
In a cinema, the day of the premiere of J'irai cracher sur vos tombes (adapted from his novel), Boris Vian has a heart attack. During his discomfort, he relives the major stages of his life: the meeting with Raymond Queneau, the nights of Saint-Germain-des-Prés, the scandal of J'irai cracher sur vos tombes, his love stories with Michelle Léglise then Ursula Kubler or his relationship with Jean-Paul Sartre. Through his memories, Boris Vian relives all his “parallel lives”.


Ursuna Kebler-Vian

In a cinema, the day of the premiere of J'irai cracher sur vos tombes (adapted from his novel), Boris Vian has a heart attack. During his discomfort, he relives the major stages of his life: the meeting with Raymond Queneau, the nights of Saint-Germain-des-Prés, the scandal of J'irai cracher sur vos tombes, his love stories with Michelle Léglise then Ursula Kubler or his relationship with Jean-Paul Sartre. Through his memories, Boris Vian relives all his “parallel lives”.
2011-02-09
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7.5A tribute to the controversial black activist and leader of the struggle for black liberation. He hit bottom during his imprisonment in the '50s, he became a Black Muslim and then a leader in the Nation of Islam. His assassination in 1965 left a legacy of self-determination and racial pride.
6.9Michael Collins plays a crucial role in the establishment of the Irish Free State in the 1920s, but becomes vilified by those hoping to create a completely independent Irish republic.
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6.9The story of Mexican revolutionary Emiliano Zapata, who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Díaz in the early 20th century.
5.0Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.
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