My Name is Zaawaadi[2020]

Strange Object(en)

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

Holiday in Seoul(ko)

A newspaper reporter becomes a witness to a murder and finds himself relentlessly pursued by the killer.

Pídele cuentas al rey(es)

Fidel, an Asturian miner, after the closure of the mine where he works, decides to walk to Madrid with his family, to ask the king why the Constitution is not met, specifically the article that points out that all the Spanish citizens have the right to have a decent work. Will the king receive him?

Satan Tempts with Love(de)

A crime movie directed by Rudolf Jugert.

Cangaceiros de Lampião(pt)

On the day of Pedro Boiadeiro's wedding, a band of cangaceiros who survived the Angicos massacre invade his home, then proceed to beat him up, and abuse and murder his wife. Pedro sets out to get revenge on each one.

JG(en)

"Tacita Dean’s JG is inspired by her correspondence with Ballard regarding connections between his short story 'The Voices of Time' (1960) and Robert Smithson’s iconic earthwork and film SPIRAL JETTY (both works, 1970). JG is a 35mm anamorphic film shot on location in the saline landscapes of Utah and central California using Dean’s recently developed and patented system of aperture gate masking. An unprecedented departure from her previous 16mm films, JG tries to respond to Ballard’s challenge – posed to her shortly before he died – that Dean should 'treat the Spiral Jetty as a mystery her film would solve.' " - Anthology Film Archives

Terra Nullius or: How to Be a Nationalist(en)

Even uninhabited archipelagos may be subject to drawn out territorial disputes if they are rich in oil deposits. However, the filmmaker is more concerned with how ownership issues reverberate amongst nationalists in competing countries rather than in the history of the dispute or its resolution, making it possible to present the patriotic pathos-soaked ceremonies of the Japanese, the efforts of Chinese authorities to complicate diversionary activities, and the expressive protests and bizarre rituals of Taiwanese activists. The desire to understand the situation leads the director to participate in several futile attempts to land on the islands. Although he finds himself on the frontline during an escalation in the conflict, he is able to maintain his distance as an impartial observer.

1432(fr)

Just as he is about to go on stage, Max receives a phone call from Philippe who announces his presence in the room. As soon as he hangs up, the actor collapses. Max will then have to draw on his game to face this man. But will he dare to confront him at the end of the show?

Youp van 't Hek: Oudejaarsconference 1989(nl)

The Dutch comedian Youp van 't Hek looks back on 1989.

The Story of I(en)

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

Lungau: Wilderness in the Heart of the Tauern(de)

Return(hy)

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

Europa(pl)

Europa is a 12-minute anti-fascist film made in 1931 in Warsaw, Poland by surrealists Stefan and Franciszka Themerson. The film is based on Anatol Stern's 1925 futurist poem Europa. It uses collages and photograms, and articulates the sense of horror and moral decline its makers were witnessing. The film, while long thought to have been lost, is considered an avant-garde masterpiece.

Linfa(it)

"In Rome, the author says, hidden among the little streets of the Pigneto and Tor Pignattara districts, an underground scene made up of strong women has developed. A scene full of passionate women who dedicate their lives to experimentation and free art expression(…) When I discovered their world I immediately felt involved, and I decided to make this documentary." The result is a generous choral documentary about the female music/performance scene in the eastern area of Rome. A documentary about love for music and art, about freedom to be what we really want to be, trying to discover our true identity, beyond the stereotypical roles imposed by contemporary society. A documentary about choosing to follow the talents and desires that are essential for life, our life's blood (linfa), and that give meaning to our existence. It is a story of female artistic activism that becomes political demonstrating that it is possible to oppose the ordinary and banal with alternative creative worlds.