The Legend of the Miraculous brothers according to the paintings of Beato Angelico.
After the untimely death of his 35-year old brother, an artist explores the questions that surfaced from grief by painting 365 paintings and to spur conversation in culture.
Ahmed (Ahmed T. Ragheb), an Egyptian-American aspiring actor, anxiously awaiting news of his latest film audition, gives in to his superstitions and sets off on a journey across Pittsburgh, trying to force the hands of fate. Lily (Grace Cooper), a photography student, meanwhile, criss-crosses the city unseen on a journey of her own, photographing and recalling scenes from her past.
In the late 1950's, Jasper Johns emerged as force in the American art scene. His richly worked paintings of maps, flags, and targets led the artistic community away from Abstract Expressionism toward a new emphasis on the concrete
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
Rosalie, an aging art historian, falls in love with a troubled bisexual artist half her age. Their relationship becomes pure torture for them both.
In 1968 Roger Smith ate a peach during a break from work. When he was finished he took out a pocketknife and began carving the peach pit into a tiny pig. 43 years later the retired meter reader and cattle rancher from Culloeka, Tennessee, has carved hundreds of peach seeds into hummingbirds, stingrays, gospel choirs, entire villages, even a baseball stadium with more than 100 figures. "Given enough time," says Smith, "I don't think there is anything you can't make out of a peach seed."
The dramatic story of Egon Schiele in his own words, celebrating his remarkable artistic achievements but also debating the controversies around his work.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
Childlike Englishman, Mr. Bean, is an incompetent watchman at the Royal National Gallery. After the museum's board of directors' attempt to have him fired is blocked by the chairman, who has taken a liking to Bean, they send him to Los Angeles to act as their ambassador for the unveiling of a historic painting to humiliate him. Fooled, Mr. Bean must now successfully unveil the painting or risk his and a hapless Los Angeles curator's termination.
Actor Mark Bonnar is on a mission to understand more about the Scottish new towns in which he grew up, exploring the street sculpture made by artists such as his dad in the 60s, 70s and 80s. He discovers why the new towns are there and how they enticed people out of the bigger cities, and uncovers the surprising ways in which public art changed the new towns and the new towns changed public art. Mark's father, Stan, made sculptures that stand to this day on the streets of Glenrothes, East Kilbride and the Scottish new town that never was, Stonehouse. These new towns employed town artists to make artworks in the very housing precincts the new residents were moving into.
Los Angeles-based artist Ed Ruscha’s 1975 short film Miracle centers on a day in the life of an auto mechanic (played by artist Jim Ganzer), who has a transformative experience while working on the engine of a Ford Mustang. Actress and singer Michelle Phillips of the Mamas and the Papas plays his love interest. Since the 1960s, Ruscha has received extensive critical acclaim for his paintings, photographs, drawings, and books exploring the commercial vernacular of Los Angeles—its graphic signage, architecture, and even parking lots. In effect, his work subtly comments on America’s cultural and socioeconomic evolution in the twentieth and twenty-first centuries. Miracle is one of only two films made by the artist in the 1970s. – Contemporary Art Museum St. Louis by Kelly Shindler, Associate Curator
A short, low-budget documentary that follows a small jobbing band from the north of England called 'Hardwicke Circus' as they perform a gig and music workshop at 'Standford Hill HMP', a men's prison on the Isle of Sheppey in the south of England. Shot in Ben Archer's fly-on-the-wall 'gonzo' style of filmmaking and taken from the band's late-2019 tour of England's south coast, this documentary focuses on the joy of performance and music in an environment that does not often allow such expression. Bookended by short commentary from the band's lead singer Jonny Foster, 'Hardwicke Circus: The Prison Gig' is an uplifting ode to the power and necessity of art, even for those that society have deemed not to deserve it.
An isolated filmmaker struggles to connect with others in the absence of cameras. When he becomes creatively stuck, the world around him begins to dissolve.
A film record of an exhibition of the late work of Paul Cezanne, organized by The Museum of Modern Art and the Reunion des Musees Nationaux in Paris. The camera moves across details of paintings, as well as details of Cezanne’s studio, providing an intimage, close-up view of the artist’s work. The narration is provided by Cezanne’s own words, taken directly from records of correspondence. 22nd Annual San Francisco International Film Festival Participation- Communication Competition, 1978.