Discuss, discuss, but we must not forget the laundry! Snatches of dialogue, of thoughts that mingle happily with the faces that also mingle with each other. From films number 342 and 343 by Gérard Courant: “Jean Marie Straub”, 1984 and “Danièle Huillet”, 1984.
Discuss, discuss, but we must not forget the laundry! Snatches of dialogue, of thoughts that mingle happily with the faces that also mingle with each other. From films number 342 and 343 by Gérard Courant: “Jean Marie Straub”, 1984 and “Danièle Huillet”, 1984.
2020-01-01
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After the disappearance of Aldemar his wife decided to get overall uncertainty by including him in the list of deaths in the 1938 Colombian National Census. Today, 83 years later, I repeat her. I try to find myself among the numbers in the digital database in order to finish the torture that has also implied my own disappearance.
This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.
The life and works of Frei Otto told in his own words and by those he inspired. An in-depth look at the rise of lightweight architecture, form finding, and its continued relevance for the future of architecture.
In 1946, the controversial French writer Boris Vian writes his novel I Spit on Your Graves under the pseudonym of Vernon Sullivan, supposedly a mysterious African-American writer; a work against racism and Anglo-Saxon puritanism whose publication causes a great scandal.
VOLUME ZERO is an hour-long documentary on the work and the ideas of Charles Correa, one of the world’s most important architects. It deals with his childhood, architectural training, formative years and the paradigm underlying his large and complex oeuvre spanning over five decades – as well as his pivotal role in addressing issues of urbanization in the Developing World. It uses first person narration by the filmmaker, combined with extended excerpts of interviews with Correa, live action, stills, diagrams, animation and archival footage to open up the thought processes that generate architectural space and form.
During five days rappers Frankie and Kontra, DJ Soul and music producer Billain traveled more than 500 kilometers, visiting Tuzla, Banja Luka, Zenica, Sarajevo, Mostar and Konjic, meeting musicians from Bosnia and Herzegovina. In road studio they recorded sounds and created new songs.
A view taken from Brighton beach on the Channel coast of the transit of Magnus Volk’s amazing seagoing electric railway, long celebrated as one of the world’s more bizarre railway experiments. All aboard for “A Sea Voyage on Wheels!"
Rage. Anger. Shock. Fear. As the nation watched in disbelief, throngs of rioters descended on the capitol, and the people on the ground, mired in chaos, suddenly found their lives in jeopardy. From Nancy Pelosi, to Liz Cheney, to Steven Sund, D.C. Police Chief, more than 50 senators, representatives, staffers and police officers share their firsthand experience, in a minute-by-minute account of the infamous January 6th insurrection.
Uncommon Sense: The Life and Architecture of Laurie Baker" explores both the personal and the professional storyline of the architect. Baker's philosophy was more a way of living than just a way of building. He didn't advocate simplicity while designing, and then lead a lavish life.
The film centres around one still shot that documents the movements of a city, which is seen in a multi-layered reflection of passing street action.
Documentary about a group of Americans who go to Nicaragua to learn about the conflict between the Contras and the Sandinistas.
Stéphane Lissner, director of the Paris Opera, entrusts the staging of the opera-ballet Les Indes galantes to the visual artist Clément Cogitore. Based on the experience of his short film Les Indes galantes, the artist updates Jean-Philippe Rameau's baroque masterpiece (1735) by bringing together lyric song and urban dance. The choreography is entrusted to Bintou Dembélé who supervises dancers from krump, popping, voguing or even experimental hip hop. From rehearsals to the Premiere, Philippe Béziat films the meeting of urban dancers with the lyric institution and invites the spectator to share a human and artistic experience.
Dr. Savaş Arslan directs a documentary portraying the story of Sigmund Weinberg, who was one of the pioneers of the history of cinema in Turkey. Illustrating the social life of Istanbul at the turn of the 20th century, the documentary follows the technological developments of the period from the camera to the gramophone, and from cinema to automobiles, as it traces Weinerg’s family members who have been scattered across five different continents, and portrays the opening of Istanbul’s first cinema theater in 1908. A Sigmund Weinberg Docu-commentary provides an in-depth study of Sigmund Weinberg, the official photographer, film producer and director of both Sultan Abdülhamid II and Sultan Mehmed V Reşad, a century ago during a period of constant transformations. Using a witty language, the filmincludes interviews with film historians Burçak Evren and Giovanni Scognamillo, while comparing and contrasting shadow play and cinema through the examples of Karagöz and Weinberg.