Dirch Passer gør det igen. Idenne utrolig morsomme Passer film møder vi Dirch som medlem af grundpersonalet hos SAS. Dirch har den lille fejl, at han er håbløst forelsket i en stewardesse (Agneta) og under sit arbejde, har han meget svært ved ikke at drømme om sin forelskelse. Gang på gang drømmer han sig ind i forskellige helteroller for på den måde at tiltrække sig opmærksomheden fra hans øjesten, Agneta. Vi møder Dirch som flykaptajn, arkæolog, gangster, sømand, prins, forsvarsadvokat, boksemester og soldat i det vilde vesten. Alt dette er roller som han lever sig ind i ved sine drømmerier. Men når man drømmer vågner man jo som regel igen, og det gør Peter (Dirch Passer) også, og hver gang finder han sig selv i de mest pinlige situationer. Spørgsmålet er om det nogensinde skal lykkes for Peter at få sin Agneta til at se til hans side, og vil hun overhovedet lægge mærke til at han drømmer om hende, og vil han kunne beholde sit job hos SAS? Alt dette og meget mere besvares i humør
Dirch Passer gør det igen. Idenne utrolig morsomme Passer film møder vi Dirch som medlem af grundpersonalet hos SAS. Dirch har den lille fejl, at han er håbløst forelsket i en stewardesse (Agneta) og under sit arbejde, har han meget svært ved ikke at drømme om sin forelskelse. Gang på gang drømmer han sig ind i forskellige helteroller for på den måde at tiltrække sig opmærksomheden fra hans øjesten, Agneta. Vi møder Dirch som flykaptajn, arkæolog, gangster, sømand, prins, forsvarsadvokat, boksemester og soldat i det vilde vesten. Alt dette er roller som han lever sig ind i ved sine drømmerier. Men når man drømmer vågner man jo som regel igen, og det gør Peter (Dirch Passer) også, og hver gang finder han sig selv i de mest pinlige situationer. Spørgsmålet er om det nogensinde skal lykkes for Peter at få sin Agneta til at se til hans side, og vil hun overhovedet lægge mærke til at han drømmer om hende, og vil han kunne beholde sit job hos SAS? Alt dette og meget mere besvares i humør
1955-01-01
7.5
The count makes his new wife jealous when he helps a female rider who makes obvious advances at him. Lydia has barely forgiven her husband before things go wrong again. During a horse race, the count has a terrible accident that leaves him paralysed. Lydia must be strong and make up her mind: How far is she willing to go to help her beloved? (Stumfilm.dk)
Hanne and Carsten are desperately trying to keep up with the appearances to their nosy neighbors. But how do you keep up with the illusion of a happy family in times of crisis. Financial crisis.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
Unwilling to process a near-fatal car accident, an overworked director arrives late to the set of his horror film to find that most of the crew has left. Determined to complete the film, he and the remaining crew find out that his trauma from the accident refuses to let him go that easily.
With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.
The first screen adaptation of Harriet Beecher Stowe's novel to star a black man in the title role.
The life of a stressed-out air controller falls apart as he battles a court case involving a mid-air collision for which an investigator is trying to hold him responsible.
A study of the post-adolescent male psyche, Four Letter Words gives an often humorous but raw unadulterated look at the views, attitudes, and language of young men in suburban America. The film focuses on a dwindling summer night's party, at which the characters gather for the first time since high school graduation. As the night's activities take their toll, the immaturity level rises, the profanity flies and of course the drunken brawl breaks out. It will be a night to remember although some would wish to forget.
To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves."
The kids try to raise money to buy a doll for Marianne.
Backlash (2004) was the sixth annual Backlash PPV. It was presented by Square Enix's Drakengard. It took place on April 18, 2004 at the Rexall Place in Edmonton, Alberta and was a Raw brand-exclusive event. The main event was a Triple Threat match for the World Heavyweight Championship involving reigning champion Chris Benoit, Triple H, and Shawn Michaels, which Benoit. One of the predominant matches on the card was Randy Orton versus Cactus Jack in a Hardcore match for the WWE Intercontinental Championship. Orton won the match and retained the title after pinning Cactus following an RKO. Another primary match on the undercard was Edge versus Kane, which Edge won by pinfall after executing a spear.
American religious extremism collides with independent filmmaking when Harmony Hope Bryant sets out to create a cautionary movie about the dangers of roleplaying games.
A small group of neighbours discover a mysterious car, seemingly abandoned in their suburban cul-de-sac.
Joana visits her snail vivarium every day. Her work has developed into a way of seeing life and understanding the world, although she has to work every day because nature doesn't undestand sundays.
John is driving through the most godforsaken area of Norway, when he accidently gets a flat tire. By his attempt to change the tire he realizes that that his car wasn't equipped with one. But as he takes a peek at the ditch next to the road, he sees a whole bunch of spare tires. The world's nicest guy stops to offer help. The problem is that John really do not want help, and he knows an accident rarely comes alone...