Blutiges Erbe – Das Ende der Osmanen(2021)

Blue Gold: World Water Wars(en)

Wars of the future will be fought over water as they are over oil today, as the source of human survival enters the global marketplace and political arena. Corporate giants, private investors, and corrupt governments vie for control of our dwindling supply, prompting protests, lawsuits, and revolutions from citizens fighting for the right to survive.

Gallipoli: The Untold Stories(en)

This program provides, through 1st hand accounts & contemporary films & photographs, a rare insight into what really happened. Together with meticulously researched stories, it provides a unique analysis of the Gallipoli campaign, including never-seen before interviews with the last 10 Gallipoli Anzacs, rare film footage showing the beach & trenches at Gallipoli.

Gallipoli(en)

The Gallipoli campaign of World War I was so controversial & devastating, it changed the face of battle forever. Using diaries, letters, photographs and memoirs, acclaimed director, Tolga Ornek, traces the personal journeys of Australian, New Zealand, British and Turkish soldiers, from innocence and patriotism to hardship and heartbreak.

Le Pen : Secrets, pardons et trahisons(fr)

Investigation into the Le Pen family, which has been a prominent presence on the political stage for three generations, with two of its members reaching the second round of the presidential election.

The Take(en)

In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.

You Can't Kill Meme(en)

A hybrid documentary feature film about the genesis of "memetic magick" and its application by the alt-right in the United States.

En Dirigeable sur les Champs de Bataille(en)

'En Dirigeable sur les champs de bataille' is a 78-minute film recently discovered in the archives of the French army in Paris. The pilot was Jacques Trolley de Prévaux. His cameraman was Lucien Lesaint. In August and September 1919 they filmed the remains of the Western front, from Nieuwpoort, on the North Sea in Belgium, to the Swiss Alps.

Malvinas: Stories of Betrayals(es)

Malvinas, history of betrayals is an Argentine-Mexican co-production documentary film directed by Jorge Denti from a script by Irene Selzer and Alberto Adellach.

Black Women, Sexual Politics and the Revolution(en)

Focuses on sexual equality in the Black community.

Barbershops Uncut: East Coast(en)

A raw and uncensored look at what really goes down in urban barbershops.

But... Seriously(en)

A documentary juxtaposing the events of the 20th century with the commentary of stand-up comedians.

VALÓTLANUL: Fekete kampányok az Orbán-rendszerben(hu)

Rendez-vous de l'espérance(fr)

No Time to Fail(en)

Amidst an onslaught of attacks from a sitting President and the deadly threat of a global pandemic, local election administrators work around the clock to secure the vote for their community. Rhode Island’s election teams take center stage in this unprecedented voting adventure.

The Term. Beginning of a Big Story(ru)

The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.

The Lab(he)

Since 9/11, the Israeli arms industries are doing bigger business than ever before. Large Israeli companies develop and test the vessels of future warfare, which is then sold worldwide by private Israeli agents, who manipulate a network of Israeli politicians and army commanders, while Israeli theoreticians explain to various foreign countries how to defeat civil and para-military resistance. All based on the extensive Israeli experience.The film reveals The Lab, which has transformed the Israeli military occupation of Gaza and the West Bank from a burden to a marketable, highly profitable, national asset.

Você Também Pode Dar um Presunto Legal(pt)

Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.

Empire City(en)

A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.

The Prostitutes of Lyon Speak(fr)

Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.

Hello My Dear(tr)

The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.