Gilberto Gil - Concerto de Cordas & Máquinas de Ritmo(2020)

Gloria!(it)

In late 18th century Venice, in a convent school for girls, Teresa, a student with prophetic gifts, joins forces with some amazing music-makers. They create a new kind of pop, bright and bold, and challenge the ancient and rigid system.

La poste du paradis(fr)

Fred Pellerin and Kent Nagano revive the great tradition of the OSM and offer a new symphonic Christmas tale! They take you to Saint-Élie-de-Caxton, where the first post office in history was run by Madame Alice Lavergne. For a long time the only reliable channel through which we could send and receive, this trunk service constituted the privileged link to maintain between us everywhere. Letters, cards, invoices, packages, forms, catalogs: everything went there.

Kylián – Mosty času(cs)

High Fidelity: The Adventures of the Guarneri String Quartet(en)

Relationships, rehearsals, performances, hobbies, and family life of the members of the Guarneri String Quartet.

8.1(en)

An abstract film on the music 'Unfinished' 8th Symphony, part 1, by Franz Schubert by Oerd van Cuijlenborg

Beethoven Missa Solemnis(en)

With this performance of the Missa solemnis Nikolaus Harnoncourt, Honorary Guest Conductor of the Royal Concertgebouw Orchestra, once more attained the status of a living legend, due mostly to his wide-ranging expertise of music from the Baroque and Classical era. The highly acclaimed soloists are Marlis Petersen (Soprano), twice the singer of the year by the renowned Opernwelt magazine, Elisabeth Kulman (Alto), Werner Güra (Tenor), winner of the BBC Music Magazine Award for the best vocal performance, and Gerald Finley (Bass), Grammy-Awardwinner for the best opera recording. They are accompanied by the famous Netherlands Radio Choir.

Artur Rubinstein: The Legendary Moscow Recital(en)

Arthur Rubinstein's 1964 recital in the Great Hall of the Moscow Conservatory, filmed and recorded by Soviet television and preserved in its archives, in a program of work of Chopin and — in encores introduced from the stage by Rubinstein — Schumann, Chopin, Debussy, and Villa-Lobos.

Bauçà(en)

Changing colors according to the music.

Keeping Score: Beethoven's Eroica(en)

Beethoven spent three years composing the Eroica, an intimate journal of his emotional crises and his dramatic emergence as an original master. Michael Tilson Thomas and the musicians of the San Francisco Symphony help you make sense of this voyage into life as it really is.

Great Russian Composers(en)

These biographical drama documentaries explore the lives and careers of Mussorgsky, Tchaikovsky, Scriabin, Rimsky-Korsakov, Rachmaninov and Chaliapin.

Deception(en)

After marrying her long lost love, a pianist finds the relationship threatened by a wealthy composer who is besotted with her.

Chico Buarque: Caravanas – Ao Vivo(pt)

The Bolero(en)

The first part of this Academy Award-winning short consists of a behind-the-scenes look at the Los Angeles Philharmonic Orchestra as it prepares to perform Ravel's "Bolero." Individual musicians offer their thoughts as workers set up chairs and music stands; there are also comments by conductor Zubin Mehta and scenes of Mehta and the orchestra rehearsing. The rest of the film features a complete performance of "Bolero" with striking images of the orchestra as the music relentlessly approaches its climax.

Andre Rieu - New Year's Eve Punch(en)

What would you say to an evening of partying with music, song and above all, lots of fun, leaving you shaking with laughter? This scintillating New Year’s Eve concert was recorded in December 2003 in Hanover, Germany, with André Rieu and his orchestra accompanied by special guests such as Otto Waalkes and BOND, showing what partying should be all about! It’s really André at his best!

Not Mozart: Letters, Riddles and Writs(en)

Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.

André Rieu - My African Dream(nl)

The story of Andre Rieu's first journey to Africa, the discovery of soloist Kimmi Skota and the sheer emotional impact of the concerts on the South African audiences.

Currentzis conducts Beethoven Symphony No. 9(de)

Ludwig van Beethoven headed for Symphony No. 9 literally his entire life. As early as the 1790s, he had an eye on Ode to Joy, perhaps the most well-known poem by Friedrich Schiller, written on the threshold of the French Revolution (1786). In his mature and, in particular, later years, the deaf composer with an acute ‘hearing vision’ increasingly distanced himself from conventional forms and genres and wrote parts beyond the possibilities of instruments of his day. He nurtured the idea of a symphony with a choir for at least several years. The history of the Ninth’s interpretations includes 200 years of staggering revelations and lingering stagnation. Performed by the musicAeterna orchestra, choir, and guest soloists under the baton of Teodor Currentzis, Beethoven’s opus magnum acquires the original poignancy and energy of a recent discovery.

Swan Lake(en)

Ballerina Polina Semionova performs the mythic parts of Odette and Odile (white swan and black swan) with her great partner Stanislav Jermakov. The Zurich Opera House Orchestra is conducted by Russian musical director Vladimir Fedoseyev acclaimed in this repertoire.

Wagner: Die Walküre(de)

Die Walküre (The Valkyrie), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's Der Ring des Nibelungen, (English: The Ring of the Nibelung). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus on 14 August 1876.

Valentina Lisitsa: Live at the Royal Albert Hall(en)

This Royal Albert Hall Concert, presented now on DVD, was also available online through live streaming. It is difficult to remember the last time any concert gave me so much pleasure and insight, and sent my soul soaring to such heights of joy. So many beloved piano pieces, so magnificently performed! Valentina has scaled the heights of technique, knocking off 'impossible' Liszt pieces like a stroll in the park. She melds with the piano with such assured ease that she can milk every piece for musical content and subtlety, reminding us of the great Hoffman, who also loved to play each piece a little differently every time, tapping deeply into the inexhaustible potential of a great composition, perpetually finding fresh ideas and magnificent new interpretations.