Estrelas(2020)

5/4(xx)

A family prepares to meet friends.

Night of Pan(en)

A magician encounters the void that separates the human mind from divine consciousness and in turn faces the mad god.

Sir Drone(en)

Three teenagers from the industrial part of Los Angeles try to form a punk rock band in Hollywood, in this feature length film by renowned artist Raymond Pettibon.

An Untitled Film(en)

A BFI production from 1964, directed by David Gladwell, who is best known as an editor of films like Lindsay Anderson's If.... (1968) and O Lucky Man! (1973). This short was shot at 200 fps, depicting a series of pastoral scenes from a British farm, edited to produce a suggestion of violence in contrast to its visual beauty.

Light From the Tower(en)

A costume designer is sent to the Catskills for an interactive theatre piece set in the 1920s. When she arrives things seem dark, strange and off. She soon realizes she is part of a student film.

Breathless(ru)

A committed synchronized swimmer tries to win the championship and the heart of the coach.

The Truth About the Imaginary Passion of an Unknown(fr)

A very personal interpretation, to say the least, of the passion of the Christ According to St. John.

Mitsu(de)

Superstar: The Karen Carpenter Story(en)

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Chelsea Girls(en)

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Glenn Miller 1 (High School Backyard 1)(sh)

An abstract, minimalistic showpiece of late structuralist film made up of 360-degree pans across a children’s playground – and to one of the gods of his cinephilic pantheon, Anthony Mann. In concrete terms, he alludes here to a scene in Mann’s Glenn Miller Story in which black-and-white documentary material from the Second World War is in experimental film fashion nightmarishly intercut into a scene, breaking with Hollywood conventions.

Armageddon or The End(sh)

Break-up flick.

Other Epiphanies(it)

An experimental interpretation of Joycean epiphanies.

Transfer(en)

A psychiatrist and his needy patient discuss their relationship in a snow-covered field.

Everything or Nothing(sh)

A meditation on transience composed through juxtaposition of sun-bathed exteriors of Split and dark interiors, landscapes of the city and close-ups of human faces, movements and stillness, the material and the spiritual.

Number Two(en)

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .

REVIEW OF INNER SPACES(bg)

Nina is 35 years old; her husband is 53. She loves him so much that she longs to have a child with him... Max also loves her. He is even flattered that Nina is very jealous, but he does not want a child because he is afraid that the child will call him grandpa... The real reason for the conflict is that Max will soon be killed and only he knows that fact. The film is a reflection of the emotions and experiences of two lovers, inspired by real events that happened in a provincial town in 2007.

The Adventure of the Married Couple(en)

Trapped in daily repetition, between the frenetic sound of a glass bottle factory and the guarding of a shed filled with naked mannequins, a young couple meets at evenings. They eat without looking at each other, not even speaking. The Adventure of the Married Couple (Based on a story written by Italo Calvino) is a poetic variation on the daily routine in black and white.

Internal Reflections(en)

Attempts to showcase how the creation of art directly correlates to the perception we have of ourselves and the life around us as shown through the eyes of a struggling family.

Weatherman '69(en)

Featuring a cast that includes Sonic Youth's Kim Gordon and Thurston Moore, Mike Watt of the legendary hardcore band Minutemen, and Pettibon himself, this deadpan narrative pays dubious homage to the 1960's radical underground. In this crudely rendered home video of a commune of stoned revolutionaries, the cameras are hand-held, the edits in-camera, and the dialogue is wryly on-target. Pettibon's band of outsiders reenacts a countercultural moment defined by rock music, drugs, and ideological paradox — and in so doing, captures their own late-80's West Coast grunge milieu as well.