

OFJE-281: A compilation. The cuts are super long, seems the source material is just about 8 movies total.

6.6Two policemen, one an old-timer, the other his volatile younger partner, find themselves suspended when a video of their strong-arm tactics becomes the media's cause du jour. Low on cash and with no other options, these two embittered soldiers descend into the criminal underworld to gain their just due, but instead find far more than they wanted awaiting them in the shadows.
7.4In a gritty and alternate 1985, the glory days of costumed vigilantes have been brought to a close by a government crackdown. But after one of the masked veterans is brutally murdered, an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so they uncover a sinister plot that puts all of humanity in grave danger.
0.0This documentary offers an unparalleled behind-the-scenes look at the life of Elvis Presley. Using rare footage from his films, press conferences, outtakes, movie trailers, news clips, and comedy sketches, Elvis Thru the Years is a fitting commemoration of the man who became a legend.
5.4A collection of nude and/or topless scenes from various films featuring actresses who were either famous at the time or who became famous later on.
5.2Twenty-five films from twenty-five European countries by twenty-five European directors.
On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.
0.0Elvis Presley & Pat Boone were two of the hottest forces on the early rock ‘n’ roll music scene in the 1950’s. In this toe-tapping documentary, the good-nature chart-topping rivalry between the duo is explored through rare footage and newsreels. Interviews include Dick Clark, Tom Jones, Kenny Rogers, Glen Campbell, Phyllis McGuire, Bill Medley, Arlene Dahl, Joe Esposito, Shirley Jones and others.
A compilation of thirteen rare silent films digitized by the Library of Congress, selected for the 2022 Domitor conference theme “Copy/Rights and Early Cinema.” Drawn from nitrate and safety film, the program spans comedies, trick films, and dramas exploring censorship, invention, adaptation, and social rights. Titles include: Pruning the Movies (Nestor, 1914); Imperial Japanese Dance (Edison, 1894); Early Edison Camera Tests (Edison, c.1890s); Censorship and its Absurdities (Edison, 1915); In Wrong (Crystal, 1914, dir. Phillips Smalley); Tillie’s Tomato Surprise (Lubin, 1915, dir. Howell Hansell); Indian Land Grab (Champion, 1910); The Stolen Play (Falcon Features, 1917, dir. Harry Harvey); And the Villain Still Pursued Her (Vitagraph, 1906, dir. J. Stuart Blackton); The Doll’s Revenge (Hepworth, 1907, dir. Lewin Fitzhamon); The Disintegrated Convict (Vitagraph, 1907); The Mexican Joan of Arc (Kalem, 1911, dir. Kenean Buel); and Fads and Fashions of 1900 (U.S., 1940s).
®™ark is an organization dedicated to bringing anti-corporate subversion and sabotage into the public marketplace. This updated video compilation includes a glitzy promotion for the ®™ark system (Bringing It All to You!); a behind-the-scenes look at some ®™ark propaganda efforts; an ®™ark PowerPoint presentation concerning "the Y2K bug”; a Danish television report about ®™ark and Hitler; a Boston news report about ®™ark; and, finally, the grand prize winner of ®™ark 1998 Corporate Poetry Contest, reading his winning entry. This updated version also includes a segment on www.gwbush.com and eToys news stories. This compilation is highly recommended for anyone who wishes to get a more complete picture of how ®™ark intervenes in and disrupts corporate logic.
9.0The second Gulf War from 1990 to 1991 represents in the collective Arab memory a turning point in regards to the Arab nationalism’s self-perception as well as a moment of deep historical and existential insecurity. Five Arab directors discuss the events from their personal perspective.
0.0Compendium of Greatest Moments with artists from Comic Book Greats Series
0.0What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.
0.0The 1920s was a time of great change in Hollywood. This program tells the story of the advent of sound technology for movies and the emergence of talkies and musicals in Hollywood. While audiences cried out for more, the movie industry struggled to adapt to the strange new technology. The result was an explosion of movie musicals by the end of the decade.
6.5WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!
6.4Two closely related episodes. Youths make problems for two local orchestras about to compete nationally, and in a talent competition a young girl gets stage fright, while another lies to her boss to compete.
7.9A series of 43 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.
8.5The timeless photographs of Ansel Adams have made him one of the most recognized and admired names in art. This intimate look at the man and his work details his position as a staunch environmentalist and how his art reflected his strong worldview. David Ogden Stiers narrates this profile produced for the PBS series "American Experience," which was directed by Emmy-winning documentarian Ric Burns.
6.5Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.
Compilation short film about the Communist Revolution and Soviet Union.
6.0Culled from over fifteen hours of footage by the American Genre Film Archive, this mixtape is the definitive presentation of public access TV’s most otherworldly show, The Stairway to Stardom.
4.2An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
