A story inspired by real events that took place in the port of Valparaiso. Four poor children have been abandoned because their father, who is out of work, steals cattle to feed them and the police have arrested him. The story takes up the children's point of view and is structured in four episodes that describe their inevitable descent into the world of marginality and crime. Faced with life in a brutal way, from their problematic social situation, they head towards a marginality that is difficult to avoid.
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
A young boy is sent to live with relatives when his parents break up. He befriends a dying boy who has an eerie connection with nature.
This is the story of a teenager at the turn of the century in the conservative higher classes of Chile and the initiation rites in his society.
During Argentina's military dictatorship, a blind man desperately tries to reconnect with his teenage son, a disturbing young man who channels his inner torment through rats.
Without any sounds, dialogues and with unknown actors, the images are the focus of this film. Images that want to awake, to question determinant moments, state of a system's languages, the morality of deaths, the immobility, the silence, among other subjects. Shot at the height of the Brazilian military dictatorship, it is an affront to the most diverse types of repression in that period.
A man released from prison falls in love with the blind wife of a cellmate, whom he promised, when inside, to visit. He poses as the real husband, planning to kill him, but finds the wife is not so innocent as he thought.
A woman who was a traumatized victim of family violence and economic hardship was forced to join three friends in robbing an antique house.
This telefilm is based on "Chorer Master Computer Engineer" by Rahitul Islam. A fresh engineer graduate from Tangail decides to leave his girlfriend, career and metropolitan life behind to teach students and farmers in his home village.
Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.
In his film studio, Patrick BOKANOWSKI talks about his research (audiovisual and animation techniques) for his new project ("L'Ange" which will be released in 1982). Filming scenes, and excerpts from his short film "Lunch in the morning," punctuate the interview. On a film set, Patrick BOKANOWSKI describes some scenes of his project, notably "the attack of the castle of the egg"; it evokes the influence of the painter Henri DIMIER, of which he was the apprentice, his research on photographic printing, optical systems of shooting, and objectives. - He comments on a sketch of preparation explaining the image sought, and the means implemented. - Images of the shooting of scenes of characters in the darkness and light beams, accompanied by music, punctuate the interview.
This documentary is about the Afghan cameleer who came to Australia more than a century ago, and travelled across some of the harshest parts of the country. The film explores the historic relationship between the desert and Afghani immigrants in Aboriginal Australia by looking at the role they played in the development of the country and how they helped to set up the railway lines, overland Telegraph line and provided supplies to remote mission stations and farms. By the mid–1800s, exploration in Australia was at its peak with expeditions setting out almost monthly. The race to map the continent, locate natural resources or find new places to settle moved away from the coast and further into the inhospitable heart of Australia. It was soon obvious that the traditional horses and wagons used for such expeditions were not suitable in this strange and foreign land.
This kid has to move to a farm in his summer vacation and don't get to go to Norway Cup as he had planned for. Out on the country there is bad cellphone reception, cow smell and inbreed farmers as far as the eye can see. The family Volvo get stolen and the foreigners in the small town automatically gets blamed. From there is a chase to discover what truly happened...
A father's takes his estranged son on a fishing trip as a way of bonding, but when the car breaks down he realises it's not the only thing that needs fixing.
Growing up in post-World War II era Arizona, young Sammy Fabelman aspires to become a filmmaker as he reaches adolescence, but soon discovers a shattering family secret and explores how the power of films can help him see the truth.
Two stories showcasing the problems children face while growing up.
Story of a ten-year-old girl left alone in her house in the summer of 1981.
His school is closed. There are no other children on those mountains. To keep studying, this young kid must go to another place - unknown place. He finds haven in places he knows. Deep into autumn and this caterpillar still not a butterfly
Dito Montiel, a successful author, receives a call from his long-suffering mother, asking him to return home and visit his ailing father. Dito recalls his childhood growing up in a violent neighborhood in Queens, N.Y., with friends Antonio, Giuseppe, Nerf and Mike.
Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.
Bullied at school and ignored and abused at home by his indifferent mother and older brother, Billy Casper, a 15-year-old working-class Yorkshire boy, tames and trains his pet kestrel falcon whom he names Kes. Helped and encouraged by his English teacher and his fellow students, Billy finally finds a positive purpose to his unhappy existence.
Two 9-year-old boys, Jontti and Länki, grow up in a Finnish seaside town in the 1960s. Länki's biggest dream is to run away on a ship to the sea where his father is rumoured to have died. Jontti too must discover that his father is not what he appears to be. When his dad moves away with another woman, Jontti is determined to win him back.
A man searching for his childhood best friend — a Polish violin prodigy orphaned in the Holocaust — who vanished decades before on the night of his first public performance.
Handed over to foster care by his mother—who's unwilling to give up permanent custody—the now-adolescent François understands that nothing in life is permanent, and his increasingly erratic actions reflect this knowledge.
Amy, the young, friendless daughter of Oliver and Alice Reed, befriends her father's late first wife and an aging, reclusive actress.
Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.
Matoom, a young Thai boy comes to the gradual understanding on the ephemerality of his family life through his re-collected memories - inspired by 'Bright', the first Thai novel by a female writer to have appeared in English.
A single mother suffers a devastating stroke leaving her teenage daughter and 7-year-old son to care for her, testing the family's strength to hold things together as their roles are reversed.
The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
Martha is unhappy with her life as it is at the moment, and among other issues, she has decided to give up her writing career. Along with that decision comes a need to get away from her husband and from her psychiatrist, with whom she has had more than just a doctor-patient relationship. As Martha travels through a deserted city landscape in a storm, the external world reflects something of her inner turmoil. Flashbacks are interspersed throughout the film to enhance the suspense of Martha's inner and outer journey.
August 1914. While the German army is gaining ground in the North of France, four boys aged 10 to 15, LUcien, LUcas, LUigi and LUdwig are left behind during the evacuation of their orphanage. Without the protection of Abbé Turpin and the schoolteacher Leutellier, the Lulus are now stranded on their own behind the enemy front line. Soon joined by LUce, a pretty young girl separated from her parents, they decide to reach the neutral country of Switzerland by all means possible... they embark on an adventure for which nothing and no one has prepared them!