A madman stalks nurses, brutally stabbing them to death. In his fevered mind, he believes his victims to be a woman from his past named Linda. Police struggle to apprehend him before he can murder and mutilate again.
Lawrence Ashton
Leah Petralla
Leo Meadows (as Antoine Herzog)
In Berlin, Lieutenant Yartsev's infantry and Tzvetaev's battery fight their way in the U-Bahn. Captain Neustroev's company is selected to hoist the Victory Banner atop the Reichstag.
The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
An intimate portrayal of a quest for love and acceptance at any cost, Q depicts the influence of a secretive matriarchal religious order on filmmaker Jude Chehab’s family and the unspoken ties and consequences of loyalty that have bonded her mother, grandmother, and herself to the mysterious organization. A love story of a different kind, Q is a multigenerational tale of the eternal search for meaning.
Serving as rebellious foils to their cleaner-cut rivals, the Beatles, during the earliest years of the British invasion, the Rolling Stones shucked their middle-class roots for a well-earned bad boy image. Combining candid interviews and rare footage, this retrospective program chronicles the band's journey to becoming one of the biggest acts in the world, aided by the attitudes -- and notorious libidos -- of Mick Jagger and Keith Richards.
It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.
A young boy named Espen Søplekladden is leaving home. He starts to work at a jazz café named "Balla Jazzhus". But his evil brother is trying to make everything bad for him.
Following a painful split from her longtime partner, a woman plunges into the online dating world, determined to find a partner for the holidays.
A blocked writer tries desperately to create an ending for his latest script.
Young unlucky screenwriter Yasha starts a relationship with a beautiful young model. But having flown to the island of Crete to meet her parents, he suddenly falls in love with her mother, who is married to a not too faithful husband.
Sand Snowman is an original short film by writer and director Yeva-Genevieve Lavlinski. Based on a true events, Sand Snowman reveals the hopes and tragedies that arise from the abundance or lack of parental love. Catch a glimpse of the turmoil in the times of the end of the Soviet empire and the birth of the "New Russians."
Parrot sets forth for a nest. But he foots. Appears is afraid to fly, because never tried.
After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.
Dr. Michelle Minikel thought home birth was crazy--until she got pregnant. Turns out she's not alone. Join director Jessicca Moore on a compelling journey of discovery about maternity care in the US through the lens of doctors and nurses who attend birth in the hospital, but choose to have their own children at home. Through a balance of personal stories and the latest research, "Why Not Home?" challenges viewers to move beyond polarization and judgment and question what is possible for the future of maternity care.