The Whole World is Watching(1971)

Dancing Among Wolves(vi)

In mid-1971, French television organized a press conference in both Paris and Washington, with 20 journalists participating—10 of them, mostly American, defending the U.S. stance, while the other 10, mostly French, remained neutral. Madam Bình sat alone among these formidable journalists, under bright lights, calmly and confidently responding with strength yet courtesy, clearly expressing her goodwill in seeking a political solution to end the war. Her image at that moment led people to metaphorically compare it to "dancing among wolves."

Millions Can Walk(en)

Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.

Der er et yndigt Land(da)

WMD: Weapons of Mass Deception(en)

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

Chicago 10(en)

Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.

Boll Mo: Sexism in Kosova(en)

A documentary exploring sexism and patriarchy in Kosova.

Tugging Diary(cn)

Tugging Diary documents a footbridge over a year between August 2019 to January 2021. Due to social unrest and the uncertainty of various immediate happenings, both the internet and physical spaces act as critical communication platforms of its own during this period. As such, information can be circulated in the community more widely and rapidly outside of the existing mainstream media. As time goes by, these materials are continuously altered, some were renewed, while the others were removed, covered with paint, or overlaid by other information.

Reverse(ru)

They came to Donbass from different countries in search of truth. And they stayed on for the sake of those whose voices were not heard. Dialogues about war and duty, a long search for meaning amidst the ruins, working with tragic footage. This is a film about those for whom Donbass has become a refuge of truth.

Vietnam: Secret Negotiations that Ended the War(fr)

While the war raged on, Henry Kissinger, national security advisor to President Nixon, and Lê Duc Tho, member of Vietnam's Politburo, held secret meetings in France.

The Atomic Cafe(en)

A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.

Autopsy(es)

Mondo-style docudrama about a war correspondent who comes back home and has a spiritual crisis about his own mortality. Surreal fantasy sequences are mixed with graphic real autopsy footage.

Bob and Roberta's Excellent Protest Adventure(en)

British artist, academic, musician and activist Bob and Roberta Smith has been waging slightly odd political protests for years, in this documentary he investigates the age of activism and discovers what people are protesting about.

John Huston War Stories(en)

During World War II, the propaganda engine of the U.S. government made a pivotal decision with unforeseeable results: they tapped John Huston to shoot war documentaries with an expressly patriotic spin. Few could guess the degree to which Huston's documentaries would depict the sheer brutality and horror of modern warfare - particularly his Let There Be Light and The Battle of San Pietro. The films served (by default) as cinematic protests, even as they graced new and brilliant heights within the scope of American documentary. (Indeed, Light was banned by the government for 35 years). Midge Mackenzie's 1998 documentary John Huston: War Stories explores this little known facet of Huston's career, intercutting clips from the various documentaries with a Huston interview shot just prior to his death.

The Four Elements(en)

An educational film about power sources that’s rendered as a lyrical meditation on heat and vapor, The Four Elements is a poetic and avant-garde documentary Curtis Harrington made for the United States Information Agency.

The Fall of Saigon(en)

In April 1975 -- despite a ceasefire agreement -- the North Vietnamese communists took Saigon and the world by surprise, mounting an offensive that ousted the South Vietnamese government. This enlightening documentary recounts the last two years of America's military engagement in the country and the U.S. role in Saigon's fall. Interviews with former National Security Adviser Henry Kissinger and North Vietnamese officers provide context.

Two Forgotten Boxes(it)

Before becoming a film critic, then a maker mainly of sharply engaged documentaries, usually in tandem with her late husband Lino Del Fra, Cécilia Mangini was a photographer. Taking pictures was something she did all her life, alongside whatever else she was working on. In 1965 Mangini and Del Fra went to war-torn Vietnam to make a film they never finished. More than half a century later, she returned to these images, moving and still, some of which she found again by accident.

The Term. Beginning of a Big Story(ru)

The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.

Revolution of Our Times(cn)

Throughout Hong Kong’s history, Hongkongers have fought for freedom and democracy but have yet to succeed. In 2019, a controversial extradition bill was introduced that would allow Hongkongers to be tried in mainland China. This decision spurred massive protests, riots, and resistance against heavy-handed Chinese rule over the City-State. Award-winning director Kiwi Chow documents the events to tell the story of the movement, with both a macro view of its historical context and footage and interviews from protestors on the front lines.

Dislocation Blues(en)

Filmed during the 2016 Standing Rock protests in South Dakota, Sky Hopinka's Dislocation Blues offers a portrait of the movement and its water protectors, refuting grand narratives and myth-making in favour of individual testimonials.

Albania(sq)

Made by the highly influential Russian cameraman Roman Karmen, this documentary vividly features Albanian life immediately after the communists came to power in 1944. The film is especially memorable since it’s missing much of the heavy socialist realism that marked Albanian doc making. Shortly after he completed the film, Karmen set off for Berlin to shoot the Soviet victory over Nazi Germany.