A homage to nature and a plea for a careful approach to it. In one of his early films, Jon Jost shows impressions of a stream in the forest and a couple streaming through the forest: direct looks into the camera, cross-fades, multiple exposures, playing with sunlight, shadows and shapes. At the end, the appeal of a Wintu indigenous man who condemns the reckless treatment of the whites with nature is faded in.
A homage to nature and a plea for a careful approach to it. In one of his early films, Jon Jost shows impressions of a stream in the forest and a couple streaming through the forest: direct looks into the camera, cross-fades, multiple exposures, playing with sunlight, shadows and shapes. At the end, the appeal of a Wintu indigenous man who condemns the reckless treatment of the whites with nature is faded in.
1970-01-01
5
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While digging one of the many tunnels for the Moscow metro, Soviet workers unearth ruins of a dungeon. The site is closed, the metro tunnel is diverted, and amidst the bustle no one notices the tunnel workers’ foreman pocketing a little ‘souvenir’ – a book-sized frame made of precious metals featuring an inscription in an unknown language. Decades later, the foreman’s grandson Ilya, who works as a courier, discovers the ancient relic in a pile of old junk. Oblivious to the true value of the family heirloom, he soon learns about it from a mysterious stranger. The relic is the key to the secret location of the priceless ancient library that belonged to Ivan the Terrible. What Ilya doesn’t know is that the search for the lost library has been going on for centuries, and now very powerful people are after him. Ilya and the mysterious stranger decide to try their luck in finding the library.
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A determined detective continues his search for the truth behind Asia's largest drug organization and its elusive boss he has unfinished business with.