Fake Fiction(2018)

The Illiac Passion(en)

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound , finds the personalities of his characters to have a timeless universality.

Sans mentir(fr)

"To invent a wife when you're single, and you want to seduce a young woman who claims to be attracted only to married men, you still have to lie. To make your new conquest believe that you live in the superb duplex that you keep during the holidays, you must always lie. For Serge, this cascade of lies will lead to new catastrophic fabrications, but also reveal astonishing truths. His professional and sentimental life will be turned upside down, dragging his best friends into its whirlwind. The only certainty of this story, is that WITHOUT LIE, nothing would have happened. "

La Comédie presque française : L'Ecole des naans(fr)

The Almost French Comedy tackles another classic by Molière, "The School of Women". A fop as a hero, an attractive heroine and a thwarted love story: the ingredients are there, but the staging is not classic. The troupe invites spectators to a Bollywood version, based on Molière's play.

Vers toi terre promise(fr)

"At the end of the war, despite the loss of one of their two daughters at Auschwitz and with the vain hope of finding the other entrusted to the Carmelites, a dentist and his wife are trying at all costs to return to life. Perhaps the Promised Land will heal their sorrows ... "

The Death of Abraham Lincoln (In Three Parts)(en)

An ahistorical re-enactment of the strange and curious events that led up to the untimely demise of our nation’s sixteenth president.

Daumë(en)

Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.

The Breathers-In(en)

The Breathers-In is a 16mm experimental narrative film in which two Victorian Sisters float through a post-industrial landscape of Loss and Alienation. Through the use of archetypal characters, silent-film aesthetics, and asynchronous sound, The Breathers-In produces a world in which established constructs of identity, race, and narrative itself are slowly splintered apart.

the quarry(en)

the quarry is a silent document of five minutes in the presence of the sublime. This small, quiet 16mm film serves as a testament both to cinema’s failure to reproduce the lived moment and to its success in replacing that moment with one that is equally wondrous.

Terra Incognita(en)

Terra Incognita is a lensless film whose cloudy pinhole images create a memory of history. Ancient and modern explorer texts of Easter Island are garbled together by a computer narrator, resulting in a forever repeating narrative of discovery, colonialism, loss and departure.

The Tawny(en)

Where have you been? I have been waiting for you. Let us begin. The Tawny Frogmouth is not an owl. Here is its actual call: hrr hrrrm hrr hrrrm hrr hrrrm.

Extra Terrestrial(en)

“A deadpan video art reworking of 1982's highest-grossing movie, EXTRA TERRESTRIAL peels away layers of sentimental narrative goo from its source, exposing a hard core of anxiety, loneliness and dread. Shifting the focus from character to interior, Ben Russell and Rhyne Piggott mine the landscape of a beige-carpeted ranch style house for new insights into the architecture of suburban alienation.” - Anne Reecer, Cinematexas

Last Days(en)

The Valley of Fire. Oficina Chacabuco. The Calumet Industrial Corridor. From the outskirts of Vegas to the desert ghost towns of Chile - a pinhole travelogue for the world’s end, for what was left behind.

The Twenty-One Lives of Billy The Kid(en)

Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.

The Red and the Blue Gods(en)

An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.

KWAIDAN(pt)

La deuxième femme(fr)

Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.

Brincando el Charco: Portrait of a Puerto Rican(en)

Contemplates the notion of "identity" through the experiences of a Puerto Rican woman living in the US. In a wonderful mix of fiction, archival footage, processed interviews and soap opera drama, the film tells the story of Claudia Marin, a middle-class, light-skinned, lesbian Puerto Rican photographer / videographer who is attempting to construct a sense of community in the US. Confronting the simultaneity of both her privilege and her oppression, this experimental narrative becomes a meditation on class, race, and sexuality as shifting differences.

Dog Star Man(en)

Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.

Revizor(cs)

Man with a Movie Camera(ru)

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.