Piece by Piece is a groundbreaking film that documents San Francisco's highly controversial graffiti art movement. A story told by those who live the experience, Piece by Piece offers an intimate journey into the most intriguing and misunderstood artistic movement of modern youth culture. By detailing the last 20 years of San Francisco's graffiti this tale offers the most candid and accurate story behind the writing on the wall in Northern California. Never has such an in-dept and balanced document been created representing San Francisco graffiti. 100 hours of footage and interviews have been collected for over 4 years and have finally been edited into a cohesive documentary film.
Narrator
Piece by Piece is a groundbreaking film that documents San Francisco's highly controversial graffiti art movement. A story told by those who live the experience, Piece by Piece offers an intimate journey into the most intriguing and misunderstood artistic movement of modern youth culture. By detailing the last 20 years of San Francisco's graffiti this tale offers the most candid and accurate story behind the writing on the wall in Northern California. Never has such an in-dept and balanced document been created representing San Francisco graffiti. 100 hours of footage and interviews have been collected for over 4 years and have finally been edited into a cohesive documentary film.
2005-01-13
4
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"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).
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