CFA Presents: Waxwing Slain (1968) by John Boggs (commentary by Charles Minnimatsu)(2020)

Dropout(en)

Italian immigrant kidnaps a wealthy British woman, and they fall in love.

We're No Animals(en)

A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.

Spree(en)

Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.

Yo creo que...(es)

Tetsuo II: Body Hammer(ja)

A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.

Same Player Shoots Again(de)

Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?

VR or ( mirages of a family )(de)

The interface of contrary realities is torn. Passion and fear of unbelievable strength are connecting and scattering the siblings. What remains: the search for love - the getaway into another reality?

Triptych on Matter and Death(sh)

A young woman, injured and alone, desperately seeks refuge in an empty house before finding an abandoned train car. Haunted by surreal visions, she repeatedly collapses. At dawn, her motionless form draws the curiosity of local children, leaving her fate uncertain.

Cinnamon(en)

An experimental film that lifts the veil on the world of African American drag racing.

The Quandary(en)

Cooper is given a decision that could help him finally make a difference or get him killed.

A Sleeping Woman(en)

A woman returning home after having a sour day decides to sleep.

Chelsea Girls(en)

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

60 Seconds of Solitude in Year Zero(en)

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

Perfect World(da)

A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".

What Was It Supposed to Be Like?(en)

Rather pointless, rather stilted, fetid; not what we want us going after.

Bullet in the Head(es)

Ion is a seemingly normal guy whose life goes by without a hitch. A phone call; a meeting with a friend; small, unimportant everyday situations. One day he gets into a car with two other people. They cross the border between Spain and France. The next morning, their lives will change forever.

The Space(en)

Two young men trapped in their apartment must rise to the occasion to pay back a loan shark.

Space in the Brain(en)

Image analysis in slow motion. Distortion and reversed reality perspective.

Everlasting Love(es)

Each day after work, Carlos, a language school teacher, frequents the heady surroundings of his local cruising ground. One evening he encounters a teenage boy from his class named Toni, and the two engage in a brief sexual tryst. As the relationship between teacher and student begins to develop, some dark truths emerge about the young man and his mysterious group of friends.

No Skin Off My Ass(en)

A lonely hairdresser watches the title sequence of "That Cold Day in the Park" then visits a local park to invite a down-and-out skinhead to his apartment. He draws the silent man a bath and talks to him as he soaks. He locks his guest in a bedroom. Next day, the skinhead leaves through the window and visits his sister, who's making a film called "Sisters of the SLA." He helps with a screen-test. The hairdresser has dreams and fantasies involving the skinhead, the skinhead returns to visit him, and then the filmmaker pays a call on the two men, exposing her brother as faking his silence and pretending a lack of sexual interest. Fantasies can come true.