Arnold accidentally knocks out a bully named Harold during a baseball game, and Harold gives Arnold 24 hours to live before he beats him to a pulp. Theatrical short pilot of Hey Arnold.
The story of the serial killer "La Mataviejitas", a woman who murdered elderly people.
Camille is a completely ordinary woman. Former assistant in a pharmaceutical factory, her life never had any meaning for her. Disillusioned and deeply disappointed by the inaction of governments in the face of the ecological crisis, she decides to take action.
The dreaded slave hunter Abu el Mot attacks the caravan and abducts the travelers, including Kara Ben Nemsi, his faithful companion Hadschi Halef Omar, the quirky scholar Ignaz Pfotenhauer and the English explorer Sir David Lindsay. Kara Ben Nemsi manages to escape with Hadschi Halef. To get help, they set off on a long journey full of impassable adventures...
Chermen Kachmazov about personal space, female attention, a tree house, stupid thoughts, loneliness.
When Kao decides not to have sex for 30 days according to a fortuneteller's advice but Nut, his co-worker, asks to stay with him for a while. Sometimes Nut sleeps in his underwear driving Kao out of control but the more he tries to control, the worse he falls for Nut.
'White on White' is director Viera Cákanyová's video diary that she kept while staying at the Polish Antarctic station, where in 2017 she shot the film 'FREM' (2019), whose main character was an artificial neural network. During her stay, the author chats with various artificial intelligences, leading conversations that touch on the nature of film, art, and the meaning of life while also revealing a way of thinking that's free from humanity and from an emotionality that forces deep introspection. Footage from her routine, everyday life at the station contrasts with lyrical images of the immaculate Antarctic nature, which the author complements with her own commentary and thoughts provoked by the loneliness of the ice-covered landscape.
Kawai Metal music sensation performs at Osaka-Jo Hall, October 15, 2017. This show in Osaka, Japan was the finale of Babymetal's Big Fox Festival Tour. Unexpectedly, this show was also Yui Mizuno's final appearance with Babymetal.
A research scientist discovers that his project is being secretly adapted for use by the military. When he objects, his co-workers start to die in mysterious accidents.
The story begins in Albania where the heroine, Helen, suffers the abuse of her father, a former member of the Albanian Communist Militia. Troubling and extreme events in her life soon cause Helen to flee her homeland for Florence, Italy where she meets up with her friend Sylvia who works as a maid for a wealthy family. She soon learns that her boyfriend in Albania has been arrested for killing her cruel father. Though at first desperate to return home to help, Helen soon forgets her boyfriend's plight as she is seduced into a wicked life of vice and perversion by the wealthy family with whom she is staying. Helen finds herself spinning out of control in a frenzied cinematic vortex of sex, beer and manipulation. Helen does eventually return home to Albania, but only to discover there, her own erotic destiny.
The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.
Riding the Rails offers a visionary perspective on the presumed romanticism of the road and cautionary legacy of the Great Depression. The filmmakers relay the experiences and painful recollections of these now-elderly survivors of the rails. Forced to travel more by economic necessity than the spirit of adventure, the film's subjects dispel romantic myths of a hobo existence and its corresponding veneer of freedom. Riding the Rails recounts the hoboes' trade secrets for survival and accounts of dank miseries, loneliness, imprisonment, death, and dispossession. Sixty years later, the filmmakers transport their subjects back to the tracks, where the surging impact of sound and movement resuscitates memories of a shattered adolescence and devastating rite of passage.
An American salvage diver plunges into dangerous intrigue around a sunken treasure in the Philippines.
No. 5 Reversal opens with a close up sequence of two women in animated conversation, followed by an aural page/station structure. The film combines elements of horizontal and vertical montage in the soundtrack, using white noise, and radio static as a fragmentation device. The visually striking black and white photography weaves lyrical, pastoral nature with the de- and re- construction of civilization. No. 5 Reversal ends with a filmic signature, an image of its maker framed in front of a window against a backdrop of ruins.
It is about Luis's journey, who on a Halloween night ends up in an old antique shop that hides many secrets.
Despite opposition from the gymnastics team director, a coach proves the success of a new training plan.
Leni is young woman haunted by memories of her past - her parent's death, her abusive ex-boyfriend - and tormented by nightmares that add to her mounting anxiety. Is the monster that stalks her real, or just a manifestation of her mental pain? And how entwined in the truth behind her own madness is Leni?