A three-part documentary about the long road to women's suffrage in Switzerland.
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In this Traveltalk series short we learn that four million ethnic French, German and Italian people live in Switzerland. The Alps and their important part in the country's history is noted. We view vividly-coloured alpine wildflowers which cover the mountain meadows in the spring. We see rushing mountain streams, fed by melting snows, and then learn of colourful alpine chalets and traditional wood-carving amongst other highlights.
A documentary about homeless people living in Switzerland.
The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.
Beneath its reassuring façade, Davos is each year at the heart of the Western and capitalistic world. Every chief of State and everyone who is someone in the money world meets with their peers in the Swiss village. What is really at stake in Davos ? Julia Niemann and Daniel Hoesl create a fascinating observational documentary in which judgement is never handed out and where the dialectics of conflicts matter more than easy and reassuring answers. The film asks the viewer some uncomfortable questions by focusing on challenges that the new global economy poses to the world.
A documentary about experimental drummer Fritz Hauser.
With his vivid oil paintings, Albert Anker captured Swiss folk life like no other. Together with musician Endo Anaconda we discover the "Anker-House", Anker's old studio.
The story of the road to women's suffrage in Sweden featuring interviews with relatives of the main characters.
A cinematic time capsule with over 1,400 hours of submitted material from all regions of Switzerland gives unknown insights about the life of Swiss people in the politically and socially turbulent summer of 2019.
In 1946, Heidi is entrusted to a Swiss family by her father. He will never come back for her. Today, François Yang questions his mother about her past. What follows is a journey to China, a quest to reconstruct memory. Through contact with her brothers and sister, Heidi measures the extent of the drama experienced by her family that remained in China, persecuted by the Communist Party.
Zambia's copper resources have not made the country rich. Virtually all Zambia's copper mines are owned by corporations. In the last ten years, they've extracted copper worth $29 billion but Zambia is still ranked one of the twenty poorest countries in the world. So why hasn't copper wealth reduced poverty in Zambia? Once again it comes down to the issue of tax, or in Zambia's case, tax avoidance and the use of tax havens. Tax avoidance by corporations costs poor countries and estimated $160 billion a year, almost double what they receive in international aid. That's enough to save the lives of 350,000 children aged five or under every year. For every $1 given in aid to a poor country, $10 drains out. Vital money that could help a poor country pay for healthcare, schools, pensions and infrastructure. Money that would make them less reliant on aid.
It's 1892 and Kate Sheppard tells the story of the suffrage campaign - a pursuit that will continue until September 1893.
Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.
Award-winning director Langjahr returns to his beloved Alps to document a group of people continuing the legacy of their forefathers. Every year on Swiss National day, August 1, the Wildheuer climb up the steep mountain of the «Hinteren Heubrig», fitted out with scythes and wearing wooden shoes with spikes, just as their ancestors did before them. They are part of a generation who have lived with the challenges of nature and survived it. In his film, Langjahr's poetic realism gives an insight into these people's experience of the simple life, the very foundation of human existence.
Following disastrous floods, a vast construction project is in the process of revitalizing the Rhone by removing the concrete straitjacket, and instead enlarging the river's bed to promote river life. The filmmaker follows the development of this unusually inclusive project through its diverse protagonists, including hydrobiologists, fishermen, farmers, engineers and concerned citizens. Their divergent concerns permit a fuller and unbiased understanding of the complexity of such a project. As a result, this engaging and lyrical film is a journey that prompts a universal questioning of our past and future relationship with nature and territory.
A high-rise apartment built in the 1960s provides housing for 2500 people from 42 nations. Separated from the city by a river and bounded by towering sandstone cliffs, everyone attempts to live and survive in their own way. Foreigners who have a go at being Swiss, and Swiss who observe with scepticism. They meet in the corner shop run by an Iraqi living in exile, send their kids to a children’s club managed by a missionary, and old drinking mates meet regularly over a beer in the neighbourhood’s only bar. Despite all the differences, they are rather proud of the fact that they come from here.
Stand-up comedian Kaya Yanar dissects the allure of Switzerland through the eyes of a German who's lived there.
In preparation for a feature-length film about windmills, an assistant director travels through the Vaud region to search for locations with windmills. The research leads to a serious engagement with the meaning and purpose of windmills, which has something Don Quixote-like about it in the age of nuclear power stations. The transitions between document and fiction flow constantly and result in a charming and intellectual mixture of seriousness and fun, determination and coincidence, weightlessness and the weight of meaning.
A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.