2010-12-06
8
A general's daughter lives in Tambov, in love with a street artist, whom her father disapproves of. The general has a twin brother who heads a criminal gang. Two unsuccessful robbers fail the task, which triggers a string of events that will change lives and destroy families.
Young Maxim grows up under the czarist regime with his grandparents as guardians. Continually demeaned by his martinet grandfather, Maxim is drawn to his warm-hearted grandmother, who instills in him the willingness to pursue his writing muse.
Jakob thinks that everything is going well with his girlfriend, but the relationship ends abruptly. He can not put her behind him, even if a new girl enters the picture.
On the violent border between Brazil and Paraguay, a war is being waged around the expansion of agribusiness. On one side sits lawyer Luana Ruiz, the heiress to contested lands and one of the strongest supporters of president Jair Bolsonaro. Ruiz, like other ruralistas—rural wealthy elites and agribusiness producers who advocate for Indigenous cultural annihilation—has become empowered and her ideas of hate have flourished under Bolsonaro's anti-Indigenous agenda. On the other side sits teacher, Guarani-Kaiowá leader and activist Alenir Ximendes, embodying powerful Indigenous resistance and communal ideals. Having personally suffered losses at the hands of the ruralistas, Ximendes emerges as a powerful force against Ruiz, fighting for the protection of her community, their lands and Indigenous constitutional rights. This film contains sensitive images and dialogue in its portrayal of this urgent struggle for sovereignty.
A young bakeshop owner’s holiday season takes a surprising turn when she finds a body at a local Christmas tree lot and winds up involved in a dangerous murder investigation. With colorful characters popping up as suspects, shady business practices uncovered at the tree lot and holiday romance in the air, the young baker-turned-sleuth must race against time to track down the killer and save the Christmas season.
An autobiographical documentary made by a mother who follows the gender transition of her adolescent son: between 2016 and 2019 she interviews him addressing the conflicts, certainties and uncertainties that pervade him in a deep search for his identity. At the same time, the mother, revealed through a firstperson narration and by her voice behind the camera that talks to her son, also goes through a process of transformation required by the situation that life presents her with by breaking old paradigms, facing fears and dismantling prejudices.
"Linked together by the texturality of forgotten objects and frayed (or physically manipulated) imprinted text images, the film represents a thematic collapsing of distinct objects that further erases the bounds between image (and text) from meaning, where recursive shifting of once seemingly separate entities become alternate presentations of a visible (and invisible) continuum - a decontextualized mood piece where absence and emptiness become increasingly tactile - an impression."
The days leading up to a toddler's second birthday are seen alternately from the child's point of view as well as that of his parents.
Ida and her family are recovering from the divorce. She is looking forward to the upcoming dance contest. She is also growing up and developing romantic urges of her own. But she doesn't have good memories of romance. The third of Jesper W. Nielsen trilogy: Buldermanden, Lykkefanten and Ogginoggen.
Othman Abdelbaset suffers from the intervention of his mother-in-law in his life with his wife. He always worries about his assistants in the pancake shop he runs until his mother-in-law succeeds in cutting him off with his wife and turning his life into hell. He thinks of committing suicide and introduces his idea to his aides. The three go to sea to carry out the idea, but one of the sailors sees them leading the boat trip to one of the islands and they are on an adventure inside the Prince of the Island where they fight the bad guys who want to take over the island rule
"Trees and Jamaica Daddy" was the first of a UPA series (short-lived) that featured two different subjects (plot, characters)running about 3.5 minutes each, on a seven-minute reel. The first one here was titled "Trees", featuring a little girl named Hattie giving her version of the birds, the bees and trees. The second one on the reel was called "Jamaica Daddy", about the animated Hamilton Ham and his band, who tell all about, in music and the usual UPA animation style, Jamaica Daddy, and his family tree in calypso fashion. "Ham-and-Hattie" were not a team, and did not appear together in this cartoon.
Dave must navigate the turbulent waters of adulthood, but his seemingly over-dependent relationship with his mother threatens to hinder his chances of personal growth, making 'Momma's Boy' a heartwarming and relatable coming-of-age tale with a sci-fi twist.
A physician who helps his clients bring new life into the world is accused of an ethical breach that's also criminal in this independent drama. Dr. Freeman (Colm Feore) is a doctor who runs an upscale fertility clinic in Las Vegas, Nevada. Freeman specializes in helping women who have had trouble getting pregnant conceive, usually through artificial insemination techniques or transplanting donated eggs into his patients. Over the course of several weeks, Freeman inseminates nine women from different walks of life, eight become pregnant and give birth to healthy children, but when the new mothers compare notes, they discover their children bear a striking resemblance to one another...
Toyotomi Hideyori's married granddaughter, Princess Sen, is targeted by someone. Hattori Hanzo, who receives the news, challenges the blocking of conspiracy to recover Senhime.
Three naval cadets accidentally get possession of a secret diary that was stolen from Bestuzhev, a vice-chancellor of Russia. If this diary ever gets abroad, the consequences for the country would be grave. The cadets are trying to return the papers to their owner, but there are others who want to get the papers...