At forty years old, Devin Dearth is a successful businessman, a loving husband, father of three, a devout Christian and champion bodybuilder. He and his family reside in the small community of Central City, Kentucky where they live the ideal "American Dream." That is, until Devin suffers a devastating stroke. Caused by a bleed in the brain stem, the stroke leaves him paralyzed on his right side and unable to walk, with difficulty speaking, double vision and inability to care for himself or his family. He has met his ultimate adversary: The limits of his own mortality. We follow Devin on this unconventional journey, during which his courage, faith, patience and desire to overcome are tested on a daily basis. The trials he and his family endure along the way remind us that the human spirit can transcend any boundaries while exploring a universal community of healing and transformation. Written by Bigfoot Entertainment, Inc.
Ulysses, a professional wrestler, is going to watch another fight in which a wrestler is up against a horde of zombies. One of the zombies kills a waitress and Ulysses and his friends decide to take matters into their own hands and track down the origins of the creatures.
Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
The very short adventures of a samurai and his fighting bear.
Icíar and Fernando are young. They are both going through the most traumatic experience of their short lives: the loss of a parent. But Fernando and Icíar can neither share the pain nor the strategies for dealing with it. They live in different times. Fernando in 1977 in Bilbao faces the kidnapping of his father by ETA. Icíar in 2011 in Navarra faces her mother's fulminating cancer.
The happening of a ceremonial robing of the youngest daughter as a novice in a Swabian convent screws up the values of a modern family. As if life wasn't complicated enough anyway. And how are you supposed to be happy without new clothes?
There's a funeral in Sapmi. The dead is the father of 17-year old John-Andreas. He now remembers what his father told him shortly before his death. Will John-Andreas manage to take over? It's tough to continue, when reindeers keep disappearing.
THE BIG SHOT, a stunning new action short film. Made in the 3TC film/theatre class of an “average” high school.
Michael Wolffsen (Tyler Mane) receives an urgent phone call and takes his nephew and fiancee and makes the journey home to his only other living relative: his estranged, eccentric (and extremely paranoid) father, Gary (Muse Watson), who is obsessed with building an unassailable compound. Once they arrive at Gary’s modest home, surrounded by acres and acres of grounds full of cameras and other security sensors, Michael is surprised and concerned to learn that his father is in the early stages of dementia. The house is now also covered in supernatural and occult symbols. Welcome to the compound, COMPOUND FRACTURE. Will the stronghold that was designed to save them be their everlasting tomb?
The president of the United States is planning a visit to Mexico, and some local Islamic terrorists are going to be ready for him; they've kidnapped a nuclear scientist and a bomb expert to help them. Their leader (Eleazar Garcia, Jr.) goes head-to-head with the chief of the Mexican Secret Service, who has a secret weapon of his own in a beautiful Russian Special Agent ((Gabriela Del Valle). The fate of North America lies in the hands of this dynamic duo as they race to beat the clock in this harrowing tale featuring three of Mexico's favorite stars.
It is 1980. Sadatomo is at a secondary school in a small town. His parents barely take any notice of him. The strict teacher Kobayashi has hung up a 'humanity index' in the classroom, divided into the categories 'delinquents', 'scum' and 'people'. In each category he has hung name-cards of pupils. One day Kobayashi finds out that Sadatomo and his friends have stolen some things from a shop for fun. Their fathers are informed and as punishment, the children have to write a 'self-critical' essay of no less than thirty pages. For the first time, Sadatomo is beaten by his father. Shocked, he writes a piece entitled 'I am an onion', in which the teacher thinks he can detect a first sign of humanity. That is the start of a confusing situation in which it gets hard to distinguish lies, truth, justified self-criticism and opportunist wheeler dealing, even for the boys.
According to an urban legend, a girl named Hikiko Mori was taunted and bullied relentlessly by her classmates, eventually resulting in her accidental death. Holding a grudge against all bullies, her spirit now haunts her former school, slowly gathering the strength to exact vengeance on the living. A group of frightened school girls decide to investigate the rumors further and what they find convinces them that they have to stop the spirit of Hikiko-san before it’s too late
Sex and Cinema is a steamy trip through the looking glass of the camera lens, depicting how sexually charged films reflect our own sexual liberation. It will unzip America's obsession with sex, both from a cinematic and social perspective, exposing the hypocrisy inherent in our culture's war against eroticism (be it film, art, literature or song lyrics). The special will look at many films that push the boundary, from mainstream studio films to product that in its time has been considered pornographic.
A small town drugstore owner (Jed Prouty) hopes to strike it rich by investing his savings in an oil well. Comedy.
Concert of the Who's first filming of the Rock Opera «Tommy» at London's opera house, the Coliseum, 14 December 1969. At this point, the Who were in full stride, playing behind Tommy and making waves where ever they went. This performance, as rough and raw as it seems, is the Who at their all-time nastiest. Opening with the powerful «Heaven And Hell», the group slays each number — «I Can’t Explain», «Fortune Teller», «Tattoo» — before ascending the mountain of conceptual copiousness.