Good Girl, Bad Girl(2006)

Das beste Stück(de)

Mark Demski discovers his girlfriend is cheating on him and thinks it has happened because of his small penis. Sad, he dumps the girl and promises himself never again to fall in love, but he fails. When he encounters Lara Singer he must fight with his own fears.

Love in 3-D(de)

Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.

The Hireling(en)

Based on the novel by L. P. Hartley, The Hireling is a dissection of antiquated but hardly dormant British class distinctions as a lonely socialite and her chauffeur become more than friends.

Fun(en)

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

Barú, el hombre de la selva(en)

Dil Mera Dhadkan Teri(ur)

Punhos à Flor da Pele(pt)

Dinner Time(en)

Dinner Time is noted as the first sound cartoon short made after Warner Bros.' success with The Jazz Singer and produced even before Walt Disney's first sound cartoon, Steamboat Willie (though released after).

Carriage Trade(en)

Carriage Trade was an evolving work-in-progress, and this 61-minute version is the definitive form in which Sonbert realized it, preserved intact from the camera original. With Carriage Trade, Sonbert began to challenge the theories espoused by the great Soviet filmmakers of the 1920’s; he particularly disliked the “knee-jerk’ reaction produced by Eisenstein’s montage. In both lectures and writings about his own style of editing, Sonbert described Carriage Trade as “a jig-saw puzzle of postcards to produce varied displaced effects.” This approach, according to Sonbert, ultimately affords the viewer multi-faceted readings of the connections between individual shots. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.

Connecting Flights(en)

On a summer day Julia gets on a plane, on the way to her destination, not knowing what awaits her. Eduard is in a barbershop where the Barber is annoyed by a fly. The Barber tries to chase the fly away. At that moment, panic breaks loose on the plane...

Gwiazda Piołun(pl)

Photographing a Female Crook(en)

Directed by Edwin S. Porter and/or Wallace McCutcheon Sr.

Black White + Gray: A Portrait of Sam Wagstaff and Robert Mapplethorpe(en)

Crump directed the feature-length documentary film Black White + Gray: A Portrait of Sam Wagstaff + Robert Mapplethorpe, which premiered in North America at the 2007 Tribeca Film Festival and in Europe at Art Basel. It explores the influence curator Sam Wagstaff, photographer Robert Mapplethorpe and musician/poet Patti Smith had on the 1970s art scene in New York City.

Let's Play Live: The Documentary(en)

An exploration of why Let’s Plays are so popular, as well as how the convergence of gaming and community are redefining the stages once reserved for only the biggest of rock stars.

The Modern Adventure(fr)

Short film about the excitement of modern living.

Grieve(en)

A man engulfed in the suffocating grip of loss finds his life fragmented. Struggling to navigate through his emotional fog, his mother suggests a retreat to her cabin – but an ancient entity that thrives on sorrow has taken root. The New England winter punctuates this love letter to creeping horror and slow cinema.

The Violin Maker of Cremona(fr)

A contest is being held in Cremona for the best violin, with Giannina's hand in marriage as the prize. Filippo is secretly in love with her, but is also ashamed of being a cripple, so he switches his superior violin with that of another apprentice, Sandro, whom Giannina loves.