Speak No Evil: Live(2021)

A Spanking in Paradise(en)

Lawyer Justin visits his family in Scotland where they run an illegal brothel.

Immortal Machine(en)

Deep in the heart of Autodale lives their Mayor. As old as the town itself, a once great inventor, now a gangly and decaying but undying thing which the townsfolk have long forgotten, but continue to echo his machine-obsessed beliefs.

Michael Lives Alone(en)

A young photographer's home is haunted by it's former residents.

The Boob Tube(en)

In 'Live Action', young psychiatrist Henry Carstairs moves into an apartment building filled with lonely, sex starved women. This soap is interrupted several times by sexy ads.

Virginie Hocq ou presque(fr)

Los cómplices del infierno(es)

Sandra and Deborah are two women trying to escape from a tragic recent event. They go for a vacation on a beach house but are then followed by an evil cult.

Matt Braunger: Finally Live in Portland(en)

Recorded live at The Paris Theatre in his hometown of Portland, OR, Matt Braunger offers insights on the world, the bad decisions that have shaped him, and how they brought him to find his better half. Braunger talks about the mistakes he’s made and, if not maturity, the perspective he's gained with age.

Hello(en)

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

Los tres Villalobos(en)

Three brothers cowboy-up to battle crime. Based on a radio serial.

Vice Dolls(fr)

In this French crime drama, a young man gets revenge upon the criminals who caused his grandfather to kill himself. Unfortunately, the fellow doesn't realize how bad the criminals are. Fortunately, a kindly hooker, who does know the crooks, saves him from the same fate.

The Metropolitan Opera: Akhnaten(en)

Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.

Cradles for Cash(en)

When Kelly's newborn baby is stolen from the hospital where she works, she teams up with Gloria, also a victim of baby abduction, to get her child back from a black market adoption ring.

Dinho(pt)

Dinho is concerned with abandonment. His biological mother returns, promising she will stay, while his best friend is about to leave. Between child’s play and caring for a sick aunt, he finds some time to dream. Life has not been easy for them: they cling to the final moments of childhood, which seem to no longer belong to them.

Va de Nuez(es)

El tejedor de milagros(es)

Arnulfo is a man weaving baskets. Remedios has given birth in front of the house of a woman and her aid, but the village is spread the word that the child born as a child God and an atheist would think exploit to their advantage the "miracle ".

Amour d'enfance(fr)

Paul returns home to the family farm and rediscovers the people and places of his childhood.

The Window(en)

In a small village in Pakistan, village elders demand that 15-year-old Mina must be handed over as payment for the crime her brother committed. The ruthless man she's forced to marry keeps her locked inside a small room, her only escape being her imagination and staring out a small window. Meanwhile, the two families cross paths in a series of twists that leaves a trail of pain, heartbreak, and blood.