Little Girls Love Big Dicks 3[2019]

Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo(fr)

The Gendarme Takes Off(fr)

The whole clique of Cruchot's police station is retired. Now he lives with his rich wife in her castle - and is bored almost to death. He fights with the butler, because he isn't even allowed to do the simple works. But when one of the clique suffers from amnesia after an accident, all of the others reunite and kidnap him, to take him on a tour to their old working places and through their memories. In their old uniforms they turn St. Tropez upside down.

Les Petites Mains(fr)

After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.

Home(en)

An ex-felon returns home from prison and must confront the demons of his past.

The Saragossa Manuscript(pl)

During the Napoleonic wars, a Spanish officer and an opposing officer find a book written by the former's grandfather.

School of Thieves 2(it)

In this second episode Dalmazio and Egisto come, respectively, from the prison and the insane asylum. They risk a second arrest for their awkwardness so they return from their "uncle" who is willing to help them.

Scooby-Doo's Greatest Mysteries(en)

SCOOBY-DOO fans have spoken! 4 of SCOOBY-DOO'S most popular mysteries - selected by the fans themselves - are now available in this fun DVD. Watch as Scooby-Doo gets into a mixed-up mystery when he unexpectedly meets the seaweed-covered ghost of Captain Cutler in "A Clue for Scooby-Doo!" Next, see the seafaring sleuths collide with a mystery ship and try to uncover clues to a vanished crew in "Hassle in the Castle!" Then, follow Scooby-Doo and the Mystery, Inc. gang as they outwit a bank robber in "Jeepers, It's the Creeper!" And finally, see them take to the stage to crack some crazy capers in "The Backstage Rage."

Q(en)

New York police are bemused by reports of a giant flying lizard that has been spotted around the rooftops of New York, until the lizard starts to eat people. An out-of-work ex-con is the only person who knows the location of the monster's nest and is determined to turn the knowledge to his advantage, but will his gamble pay off or will he end up as lizard food?

Lost and Found(zh)

Lost and Found

Siempre la duda(es)

Red(pt)

First Born(en)

A young couples lives are turned upside down when the birth of their first child is accompanied by terrifying entities that threaten their newly formed family.

Death Bed: The Bed That Eats(en)

At the edge of a grand estate, near a crumbling old mansion lies a strange stone building with just a single room. In the room there lies a bed. Born of demonic power, the bed seeks the flesh, blood and life essence of unwary travelers… Three pretty girls arrive on vacation, searching for a place to spend the night. Instead, they tumble into nightmares – and the cruel, insatiable hunger of the Bed!

Hot Wheels AcceleRacers: The Speed of Silence(en)

As Dr. Tezla works at unlocking the mystery of the Accelechargers, the Racing Drones unleash their most powerful weapon against the Acceleracers: the car-eating Drone Sweeper.

Andriesh(mo)

An adaptation of a fairy tale by Moldovan writer Emilian Bukov.

Goldeneye(en)

British writer Ian Fleming's life and loves suggest that of his spy-novel hero, secret agent James Bond.

Sea(pt)

Francisca, a beautiful 50-year-old widow, prepared a peaceful future for herself. In an unexpected outburst, she grabs an opportunity for change and embarks on a sailboat called ‘Hovering Over the Water’.

People(fr)

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.