Bangkok Sweety revolves around many love stories that begin on Christmas Eve's night and end on Valentine's night.
A group of white-collar employees work against a tight deadline to launch a new energy drink, with the hope that they will be rewarded with a year-end bonus.
Leon, a hacker convicted for a crime he did not commit, escapes from detention centre following the death of his father, to take revenge on the man who really did it.
While playing Hal's Hole Hootenanny, Hal accidently digs up Bad Dog Bart's second buried treasure map. The map leads to Bad Dog Bart's stolen loot of cat toys, which brings back emotional memories for Nature Cat of a stolen family cat toy!
A unique exhibition of rare and unknown photographs of Smyrna from American and European archives and private collections.
Chad eventually discovered a mermaid named Marina who Chad developed a liking to, but the Demons have plans to ruined their little relationship.
DON’T GIVE A FOX is a documentary about a group of young and wild girls in Roskilde, who, despite coming from completely different backgrounds, find a fellowship in skating. A place where they can forget their everyday life and gain courage to change a skate culture that has been dominated exclusively by boys for the past decades. DON’T GIVE A FOX follows three different girls in their early 20s, who each are seeking to gain a foothold. It’s a coming-of-age story about identity, love and skating.
Desperate to meet new girls, six down-on-their-luck guys come up with the ultimate plan to hook up - cast a fake movie. When tons of hot chicks show up for the audition, it's a matter of who's willing to go the farthest to get the part.
A couple awaken in the night to sounds emanating from an unlikely orifice.
When Omuro Yahachi of the Omuro family is selected as Mutsumikai Soke's successor, the conflict between the Kitakyushu and Wakamatsu begins.
American religious extremism collides with independent filmmaking when Harmony Hope Bryant sets out to create a cautionary movie about the dangers of roleplaying games.
On Halloween 1979, a small town is turned upside down when a transient evil takes up residence in the local bowling alley. (ALTER)
Director Elisapie Issac's documentary is a sort-of letter to her deceased grandfather addressing the question of Inuit culture in the modern world.
To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves."
In a land beset by endless strife, nothing must get in the way of the preservation of honour - even if that means sacrificing a loved one. Mena, a young, beautiful bride-to-be, lives in a small, remote village in northern Afghanistan, a harsh landscape that still shimmers with breathtaking colours. Respecting the deeply conservative local customs, she and her fiancé, Rahmat, have little contact yet cherish a special bond.
Six monologues tell the stories of six different repressed souls: a man dominated by his mother, a vicar's wife, an inveterate letter writer, a hopeful actress, a recently widowed woman, and an elderly shut-in.
A Blue Soldier and a Yellow Soldier play a board game trying to outwit each other, struggling for control over a piece of land. The Farmer who belongs to the land is not allowed to play and must pick a side. As the fighting escalates, what side does she choose?