After being estranged from his family, we observe a young man over four seasons and from far away as he navigates his solitude – all the while attempting to reconnect with his mother.
An examination of the intimate life of America's most consequential president, Abraham Lincoln. As told by preeminent Lincoln scholars and never before seen photographs and letters, Lincoln's romantic relationships with men is detailed. The lens is widened into the history of human sexual fluidity and focuses on the profound differences between sexual mores of the 19th century and those we hold today.
An insight into the creative process of photographer Brigitte Lacombe, exploring her obsession with taking pictures and how her lens defines her relationship with her subjects and the world.
A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.
A couple of dolts lost in the woods get stalked by a lunatic obsessed with John Stamos.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A portrait of 10 senior dogs and their owners who struggle with the thought of letting go.
An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.
A film in three parts after Oskar Schlemmer's Triadische Ballett (Triadic Ballet).
A look back at "La Cage aux Folles", which ran non-stop for five years, from February 1973, on the stage of the Théâtre du Palais Royal in Paris. At a time when homosexuality was considered a crime by the law, Poiret and Serrault achieved great success in boulevard theater. Their success continued on the silver screen, with three Oscar nominations and a Broadway musical. Combining never-before-seen archives from the play, extracts from the film, confessions by Poiret and Serrault, and interviews with witnesses, this is the story of a wild epic.
Sharing her journey from child to teen activist, Georgie Stone looks back at her life and historic fight for transgender rights in this documentary.
A short documentary about the press of GoldenEye.
JB Smoove and Martin Starr host a celebration of 20 years of "Spider-Man" movies, from the Sam Raimi trilogy to Marc Webb's movies and the trio from Jon Watts.
Internet comedian Carl Déman from the humor group JLC lived a life that looked glorious. But beneath the surface was a terrible gambling addiction that almost cost him his life. In 2019, he and other gambling addicts struggle to stay afloat in a contemporary age marinated in gambling advertising. Carl wants to ask those who make the advertising how they think and wonders why the advertising profiles now also come from the world of culture and entertainment.
'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.
Acclaimed artist Abdou Ouologuem delves into the legend and legacy of the richest person in the history of the world, the 14th century Malian king Mansa Musa, who has been almost entirely wiped from recorded history.
João Pedro Rodrigues answers the question from the title with an autobiographical short-film.