Marco Spada was created at the Paris Opera in 1857 with choreography from Joseph Mazilier and music adapted from Daniel Auber’s comic opera of Marco Spada. Soon forgotten, the ballet was revived in 1981 with a brand new choreography by Pierre Lacotte for the Rome Opera, with Rudolf Nureyev as the 18th-century Italian bandit pretending to be an aristocrat, and Ghislaine Thesmar as his daughter Angela. At the Bolshoi, Marco Spada was premiered on the historic stage on November 8, 2013. Leading roles were performed by David Hallberg (Marco Spada), Evgenia Obraztsova (Angela), Olga Smirnova (Marchesa Sampietri), Semyon Chudin (Prince Frederici), and Igor Tsvirko (Count Pepinelli). Pierre Lacotte designed sets and costumes.
5.7Born to dance, Neneh is a 12-year-old black girl who dreams of entering the Paris Opera Ballet School. Despite her enthusiasm, she will have to redouble her efforts to escape from her condition and be accepted by the director of the school, Marianne Bellage, the guarantor of traditions and the bearer of a secret that links her to the little ballerina.
2.0A Russian ballet dancer defects from the USSR, emigrates to England, and joins a ballet company run by a powerful, wealthy lady (Joan Collins).
10.0Inspired by Mary Shelley’s Gothic masterpiece, Frankenstein is the world premiere of Liam Scarlett’s new full-length ballet. A story of betrayal, curiosity, life, death and, above all, love, exploring the very depths of human nature. Federico Bonelli dances the role of Victor Frankenstein, Laura Morera is his Elizabeth, and Steven McRae is the creature. Koen Kessels conducts Lowell Liebermann’s newly commissioned score in this co-production between The Royal Ballet and San Francisco Ballet.
7.2This 2017 movie follows the original dance academy TV show and tracks where the characters are in their lives now.
10.0A Christmas classic revisited in dance form at the Finnish National Opera: Charles Dickens' A Christmas Carol. It's the story of Ebenezer Scrooge, a grumpy, miserly old man who, on Christmas Eve, is visited by the ghosts of Christmas past, present and future. A magical tale popular with all ages, adapted into a ballet by an all-British artistic team including composer Sally Beamish and choreographer David Bintley.
7.8Russas, a small town in northeastern Brazil, is the home of Pacarrete, a grumpy retired dance teacher who dreams of getting a big shot and starring at a dance spectacle for the whole town to see. She's close to fulfilling that dream, but not without overcoming a few impediments along the way.
7.0The wicked fairy Carabosse is furious she wasn’t invited to Princess Aurora’s christening. She gives the baby a spindle, saying that one day the Princess will prick her finger on it and die. The Lilac Fairy makes her own christening gift a softening of Carabosse’s curse: Aurora will not die, but will fall into a deep sleep, which only a prince’s kiss will break. The masterful 19th-century choreography of Marius Petipa is combined with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. Recorded live as part of the Royal Opera House Live Cinema Season 2019/20 with encore screenings broadcast online during the #OurHousetoYourHouse programme.
9.0Darcey Bussell and Roberto Bolle star in Frederick Ashton's Sylvia, restored to the splendour of its elegant and opulent three-act form for the 75th anniversary celebrations of The Royal Ballet. With origins in Greek mythology, Sylvia was loved by Aminta, abducted by Orion and eventually rescued by Eros. Recorded live at the Royal Opera House, Covent Garden on 1st and 5th December 2005.
Mauro Bigonzetti's ballet based on Franz Kafka, performed by the National Theatre Ballet. Choreographer Mauro Bigonzetti, fascinated by the irresistible language of Prague native Franz Kafka and the enduring relevance of his novel "The Trial," was drawn into the dark world of Josef K and created a modern dance production depicting the world of the protagonist and his hopeless struggle with a cold and heartless modern society. Bigonzatti used music by a number of composers from different historical periods, from D. Buxtehude to H. Górecki, C. Monteverdi, and M. P. Mussorgsky. This selection is remarkably balanced and surprisingly contemporary.
0.0The childless royal couple expected a child for many years. They have got a real monster after the birth of their daughter. The young princess made life in the castle unbearable. The bullying of the governess, who turned out to be an evil sorceress, turned into a curse for the whole family. Fortunately, the kind fairy turned the curse into a test of strength and gave the young princess a groom and eternal love.
5.2Tita, who lives on a ranch in Mexico, falls in love with a boy, Pedro, who lives nearby; but when they want to get married, Tita's family prevents it, because she must remain single to take care of her mother.
0.0The Royal Ballet presents the world premiere of Cathy Marston's first work for the Company on the Main Stage alongside a revival of Jerome Robbins’s timeless classic of pure dance. The Cellist is a one-act ballet about British cellist Jacqueline du Pré, from her discovery of the cello through her celebrity as one of the most extraordinary players of the instrument to her frustration and struggle with multiple sclerosis. Jerome Robbins's Dances at a Gathering is a fluid exercise in pure dance for five couples, set to piano music by Fryderyk Chopin.
A performance film following the young ballerinas of Na Ponta dos Pés, an art school founded by Tuany Nascimento in Rio de Janeiro.
0.0The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).
8.0In this resplendent and magical classic, the Bolshoi dancers - including David Hallberg in his Bolshoi debut - take us on a dream-like journey through this classic fairy tale complete with jewel fairies, a magical kingdom, a youthful princess and a handsome prince in this purest style of classical ballet. The Bolshoi’s sumptuous staging with its luxurious sets and costumes gives life to Perrault’s fairy tale unlike any other. This performance of Sleeping Beauty was filmed as a sort of celebration of the grand reopening of the Bolshoi Theater's Main Stage (it had been closed for several years for a refurbishment).
10.0This unusual and intriguing interpretation of the ballet Cinderella with choreography and staging by the renowned choreographer, Maguy Marin, is set in a doll’s house with costumes to suit. This avant-garde, breakthrough version of the tale of Cinderella, described as a brilliant theatrical triumph, has toured the world since its premiere in 1985 and is acclaimed for its amazing manipulation of mood, its intriguing narrative and innovative staging. The production is regarded by some critics as a stepping stone from classical ballet to something radically new.
6.3When her niece is cast in The Philadelphia Ballet’s production of the Nutcracker, a jaded ex-ballerina is forced to come to terms with the life and love she left behind.
A one-hour version of Tchaikovsky's classic ballet, with a somewhat revised storyline reminiscent of "The Wizard of Oz".