The "Great Sichuan Earthquake" took place at 14:28 on May 12, 2008. In the days after, ordinary people salvage destroyed pig farms in the mountains, collect cheap scrapped metals, or pillaging other victims' homes. Behind the media circus of official visits is an inconsolable grief of families searching for loved ones. As the Lunar New Year approaches, vagabonds and family tell of the ill-handling of rebuilding schemes and misuse relief funds. As they prepare for another visit from a high official, the refugees are swept out of the town and into tent cities. The promise to put a roof over their heads before winter seems impossible to keep.
The "Great Sichuan Earthquake" took place at 14:28 on May 12, 2008. In the days after, ordinary people salvage destroyed pig farms in the mountains, collect cheap scrapped metals, or pillaging other victims' homes. Behind the media circus of official visits is an inconsolable grief of families searching for loved ones. As the Lunar New Year approaches, vagabonds and family tell of the ill-handling of rebuilding schemes and misuse relief funds. As they prepare for another visit from a high official, the refugees are swept out of the town and into tent cities. The promise to put a roof over their heads before winter seems impossible to keep.
2009-06-01
5.6
This important, patient documentary follows a year in the life of the sidings dwellers who eke out a living, begging, foraging, stealing and sleeping rough near the Baoji railway station in Shaanxi.
A voyage through modern day Beijing in the taxi of the womanising Dezi. His aimless drifting between destinations and women is much like Beijing's own search for identity between perishing ancient values and an uncertain future.
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
When a book containing Hong Gil-dong's magic was stolen from the museum, a boy and his friend will see Hong Gil-dong and Terminator of the past.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Box is a story of two people who meet at a crossroad. Two different destinies, two different lives, face to face in a game of sweat, blood and tears. Rafael (19) is a young boxer who dreams to conquer the world; Cristina (33) is a single mother who lost her balance. Two lives; one running very close to the earth, the other trying to fly high up, too high.
Many years after the war has been lost, and all the dragons slain, a lone knight travels the lands of Agonos seeking to raise an army against the demon lord Abaddon. When a healer's vision reveals that one dragon still lives, and together with an eager young squire, the knight sets off in search of the fabled creature. As the armies of Abaddon descend on the human kingdoms, the dragon is their last hope of fending off the horde, before it lays waste to the lands of men. But does the creature even exist? And if it does, will it fight for them once more?
After Suman's father leaves her in the care of another family while he travels abroad, she falls in love with Prem. However, in order to for them to marry, Prem has to prove to Suman's father that he is not the same as his own dad.
The seventh film of “The Perfect Education” series tells the tale of a man and a girl who pursue love to the point of madness. With erotic dances and love scenes shot in 3D, the film dpicts a “pure love” story tied with sexual desires. “Welcome home, Master!” Kabashima is a regular at the maid cafe. He is head over heels in love with Ichigo, a maid who works there. On her birthday, he is waiting for her by the back door, she exits finally…several hours later, she awakes only to find herself surrounded by thin, plywood walls, her feel, hand, and mouth bound and gagged with packing tape. Amid the darkness, Kabashima quietly opens his mouth, “this is our house. Let’s live intimately together.”
Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.
Sex and Cinema is a steamy trip through the looking glass of the camera lens, depicting how sexually charged films reflect our own sexual liberation. It will unzip America's obsession with sex, both from a cinematic and social perspective, exposing the hypocrisy inherent in our culture's war against eroticism (be it film, art, literature or song lyrics). The special will look at many films that push the boundary, from mainstream studio films to product that in its time has been considered pornographic.
The starting point of the plot is a Men's club, which serves both as a meeting place as well as an alibi by unfaithful husbands. Interspersed between the sex scenes are reporters' questions on alleged passersby about marital fidelity and infidelity.
Largely considered to be the greatest American author, Mark Twain is celebrated in this exhaustive documentary by filmmaker Ken Burns.
The teams of the 'Not Found' and 'Honto Ni Atta. Noroi No Video' franchises join forces to bring you a collection of forbidden videos that will drag you in if you're not careful enough.
A short animation that depicts the drowning of a village by modern technology.
After a couple have an argument, the wife disappears. The husband searches for her, only to discover evidence that implicates him in her murder.
This important, patient documentary follows a year in the life of the sidings dwellers who eke out a living, begging, foraging, stealing and sleeping rough near the Baoji railway station in Shaanxi.
To commemorate the 70th anniversary of the victory of WWII, this documentary film describes the eight years of dauntless air-force fighting of the republic of China during the Anti-Japanese War, with only 300 combat-capable aircraft from China while Japan had over 2000.
Before the Flood is a study of the final weeks of a dying city, as thousand-year-old Fengjie on the Yangtze River is reduced to rubble and its inhabitants uprooted to make way for the new Three Gorges Dam that will flood the entire valley.
