Good Light, Good Air(2021)

Lionel Messi - The Drama of Argentina(pt)

Resistencia Cultural(es)

Messi(es)

His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi's personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia's unique perspective, Messi recreates the player's childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.

Let's be Together(ko)

Cartoneras(pt)

Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.

Corporate Accountability(es)

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

Debt(es)

DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.

Social Genocide(es)

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

Match 64: The Maracanã(en)

A documentary following the day life of fans in Brazil on July 13, 2014: the day when Germany and Argentina met up in the finals of FIFA World Cup.

Proyecto Ibera(fr)

The Crazy Che(es)

The incredible story of Bill Gaede, an Argentinian engineer, programmer… and Cold War spy.

Gwangju Video: The Missing(ko)

There are people whose lives have been shaken by the 'Gwangju Video'. On May of 1980, the course of their lives changed in front of a huge wave of truth in Gwangju. The people who made and spread the 'Gwangju Video' are also the people who had their bodies on the waves. The hidden stories of these people, the 40th anniversary of the Gwangju Uprising, and the pursuit to trace the missing 4 hours of mass shooting will be revealed for the first time.

Stars(es)

Shot almost in its entirety in the corridors of the Villa 21, one of Buenas Aires' most well-known shanty-towns, Estrellas (Stars) revolves around the work of Julio Arrieta, who is both a theatre director and is responsible for providing shooting locations for those directores wishing to film in an Argentine ghetto.

Proyecto Faim(es)

The Golden Generation(es)

How a once-in-a-generation Argentina team, led by Manu Ginobili, brought down the “Dream Team” and won gold at the 2004 Olympic Games.

Argentina... Argentina...(es)

존경하고 사랑하는 국민여러분(ko)

Our House in Cuba(es)

There was a time in Argentina, not so long ago, when the army wasn't only one, official, but many and made up by civilians. In those times of courageous youths determined to fight to the death for that cause upheld around Peronism as wll as some left-wing postulates, revolutionary Cubas was a beacon of hope in the world scheme -a Montonero nation. "A House in Cuba" seeks to recover the curious adventure of a couple of Montonero parents and their small children, who were lovingly sent into exile in order for their parents to take up arms.

Remembering So We Don't Forget(es)

Poetic images emerge from everyday life, interweaving with narratives that recall traces of events from the last civic-ecclesiastical-military dictatorship in the city of La Plata.

1982(es)

1982 is not a year, it is a number. It is the number of massacres that occurred in Colombia. Using a Hollywood film from 1919 the film creates a portrait of distant and yet persistent individuals, an observation of the gesture that survives despite the blind light cast upon them by time, routine or indolence.