16 years old Shlomi lives with his restless mother, his soldier brother and their ill grandfather. Although not doing well in school, Shlomi is a gifted cook and takes care of most household chores. One day, the school's principal finds out Shlomi is actually a genius and tries to get him into a more suitable curriculum. However, Shlomi is more interested in taking care of his family and his new love interest, the beautiful girl next door.
Rona
16 years old Shlomi lives with his restless mother, his soldier brother and their ill grandfather. Although not doing well in school, Shlomi is a gifted cook and takes care of most household chores. One day, the school's principal finds out Shlomi is actually a genius and tries to get him into a more suitable curriculum. However, Shlomi is more interested in taking care of his family and his new love interest, the beautiful girl next door.
2003-04-03
6.5
When ancient Sodom is doomed to destruction due to its people's corrupt ways, Lot is the only righteous man destined to be spared.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
On their last night of spring break, four old friends, now all college freshmen, realize their small town has more meaning than they ever imagined.
Two people are waiting together for each other. Their flat waits with them and for them. Together they are living side by side. Someone is coming, someone is leaving, the flat stays where it is.
Fifty years of marriage. Fifty years of love and happiness. Fifty years of lies. When Walter steps on a live land mine in a remote field in England, he finds himself at the mercy of his wife Diane, who has recently unearthed a deadly secret buried in their past. As the tension mounts and truths are unraveled, Walter and Diane's relationship speeds towards an explosive climax.
The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.
009 Re:Cyborg follows a group of nine cyborgs, each of them created by a shadowy organization for use as weapons against humanity. The group turns on their creators to protect the population instead, using the powers given them to fight their creators.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.