A Yangtze Landscape utilizes a non-narrative style, setting off from the Yangtze's marine port Shanghai, filming all the way to the Yangtze River's source, Qinghai/Tibet - filming a total distance of thousands of kilometers. Experimental music and noise recorded live on scene are used in post-production, painstakingly paired with relatively independent visuals, creating a magically realistic atmosphere contrasted with people seeming to be 'decorative figures' right out of traditional Chinese landscape scrolls.
This film is a realistic record of a sixty-year-old couple living in a remote village (Gurenay) in the Badain Jaran Desert of Alashan, Inner Mongolia plant thousands of mu of ammodendron and euphratica to fight against expanding deserts.
China marks the beginning of the extensive Asian theme in Ottinger’s filmography and is her first travelogue. Her observant eye is interested in anything from Sichuan opera and the Beijing Film Studio to the production of candy and sounds of bicycle bells.
A microcosm of China past and present flows through Xu Tong’s intimate docu “Shattered,” in which the maverick indie filmmaker continues to refine his techniques and concerns shown in his previous “Wheat Harvest” and “Fortune Teller.”
"Huangyangchuan, Gansu province, China. It's an arid mountain area with poor roads. Ma Bingcheng is well-respected local doctor, so many patients (most of them farmers) come to see him every day. In his small clinic, people chat with each other about their lives, local conditions, or the people they know. The clinic seems to open up like a microcosm, the information and experiences of different people intertwine, revealing the conditions of typical Chinese farmers, and the typical fates of both young and old--"
Workers, peasants, soldiers, students and merchants were five groups of Chinese society in the 1950s, after the so-called elimination of the exploited class. Borrowing this concept, the umbrella is taken as the clue to rediscover changes in various social classes after the economic reform, and to analyze the social problems in China. Workers making umbrellas, merchants selling umbrellas, students looking for jobs in the rain. Umbrella is used as a metaphor that can be seen everywhere. As the raindrop, what we see is sometimes clear, sometimes untraceable.
Aoluguya, Aoluguya is the first film in Gu Tao’s Ewenki Trilogy. A tale that unfolds in the Aoluguya forest, featuring such unique characters as a mother who dulls her sadness over the absence of her son, Yuguo, with alcohol; her brother; and Maria, the tribal chieftain who watches over them.
Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.
Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.
Li Shouwang is the leader of a blind storytellers team, learned storytelling at the age of 19. His childernare living hard in other cities. Li's money amost goes to his children's pocket every year. But with urbanisation, the storytellers have lost almost all their audience. As the conflict between the storytelling team and the village team intensified, his son, who was far away from home, became the only spiritual sustains... When he was excited that his son would be taking his family home for Chinese New Year, what's await is a sigh.
In Yuncheng County, Shandong, there is a girl born in the 90s named Han Wenjing who was paraplegic in a car accident in her childhood. As Han Wenjing gets older and older, she is worried about her future life. Marriage has become the biggest concern of parents. Han Wenjing got acquainted with a soldier online, but finally broke up under his father's opposition. The younger sister-in-law also had a dispute between the two over her marriage. When Han Wenjing was depressed, her father proposed to carry her to Liangshan. First, fulfilling Han Wenjing's wish was also compensation for Han Wenjing. Later, Han Wenjing met a dumb while studying e-commerce sales. The dumb liked her very much. Both parents were satisfied when they met. However, Han Wenjing felt that she still couldn't accept the disabled and wanted to try to combine healthy people, even if it failed. Under the pressure of her parents and sister-in-law on Han Wenjing, Han Wenjing still insists on her choice
A documentary chronicling the coming of age of a young chinese man.
A silent film by Vietnamese director Truong Minh Quy in collaboration with Belgian director Nicolas Graux, was shot on the set of a film by Graux. We Sit in Silence at the Memorial Table is inspired by Educational Objectives, a poem written by Aleksey Garipov and translated to English by Nicolas Graux.
Interviews with Dalai Lama and some Chinese intellectuals about Tibet/China relations and related issues.
In order to face his 30th birthday, the author of the film began to implement a long-planned plan for the Dragon Boat Festival, bringing a dog, a computer, some vegetables and eggs to the dilapidated yard on the north side of the mountain in Pingyao County, where he will live alone for more than a dozen. Day and night, organize and pack the first half of my life, recall and think, talk with the self in the device, and smoke, silence, think or sing with the middle-aged neurotic who comes to ask for cigarettes every day.
Yu Tian (played by Hu Tian) is a senior this year. He hasn't returned home for a few years while studying in a big city. The estrangement between him and his mother (Lin Jiehua) is somehow getting bigger and bigger. He is immersed in his artistic dreams and is not practical, but his mother, who has always been conservative, does not understand. His friends remained the same, still the same young people in the small town. Friends booed that he would be the most promising one among them, but he himself was convinced. He told his sister (played by Sun Nan) that he would go to the big city to make a fortune.