but eventually they learn much more about their true selves.

Ants Dynamics(zh)

Workers wrongfully dismissed wage battle against their employer, China Telecom. Incorporating artistic means of expression such as photography and theater, various artists wage extraordinary performances with the workers in the film, in solidarity with their struggles.

Falling From the Sky(zh)

The little-known Hunan Suining County is an ordinary but full of magical places. As the theoretical point of the rocket wreckage launched by the Xichang Satellite Launch Center, it has greeted the rocket wreckage from the sky dozens of times in the past 20 years since 1990. This mysterious and dangerous “out-of-town visitor” broke the poor and peaceful life of the 160,000 locals in the jurisdiction. 2008 is China's "Olympic Year" and "Aerospace Year." The people of Suining, like the people of the whole country, are looking forward to the Olympics to pay attention to the Olympics and are proud of the growing strength of the comprehensive national strength including aerospace strength. They also have to bear the fate of falling from the sky.

The Road(zh)

A highway is waiting to go through a quiet village in Hunan, a province in central China where Mao was from. Due to the high cost of construction, construction companies and migrant workers who live on road work rush to here like the tide. In the following four years, they root in this strange place for interests, paying sweat and blood, even their lives. With their arrival, local village and peasants are forced to change their lives. Many hidden interest lines and hidden rules about road construction of the nation are unveiled, together with the shocking truth and emerging secrets.

The Rocking Sky(zh)

To commemorate the 70th anniversary of the victory of WWII, this documentary film describes the eight years of dauntless air-force fighting of the republic of China during the Anti-Japanese War, with only 300 combat-capable aircraft from China while Japan had over 2000.

The Shoe Shiner's Journey(zh)

The Vachina Monologues(zh)

The Chinese Department of Sun Yat-sen University (Guangzhou) staged the Chinese debut of "The Vagina Monologues" in December 2003. Since then, this feminist play, which came from the US and has been committed to the elimination of gender-based violence, has incited a vagina hurricane that blew all over mainland China.

China. The Arts – The People(de)

China marks the beginning of the extensive Asian theme in Ottinger’s filmography and is her first travelogue. Her observant eye is interested in anything from Sichuan opera and the Beijing Film Studio to the production of candy and sounds of bicycle bells.

The Iron Ministry(zh)

Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.

Pathway(zh)

Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.

Buried(zh)

July 27th, 1976 - a day the people of Tangshan will never forget. When that fateful day ended, tens of thousands had been killed, and the lives of the survivors would be changed forever. No public official, no expert, nor anyone among the seismological personnel - regardless of what they were doing that day - should ever forget. History will always remember the twilight of that day.

Umbrella(zh)

Workers, peasants, soldiers, students and merchants were five groups of Chinese society in the 1950s, after the so-called elimination of the exploited class. Borrowing this concept, the umbrella is taken as the clue to rediscover changes in various social classes after the economic reform, and to analyze the social problems in China. Workers making umbrellas, merchants selling umbrellas, students looking for jobs in the rain. Umbrella is used as a metaphor that can be seen everywhere. As the raindrop, what we see is sometimes clear, sometimes untraceable.

Shattered(zh)

A microcosm of China past and present flows through Xu Tong’s intimate docu “Shattered,” in which the maverick indie filmmaker continues to refine his techniques and concerns shown in his previous “Wheat Harvest” and “Fortune Teller.”

Doctor Ma's Country Clinic(zh)

"Huangyangchuan, Gansu province, China. It's an arid mountain area with poor roads. Ma Bingcheng is well-respected local doctor, so many patients (most of them farmers) come to see him every day. In his small clinic, people chat with each other about their lives, local conditions, or the people they know. The clinic seems to open up like a microcosm, the information and experiences of different people intertwine, revealing the conditions of typical Chinese farmers, and the typical fates of both young and old--"

A Yangtze Landscape(zh)

A Yangtze Landscape utilizes a non-narrative style, setting off from the Yangtze's marine port Shanghai, filming all the way to the Yangtze River's source, Qinghai/Tibet - filming a total distance of thousands of kilometers. Experimental music and noise recorded live on scene are used in post-production, painstakingly paired with relatively independent visuals, creating a magically realistic atmosphere contrasted with people seeming to be 'decorative figures' right out of traditional Chinese landscape scrolls.

Mama Rainbow(zh)

For Chinese parents, finding out that their kid is gay usually presents a major tragedy, with the big majority utterly unable to accept the homosexuality of their son or daughter. However, during recent years a fresh rainbow wind has been blowing over the Chinese mainland: a pioneer generation of Chinese parents has been stepping up and speaking out on their love for their gay kids. This documentary features 6 mothers from all over China, who talk openly and freely about their experiences with their homosexual children. With their love, they are giving a whole new definition to Chinese-style family bonds.

Be a Woman(cn)

Over the course of 3 years, Fan Popo visited a bar called “Only-Love” in Nanning, China, getting to know the dancers and drag queens there and discovering who they really were behind their exuberant costumes and personas.