For Aesthetic Reasons(1999)

Babylon(ar)

After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.

La Guerre des centimes(fr)

Faceless Heroes(en)

Brussels, Béguinage church. Migrants organize a hunger strike to obtain papers. A man dies. Tunisia, Libya. A border camp of Choucha refugees tell the horror of crossing the Sahara to the north. Liège. In a refugee center, a man narrates his Mediterranean crossing in a chamber of air. Three moments of a battle for survival.

Vzácný klenot města Prahy(cs)

The Homes We Carry(de)

Hammer and compass in Mozambique. We see a GDR flag waved at a rally in Maputo, carried by "Madgermanes", contract workers who once toiled in eastern Germany. Some of them founded families there, like Eulidio. His daughter Sarah grows up with her mother in Berlin. The relationship with her "second home" is slow in growing, partly thanks to Luana, Sarah's baby, whose father, Eduardo is also from Mozambique.

Palace for the People(bg)

The life and death of socialist architectural monsters. An epic fairy-tale in five chapters.

O Arquitecto e a Cidade Velha(pt)

A documentary about Álvaro Siza Vieira in Cape Verde and his project to restore the old town of Ribeira Grande, the first city to be built by the Portuguese in Cape Verde on the island of Santiago in 1462.

Last Whites of the East End(en)

Documentary exploring the effect of mass immigration on the dwindling white community of the East End, from the perspective of those who remain and those who chose to leave.

The Flood(en)

The decision to move to Holland doesn't sound like a wise idea. Why move to a country that could be flooded at any moment? For the last 25 years, the political climate has shifted. The public debate on migration has become harsher, more heated, and polarized. What would have been considered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanizing words and metaphors. One of these is ‘water’. In reality, water is not an immediate threat to the average Dutch person; but it is a huge threat to the thousands trying to reach the Netherlands. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. To them, water really is deadly.

In the Shadows(en)

This documentary by Dan Glynn follows the personal story of Jairo, a hard-working Mexican who immigrates to the US in order to find work to support his family back in Mexico. The film looks at current immigration issues in the United States. The story takes a dramatic turn, when Jairo's cousin is arrested by local police putting the entire family in danger of deportation. In the movie we meet numerous people who want to stem the tide of immigration from Mexico as well as people who help those who make the long, arduous journey to new employment in the United States.

REM(en)

Architecture is often seen from the outside, as an inanimate object represented in still imagery. ‘REM’ exposes the human experience of architecture through dynamic film.

Bauta(no)

Bauta is a short documentary that explores public, monumental buildings in Norway - stone and concrete buildings. By the public they have the desire to be torn down, or are not given particular aesthetic value. But what about when people are out of the buildings and they get to stand for themselves? Bauta provides a new experience of space and architecture.

Ad Astra(no)

A visual journey through Norwegian modernist church architecture. A short documentary film that pays tribute to the Norwegian church and post-war postmodernist architects for its daring reform of the 50-70's innovative church building. Raw concrete and cold clean lines in a functionalist style were in line with society's development, but in stark contrast to what the church had previously represented. The film portrays 25 of these churches from all over the country

Katedrála zázrakov(sk)

From the Black You Make Color(en)

Eight women on the margins of Israeli society are thrown together during the course of a school year at Tel Aviv's oldest beauty school. Amidst the combs and colorings, these women present a microcosm of modern-day Tel Aviv -- native Israelis and new immigrants, Asians and Africans, among them women struggling with cancer and personal loss. As they learn to create beauty without, each woman undergoes a powerful transformation within.

Lost Pyramids of the Aztecs(en)

For centuries, archaeologists have been trying to understand the Aztec empire and reveal the truth about their origins. Now, new excavations could reveal astonishing secrets about how they lived and what life was like inside one of the greatest empires in history. Where did this group of nomadic people originate from? How did they undertake building their towering pyramids and other ambitious engineering feats using manpower alone? And how was such a powerful empire wiped out after just 200 years of power?

Ekodomy aneb Život v rovnováze(cs)

Saint-Pierre : la basilique de tous les records(fr)

Ben Building: Mussolini, Monuments and Modernism(en)

Having previously investigated the architecture of Hitler and Stalin's regimes, Jonathan Meades turns his attention to another notorious 20th-century European dictator, Mussolini. His travels take him to Rome, Milan, Genoa, the new town of Sabaudia and the vast military memorials of Redipuglia and Monte Grappa. When it comes to the buildings of the fascist era, Meades discovers a dictator who couldn't dictate, with Mussolini caught between the contending forces of modernism and a revivalism that harked back to ancient Rome. The result was a variety of styles that still influence architecture today. Along the way, Meades ponders on the nature of fascism, the influence of the Futurists, and Mussolini's love of a fancy uniform.

Common Ground(en)

An internet personality journeys to his hometown on the border between Texas and Mexico to visit family members, only to discover that his family’s immigration story parallels that of people risking everything to immigrate to the U.S. today.