The Secret Mona Lisa(2012)

The Painting(es)

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.

Cartoon College(en)

Every fall, The Center for Cartoon Studies invites 20 aspiring cartoonists to White River Junction, Vermont for a no-holds-barred education in comics. Those who complete the two-year program earn a Master of Fine Arts degree and are ready to face the hardship of a career in one of the world's most drudgery-inducing art forms. This is their story.

The Lost Portrait of Bonnie Prince Charlie: A Culture Show Special(en)

In 2009, art detective Dr Bendor Grosvenor caused a national scandal by proving that the Scottish National Portrait Gallery's iconic portrait of Bonnie Prince Charlie, the rebel Stuart who almost seized power in 1745, was not in fact him. Keen to make amends, and suspecting that a long-lost portrait of the prince by one of Scotland's greatest artists, Allan Ramsay, might still survive, Bendor decides to retrace Charles's journey in the hope of unravelling one of the greatest mysteries in British art.

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

#monalisa(en)

People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?

The Genius of Turner: Painting the Industrial Revolution(en)

A film that looks at the genius of JMW Turner in a new light. There is more to Turner than his sublime landscapes - he also painted machines, science, technology and industry. Turner's life spans the Industrial Revolution, he witnessed it as it unfolded and he painted it. In the process he created a whole new kind of art. The programme examines nine key Turner paintings and shows how we should re-think them in the light of the scientific and Industrial Revolution. Includes interviews with historian Simon Schama and artist Tracey Emin.

Mona Lisa Smile(en)

Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.

Oskar Kokoschka : Portraits européens(fr)

Miss Hokusai(ja)

A daughter is constantly overshadowed by her famous father, but she is determined to make her own mark in the world.

Be Still(en)

Already a successful portrait photographer, Hannah sets to reinvent this art form. Abandoning herself to a creative process that might easily be mistaken for madness, she's soon visited by mirror images of herself, as well as her daughter's ghost. Inspired by the life of photographer Hannah Maynard (1834-1918).

They Are Here(en)

Dangling from a high window, a young non-binary person is on the cusp of life and death. Flashes of film, literature, art (paintings) and cultural history pass them by, as if to tell a message. A postmodern treatise on connection to culture and the past.

Eighteen fragments from Malcolm Le Grice’s After Leonardo(en)

"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice

Emil Nolde(en)

For the whole of his long life Emil Nolde, the leading German Expressionist, luxuriated in colour. Before the First World War in Berlin he made many paintings of the theater, music-hall and opera; he loved flowers and even coaxed a garden out of the salty soil of the Baltic coast, where he had built himself an isolated house. His parents were Frisian peasants and he loved the landscape of North Friesland: it was the theme of many of his pictures. But the Nazis disapproved of his work and finally forbade him to paint at all. Although Nolde was already in his seventies when this happened, no political regime could stifle his vision. At great danger to himself he continued to work, making watercolour sketches the size of postcards, which he called 'unpainted pictures,' meaning them to serve as sketches for the large oils he would paint when he was free. And he did outlive the Nazi regime, marrying a twenty-eight-year-old woman in 1948 and painting up until the year before he died.

Kandinsky(de)

The Russian painter Wassily Kandinsky claimed, or has been credited with, the 'creation' of abstract art. At the core of this film is a dramatic recreation of Kandinsky's account of returning to his studio one dark evening, and being astonished by an unknown masterpiece of abstract art leaning against the easel - a picture which turned out to be one of his own landscapes fallen on its side. 'Now I knew for certain that the object spoiled my pictures.' While this film's narration does indeed emphasize the notion of an inspired breakthrough to Abstraction, the picture it conveys in more purely filmic ways is a rich and complex one.

Dark Star: H. R. Giger's World(de)

An account of the life and work of Swiss painter, sculptor, architect and designer H. R. Giger (1940-2014), tormented father of creatures as fearsome as they are fascinating, inhabitants of nightmarish biomechanical worlds.

The Cinematograph: Birth of an Art(fr)

Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.

Lee Miller: A Life on the Frontline(en)

A documentary celebrating Lee Miller, a model-turned-photographer-turned-war reporter who defied anyone who tried to pin her down, put her on a pedestal, or pigeonhole her in any way.

M. C. Escher: Journey to Infinity(nl)

A portrait of the visionary Dutch artist M. C. Escher (1898-1972), according to his own words, taken from his diary, his correspondence and the texts of his lectures.

An Unsatisfying Metaphor(en)

Documentary about the history of 20th century globalization through the lens of the World Trade Organization's changing art collection; from works of human subjects showcasing the potential of dignified labor, to their replacement with abstract maps and grids for the valorization of the modern trade system.

The Mystery of Mona Lisa(es)

The Mona Lisa, also known as La Gioconda, is a work by Leonardo Da Vinci and one of the most famous paintings in the world. It is currently on display at the Louvre Museum in Paris and is visited by millions of people every year. The Gioconda has not only gone down in art history for its artistic value, but also for the mystery surrounding its creation. Painted between 1503 and 1519, Da Vinci's last great work was revolutionary for the painting techniques used. After several analyses of the painting, it is known that the artist first made the drawing and then applied the oil paint. Da Vinci was the inventor of the 'sfumato' or blurring technique, which consists of blurring the outline of the drawing and softening the colors to create a play of shadows that gives the figure a three-dimensional effect.