
À Vancouver is an experimental video essay featuring interviews with my father about our familial and individual sexual histories. Blending documentary and fiction, the video examines and expands upon parallel events in our lives, wherein we each traveled across Canada to Vancouver, and had formative (homo)sexual experiences at separate moments in time: my father as an 18-year-old traveling in the mid-60s and myself as a young teen and then adult in the mid-90s and 2000s. À Vancouver stages these narratives in the genre of the father-son road trip exploring themes of queer temporality, memory, and linguistic, cultural, and sexual inheritance.
7.1Socially inept 17-year-old cinephile Lawrence Kweller gets a job at a video store, where he forms a complicated friendship with his older female manager.
6.0Not long after moving into her own place, Maggie finds herself with two unsolicited roommates: her recently divorced mother, Lila, and her young brother. The timing is especially bad, considering Maggie has fallen hard for an attractive woman, Kim, only hours before they move in. What could be a nonissue becomes increasingly complicated -- since Maggie's family is unaware of her sexual orientation, and Maggie is not open to sharing that information.
6.8An 18th birthday mushroom trip brings free-spirited Elliott face-to-face with her wisecracking 39-year-old self. But when Elliott’s "old ass" starts handing out warnings about what her younger self should and shouldn't do, Elliott realizes she has to rethink everything about family, love, and what's becoming a transformative summer.
7.1In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
7.1Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending of their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.
6.4Estranged siblings reunite after years apart, forced to confront unresolved tensions and reevaluate their strained relationships with their emotionally distant parents.
6.8A group of teens discover secret plans of a time machine, and construct one. However, things start to get out of control.
7.2In 2008, during the last month of summer before high school begins, an impressionable 13-year-old Taiwanese American boy learns what his family can't teach him: how to skate, how to flirt, and how to love your mom.
6.8Matt Ryder is convinced to drive his estranged and dying father Benjamin Ryder cross country to deliver four old rolls of Kodachrome film to the last lab in the world that can develop them before it shuts down for good. Along with Ben's nurse Zooey, the three navigate a world changing from analogue to digital while trying to put the past behind them.
6.9In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
6.6A gang of bikers prepares for a race as sexual, sadistic, and occult images are cut together.
7.5When their plan to book a show at the Rivoli goes horribly wrong, Matt and Jay accidentally travel back to the year 2008. Blah blah blah blah blah.
6.7Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.
6.1A visual montage portrait of our contemporary world dominated by globalized technology and violence.
5.9After reuniting with his mother in Ho Chi Minh City, a family tragedy causes Binh to flee from Viet Nam to America. Landing in New York, Binh begins a road trip to Texas, where his American father is said to live.
7.3As the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
7.1Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
7.7Canadian folk artist Maud Lewis falls in love with a fishmonger while working for him as a live-in housekeeper.
6.7Various citizens of Toronto anxiously await the end of the world, which is occurring at the stroke of midnight on New Year's Day.
6.3While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, an alternating narrative reflects on 1968 society, politics and culture through five different vignettes.
