It all started in July 2018. Groups of migrants coming from Africa endeavouring to cross the border with France started arriving at Irun train station. They would sleep in the street. The charities working in the town succeeded in convincing the squatters’ movements to take a hand in the matter by letting them use their places. The wave of generosity spread to the people of Irun.
It all started in July 2018. Groups of migrants coming from Africa endeavouring to cross the border with France started arriving at Irun train station. They would sleep in the street. The charities working in the town succeeded in convincing the squatters’ movements to take a hand in the matter by letting them use their places. The wave of generosity spread to the people of Irun.
2019-09-20
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As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.
Through first person narration, Tari reveals personal stories related to her decision to work in Taiwan, her strained family relationships, the risks involved in working abroad and the traps she has fallen into.
A long time ago, Ana Laura, Gustavo, and Jesús crossed the border in search of a better opportunity. They worked hard, built a family, and made a life in the United States. Day by day, years after their arbitrary deportations to Mexico, they deal with the grief of being separated from their families. As time goes by, the shattered existence of everyone is slowly and inevitably rebuilt, far away and apart from each other.
This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.
By land, by air, and by sea, viewers can now experience the struggle that millions of creatures endure in the name of migration as wildlife photographers show just how deeply survival instincts have become ingrained into to the animals of planet Earth. From the monarch butterflies that swarm the highlands of Mexico to the birds who navigate by the stars and the millions of red crabs who make the perilous land journey across Christmas Island, this release offers a look at animal instinct in it's purest form.
Successful model Samira Hashi makes an emotional return to Somalia, one of the most dangerous places in the world and the place she was born. Civil war broke out in 1991, 10 days after Samira's birth, but two years later her family managed to flee the country and she grew up in the UK.Now, as Samira and the war both turn 21, she's going back for the first time to visit the people and places she left behind. The contrast with her safe and glamorous life in London could not be starker as she experiences firsthand the war's effect on a generation of young people growing up in conflict.
Liubov, a Russian lady who lives in Mexico City. During the routine of her day, Liubov will recall the experiences she had with death, from childhood to adulthood.
Christmas Island, Australia is home to one of the largest land migrations on earth—that of forty million crabs journeying from jungle to sea. But the jungle holds another secret: a high-security facility that indefinitely detains individuals seeking asylum.
A Sense of Justice, immerses us In a law firm in this same city. There, we can find Christine Mengus and Nohra Boukara, specialized in the rights of foreigners, supported by Audrey Scarinoff and their co-workers.. Stories from their sad, appalling or tragicomic cases alternate with their daily legal work. And as we hear snatches of consultations involving illegal entry or departure, deportation orders, the right to reside or medical assistance, we become witnesses to predictable tragedies, to the administrative or social precariousness induced by such predicaments, and to whole lives depending on court rulings.
In the mountains of Colombia's Coffee Triangle, a family faces the shadow of armed conflict. Years later, a son reconstructs the inherited fear, amidst echoes of the past and invisible scars. A sensory journey into memory, where the unspoken still resonates.
Enrico Naso is an undertaker in Lampedusa. Constantly confronted with the death that lurks everywhere on this remote rock in the middle of the Mediterranean Sea, Enrico has chosen life, immersing us in what it means to be human.
Capturing life on the Italian island of Lampedusa, a frontline in the European migrant crisis.
On Our Doorstep delves deep into an aspect of the refugee crisis that rarely reached the press. With NGOs being blocked by red tape and the absence of any positive action by French or British authorities, the film is a behind-the-scenes look at the unprecedented grassroots movement that rose to aid the refugees in Calais, and the community that sprang up there, before it was forcefully demolished. This is the story of what happens when young and inexperienced citizens are forced to devise systems and structures to support 10,000 refugees; and are left unguided to face the moral and emotional conflicts, blurred lines and frequent grey areas of giving aid to vulnerable people. People who do not want to be there. It questions whether the aims of the volunteers were met, and whether these aims ultimately served the refugees' needs.
John is a Haitian migrant who fled his country due to political instability and death threats. After a long journey, he managed to be recognized as a refugee in Mexico, allowing him to start a new chapter in a new land. However, for John, this story is far from over as his wife and baby remain stranded in Chile. Every day, John takes steps towards family reunification, longing to embrace those who are his true refuge.
As thousands of migrants attempt to cross the French-Italian border on foot through treacherous mountain routes, the state cracks down on the local communities that come to their aid in this revealing look at an unfolding human rights crisis.
Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.
I AM GOLDEN KAREN is a coming-of-age story of Thaawa, a Karen refugee in search of his identity as a migrant in Thailand. In between puberty and adulthood, he nurtures a strong desire to return to his motherland, Karen State, Burma.