2006 the only year that i remember(2019)
Alberto Van den Eynde's work investigates two conceptions of the image: as a capturer or rescuer of past moments and as a cause of the anguish implied by its recovery. The author's approach to his twelve-year-old self is articulated through a mosaic of vacation videos found in an old family camera. These memories form a touching, nostalgic, self-parody warp, the digital remnants of a new generational sensibility.
Movie: 2006 the only year that i remember
HomePage
Overview
Alberto Van den Eynde's work investigates two conceptions of the image: as a capturer or rescuer of past moments and as a cause of the anguish implied by its recovery. The author's approach to his twelve-year-old self is articulated through a mosaic of vacation videos found in an old family camera. These memories form a touching, nostalgic, self-parody warp, the digital remnants of a new generational sensibility.
Release Date
2019-06-09
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
EspañolKeywords
Similar Movies
Tonto-tour(es)
A series of visual paradoxes between the names of the streets of Madrid and those of the shops located in them.
FFG: un retrato(es)
An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all time.
Paris '50 - Existence imagined(it)
An essay film about Jean-Paul Sartre and the French Existentialists, featuring Roland Barthes' last interview.
Sandes(tr)
Berkay Özdinç turns the ghost hotel into a protagonist, which conduces to the meeting of his parents and is thus associated with his existence. In the film which goes over the places, while wandering in the current state of the hotel, he reawakens the memory of the place with his parents’ narration.
Michael Berger: A Hysteria(de)
Depicting the biography of a corrupt banker poses a cinematic dilemma. How can the intentions of an individual systematic contexts and historical eventualities be brought into harmony? Thomas Furhapters nearly one hour film Michael Berger Eine Hysterie turns this problem outward by not covering up the moment of speculation. The subject of the film, Austrian investment banker Michael Berger, who became a dollar millionaire through a risky hedge fund, remains a chimera an absent individual who also cannot be captured through his crime.
Debra Paget, For Example(en)
A video essay where the author presumes motivations and insights in a fictionalized biography regarding Debra Paget, a contract player for 20th-Century Fox whom they groomed and coached for stardom.
Klassenverhältnisse am Bodensee(de)
A filmmaker reconstructs a common memory about the formerly industrialized Lake Constance region, which was also largely built up by migration – and in recent years has mainly attracted people who do not like to pay taxes. The imprints speak, the fog. Without talking heads, in perspectives beyond the memorialized self-image of this region, classism becomes comprehensible.
Visions of Europe(en)
Twenty-five films from twenty-five European countries by twenty-five European directors.
(There Is No) Cure(en)
In this new video essay, filmmaker Alexandre O. Philippe delves into the dread-inducing mood and tone of Kiyoshi Kurosawa’s modern horror classic Cure, deploying a dizzying range of cinematic references to unravel the film’s eerie magic.
I, Apostate(en)
A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk. A pilgrimage of memory, history, ancestry, and place.
Lejano Interior(es)
A "cinematic object" by Mariano Llinás, divided into 9 chapters, based on the poetry of Henri Michaux.
October in Madrid(fr)
Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)
Magritte or the Object Lesson(fr)
The surrealist painter René Magritte questions the objective reality and emphasizes the arbitrariness of the relationship between an object, its image and its name: the evocation of mystery consists of images of familiar things gathered or transformed in such a way that they no longer conform to our ideas, whether naive or wise.
Ozu: Passageways(en)
People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.
