Dukas Dilemma(2002)

The Cave(en)

Deep beneath the surface in the Syrian province of Ghouta, a group of female doctors have established an underground field hospital. Under the supervision of paediatrician Dr. Amani and her staff of doctors and nurses, hope is restored for some of the thousands of children and civilian victims of the ruthless Syrian civil war.

Chroniques d'un village tzotzil(fr)

A documentary about the daily life of a native Tzotzil community in southern Mexico, shot over a period of eight years.

Metallica: Some Kind of Monster(en)

After bassist Jason Newsted quits the band in 2001, heavy metal superstars Metallica realize that they need an intervention. In this revealing documentary, filmmakers follow the three rock stars as they hire a group therapist and grapple with 20 years of repressed anger and aggression. Between searching for a replacement bass player, creating a new album and confronting their personal demons, the band learns to open up in ways they never thought possible.

Divoké kmeny Etiopie(cs)

Escape from the World's Most Dangerous Place(en)

Successful model Samira Hashi makes an emotional return to Somalia, one of the most dangerous places in the world and the place she was born. Civil war broke out in 1991, 10 days after Samira's birth, but two years later her family managed to flee the country and she grew up in the UK.Now, as Samira and the war both turn 21, she's going back for the first time to visit the people and places she left behind. The contrast with her safe and glamorous life in London could not be starker as she experiences firsthand the war's effect on a generation of young people growing up in conflict.

The Hunters(en)

An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.

The Walk(ar)

Asil is a young Syrian refugee awaiting documents in Turkey while processing the trauma of losing her home and family. Her story gives voice to a charming gigantic puppet named Amal, who represents millions of migrant and displaced children in a walk from the Syrian border in Turkey all the way across Europe. Escorted and animated by a group of puppeteers who are themselves refugees, Amal’s epic journey is one of compassion and discovery.

The Ornament of the World(en)

Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.

Kwaheri(en)

Early Mondo film featuring primitive rituals, animals being butchered, unusual birth defects, and a legit trepanation scene.

Imperfect Journey(en)

Haile Gerima and Ryszard Kapuscinski travel around Ethiopia talking to people about their current situations and what needs to be done for a prosperous country.

The Jihadist(en)

Over most of two decades, Abu Mohammad al-Jolani’s life has been a roadmap of Islamist militancy in Iraq and Syria. Designated a terrorist by the United States, the powerful Syrian militant now seeks a new relationship with the West.

Naked Spaces: Living Is Round(en)

Shot with stunning elegance and clarity, NAKED SPACES explores the rhythm and ritual of life in the rural environments of six West African countries (Mauritania, Mali, Burkino Faso, Togo, Benin and Senegal). The nonlinear structure of NAKED SPACES challenges the traditions of ethnographic filmmaking, while sensuous sights and sounds lead the viewer on a poetic journey to the most inaccessible parts of the African continent: the private interaction of people in their living spaces.

A Wife Among Wives(en)

David and Judith MacDougall are exploring the marriage rituals and roles of Turkana women in this ethnographic documentary. The film's biggest part is taken up by talks between the Turkana people. As one of the first ethnographic documentaries "A Wife Among Wives" subtitles these talks so that the viewer can get a better and probably more personal understanding of the life of the Turkana.

A Walk to Beautiful(en)

"A Walk to Beautiful" tells the story of five women in Ethiopia suffering from devastating childbirth injuries. Rejected by their husbands and ostracized by their communities, these women are left to spend the rest of their lives in loneliness and shame. The trials they endure and their attempts to rebuild their lives tell a universal story of hope, courage, and transformation.

Four Wives - One Man(fa)

Examines the strained dynamic between the three wives of the polygamous Mohammadi family, as cash-strapped Heda seeks to add a fourth wife.

Hoffnungsschimmer am Horn von Afrika(de)

Melodies of the mountains(ru)

Film about the singing and dancing culture of the Ingush people

IT IS A SOUL: A Portrait of Hailu Mergia(en)

A short film documenting Ethiopian musician Hailu Mergia's life as the leader of the Walias Band in the 1970, his immigration to the United States and his subsequent re-emergence as a performer in 2014.

Islam Unveiled(en)

Challenging the Western view that Islam inherently represses women’s rights, journalist Samira Ahmed travels across the world examining Islamic customs as they relate to women. In this two-part series, Ahmed explores whether current Islamic customs such as polygamy, honor killings, and requiring women to wear the hijāb (veil) are actually rooted in the Quran.

Confronting Holocaust Denial With David Baddiel(en)

The Holocaust is one of the most documented, witnessed and written about events in history, so why is Holocaust denial back on the political agenda? What has happened in the 75 years since the liberation of the camps to have so skewed the picture? And, if it matters, why does it matter?