Gray Hairs(2015)

Abandoned Village(ka)

Village, like a human being, is born out of love. Village, like a human being, is ruined, if left without love.

Flammes(fr)

Memories split in the space.

Mad God(en)

A figure known as "The Assassin" descends from the heavens into a nightmarish pit full of monsters, titans, and cruelty.

Alexander Mosolov. Three Pieces(ru)

Experimental film from the almanac of classical music for children "Children's Album". It is dedicated to the constructivist period of Alexander Mosolov, as well as architecture and cinema of this direction and consists of three parts, with conditional names: 1. "Shadows", 2. "Movement", 3. "Volume". The structure of the film is visually and rhythmically close to constructivism.

Threnody(en)

Threnody emphasises some of the madness and instability of a year filled with fires, infections and general disarray.

Beyond Noh(en)

"Beyond Noh" rhythmically animates 3,475 individual masks from all over the world, beginning with the distinctive masks of the Japanese Noh theater and continuing on a cultural journey through ritual, utility, deviance, and politics.

Soar(fr)

Choreography of an imaginary journey.

The Angel(fr)

The climbing of an immense staircase made up of the most varied stairs. Symbolic scenes occur on different levels where characters seem to be prisoners of their deeds and of their own folly. The steep staircase leads little by little towards the zones of great light where human beings and nonhuman beings meet.

The Woman Who Powders Herself(fr)

A study of human anxieties about beauty, youth and objectification.

Flying Image(en)

We swoop through action-filled rooms. Again and again, we fly past people and events without ever recognizing what is really going on. This film is a three-minute version of an endless-loop video originally designed as a project for exhibitions. It was shown at the Kunststiftung Baden-Württemberg, the Künstlerhaus in Stuttgart and the Goethe Institut in Paris.

Blindman's Bluff(es)

A blind man accidentally loses his guide-dog. Alone in the dark in a big city, he discovers that his strength lies in recognising his own vulnerability.

Ámár(es)

Inés travels to India to visit her friend Ámár, who has been living in a mental institution for years. Inés remembers the last days they spent together and her promise to return.

War Song(fr)

Swap Meet(en)

A collaborative experiment between 14 artists around the globe. Each artist creates a background, All backgrounds are traded randomly, and then animated upon freely.

Tick Tack(xx)

Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.

Le Canard à l'orange(fr)

A housewife is preparing a duck à l'orange in her kitchen. But the reluctant bird tries to escape from her but the woman manages to recaptures it and plucks it savagely. Once the duck is put in the oven, an alligator unexpectedly appears in the kitchen, threatening the cook.

One Day Before Our Era(ru)

Montage of still photos with lighting effects.

By the Lake(fr)

Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.

The Beach(fr)

Reworked and colored images of people playing at the seashore.

Chaos Core(en)

Doodles keep dripping down from the mouth of an idiot.