Backed by an echoed horn music, the light passes through a magnifying glass. On the walls, they portrait pans being held on top of a stove.
Rock N Roll is a 2007 Malayalam film directed by Renjith. The film stars Mohanlal, Lakshmi Rai, Mukesh and Rahman in lead roles.
"Babymetal: Live At Tokyo Dome" is the sixth live video release by BABYMETAL. Featuring two concerts, "Red Night" held on September 19th, 2016 and "Black Night" held on September 20th, 2016, at the Tokyo Dome
"The Television Years" examines the events that took place in the years between 1956 and 1960, in which Elvis Presley excited a whole nation as the "King of Rock and Roll" in the big television shows of the time. One highlight of this time periode was Elvis' 1960 combeback hosted by Frank Sinatra, which marked his first appearance on televison after his two-year stay in the army.
Chronicles Harry’s musical journey while creating his much anticipated debut solo album. The film features exclusive interviews and behind the scenes footage shot in Jamaica, Los Angeles and London during the making of the album and is complemented by Harry and his band performing songs from it for the first time at the world famous Abbey Road Studios in London.
Live show filmed during the Death Metal Massacre tour on February 16, 2000 at the Rave in Milwaukee, WI. One of the most extreme heavy metal bands ever, Cannibal Corpse acknowledge no boundaries of speed, power, or "good taste" in this full-on concert video. Cannibal Corpse: Live Cannibalism features interviews with the members of the band and their loyal fans in between numbers, in which they tear through a range of classic tunes.
Arguably second only to Muddy Waters among the Mississippi Delta singers who traveled north and pioneered urban electric blues (their supposed rivalry is the subject of one of this DVD's bonus features), Wolf was a big, imposing man with an inimitable, booming voice and a lasting influence on generations of rock & rollers--all of which comes across in the 90-minute film.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
U2 performs live in Mexico City in support of their 1997 album, "Pop," featuring lavish special effects, cutting edge sound and spectacular multimedia enhancement. /// Tracklist: 1. Pop Muzik 2. Mofo 3. I Will Follow 4. Gone 5. Even Better Than The Real Thing 6. Last Night On Earth 7. Until The End Of The World 8. New Year's Day 9. Pride (In The Name Of Love) 10. I Still Haven't Found What I'm Looking For 11. All I Want Is You 12. Desire/La Bamba 13. Staring At The Sun 14. Sunday Bloody Sunday 15. Bullet The Blue Sky 16. Please 17. Where The Streets Have No Name 18. Lemon (Perfecto Mix) 19. Discothèque/Love To Love You Baby/Life During Wartime 20. If You Wear That Velvet Dress 21. With Or Without You 22. Hold Me, Thrill Me, Kiss Me, Kill Me 23. Mysterious Ways 24. One 25. Wake Up Dead Man
A troubled and angry 11-year-old orphan from a small Texas town, ends up at a Boy Choir school after the death of his single mother. Completely out of his element, he finds himself in a battle of wills with a demanding Choir Master who recognises a unique talent in this young boy as he pushes him to discover his creative heart and soul in music.
Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.
A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century
Hania (Izabella Miko) is a young journalist who suddenly discovers that she is more connected with dancing than she could ever imagine ...
Elvis! Elvis! Elvis! Yes it's the King of Rock & Roll as never seen before in this collection of rare outtakes and negatives from the fabulous MGM vaults. "Elvis: The Lost Performances" includes footage which was filmed for "Elvis: That's the Way It Is" (1970) and "Elvis on Tour" (1972) but was never used in those films. Included are clips of Presley singing such hits as "Teddy Bear," "Heartbreak Hotel," "All Shook Up" and more.
How a South Pacific love song touched hearts around the world.
LIVE ~LEGEND I、D、Z APOCALYPSE~ is the first video album by Japanese heavy metal band Babymetal. The album contains live footage of three shows, entitled Legend "I", Legend "D", and Legend "Z", respectively (spelling out the initials of "Ijime, Dame, Zettai"), performed in Tokyo from late 2012 to early 2013.
Metallica at Autódromo de Interlagos, São Paulo, Brazil on March 25, 2017. Setlist: Hardwired / Atlas, Rise! / For Whom the Bell Tolls / The Memory Remains / The Unforgiven / Now That We’re Dead / Moth Into Flame / Harvester of Sorrow / Halo on Fire / Whiplash / Sad but True / One / Master of Puppets / Fade to Black / Seek & Destroy / Battery / Nothing Else Matters / Enter Sandman
This recording was made in a continuous single live-in-the-studio pass in collaboration with NPG drummer Michael Bland and bassist Sonny T. Prince originally intended to give this live CD away free with 1,000 copies of Guitar Player magazine in 1994, but he was reportedly barred by Warner Bros. from doing so. A video recording of the performance was released in Europe (on VHS and Laserdisc) with small edits throughout the performance and "Dolphin" replaced by the audio track from the official video of the song from The Gold Experience.
"What would the world be like without Beethoven?" That’s the provocative question posed by this music documentary from Deutsche Welle. To answer it, the film explores how Ludwig van Beethoven's innovations continue to have an impact far beyond the boundaries of classical music, 250 years after his birth.
Elevation 2001: Live from Boston is a concert film by Irish rock band U2. It was filmed on 5–6 and 9 June 2001 at the FleetCenter in Boston, Massachusetts, during the first American leg of the group's Elevation Tour. The video was directed by Hamish Hamilton and produced by Ned O'Hanlon. It was released on home video as a two-disc DVD and a single VHS by Island Records and Interscope Records on 20 November 2001. Elevation 2001 was the first of two video releases from the tour, the second being U2 Go Home: Live from Slane Castle, Ireland in 2003. **TRACK LISTING:** 1. Elevation 2. Beautiful Day 3. Until The End Of The World 4. Stuck In A Moment You Can't Get Out Of 5. Kite 6. Gone 7. New York 8. I Will Follow 9. Sunday Bloody Sunday 10. In A Little While 11. Desire 12. Stay (Faraway, So Close!) 13. Bad 14. Where The Streets Have No Name 15. Bullet The Blue Sky 16. With Or Without You 17. The Fly 18. Wake Up Dead Man 19. Walk On
In the mid-1990s reports emerged that Prince had fallen into dispute with his record company. Having signed what was ostensibly a new, 100 million dollar contract just a couple of years before, Prince was now demanding - not unreasonably to most commentators - control of his masters and the freedom to release what he wanted when he wanted. After a bitter war of words, during which the star scrawled Slave across his cheek whenever he appeared in public and routinely dissed his label, the parties finally settled and Prince henceforth was free to take full control of his music and the way it was sold to consumers. Prince approached this task with devastating foresight as he routinely created new marketing concepts which, with time, became the norm across the music world.